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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: Jamie Lee Curtis

20 Horror films set to go under the knife in 2020

13 Monday Jan 2020

Posted by surgeons of horror in Uncategorized

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a quiet place sequel, antlers, anya taylor joy, army of the dead, bill murray, blumhouse productions, brahms, candyman, charlie heaton, chris rock, cillian murphy, clive barker, dan ackroyd, danny mcbride, darren lynn bousman, dave bautista, david gordon green, diana rigg, disney, edgar wright, elisabeth moss, emily blunt, ernie hudson, fantasy island, finn wolfhard, floria sigismondi, ghostbusters, ghostbusters afterlife, gretel and hansel, guillermo del toro, Halloween franchise, halloween kills, henry james, james di monaco, Jamie Lee Curtis, jared leto, jason blum, jason reitman, Jigsaw, john krasinski, Jordan Peele, keri russell, kristen stewart, Leigh Whannel, mackenzie davis, maggie q, maisie williams, marvel, matt smith, max minghella, michael chaves, michael pena, michael rooker, morbius, nia dacosta, nick antosca, nicolas pesce, Patrick Wilson, robert eggers, robert pattinson, samuel l jackson, Saw, sony, sophia lillis, Steven Spielberg, terence stamp, the brothers grimm, the conjuring, the conjuring 3, the grudge, The Invisible Man, the lighthouse, the new mutants, The Purge, the turning, the turning of the screw, the warrens, tyrese gibson, underwater, Universal Horror, Vera Farmiga, vincent cassel, Willem Defoe, zack snyder

100 years ago the Roaring Twenties came into effect with a social and economic boom that pushed the boundaries of experimentation and exploration dubbing it the crazy years. 

Cinema has evolved greatly during this time and spawned Robert Miene’s silent horror in German Expressionism, which is still considered a classic among some critics. 

While the tides have shifted and the boundaries of what is classified as horror has twisted through the years, moving numerous debates and discussions along the way, we come to a time when originality can be hard to come by, or perhaps the audience has become too critical and our perceptions have changed. 

Can the films of today cause a deeper development in the genre that we’ve come to love and like the films that were born a century ago stir the insanity again and break new ground in the process?

Let’s look at what 2020 has in store and see if indeed it will deliver.

Jan 23 – Underwater

This film has led some early reports to compare it to Alien but in the ocean deep instead of the far reaches of space. It does boast Kristen Stewart in the cast who may divide audiences and has been a bit hit and miss of late in her film choices but she is supported in this instance by Vincent Cassel, who is known for choosing experimental films. Does this then mean that this team of underwater researchers will uncover not only a few beasties but also break new ground in the process?

Prediction: Neither sink or swim. A drifter that will entertain some but not cast anything new into the cinematic landscape.

Jan 24 – The Turning

Based on Henry James novel, The Turn of the Screw and produced by Steven Spielberg, it stars Mackenzie Davis (Terminator: Dark Fate) and Finn “Can my hair grow any longer?” Wolfhard (Stranger Things) and bears close scrutiny as director Mike Flanagan (Doctor Sleep) is set to release an interpretation of the novel in Netflix series, The Haunting of Bly Manor, his follow up to the successful The Haunting of Hill House.

Prediction: Director Floria Sigismondi will no doubt bring some artistic visual flair that is evidence from her music videos, but could possibly fall foul of “popcorn syndrome” – Light, fluffy with a bit of crunch and serves the masses, but ultimately has no substance.

Jan 30 – The Grudge

Initially I was really excited about this release, being a fan of the Ju On franchise, plus Nicolas Pesce’s work with The Eyes of My Mother, and Piercing. Both movies have pushed the boundaries of comfort and shot in stylistic fashion that I was keen to see where Pesce would take The Grudge. Early reports haven’t been favourable however, so it could be another disappointment in the first month of the new decade.

Prediction: Could be another franchise instalment too many. The name alone will pull in the numbers, yet may not hit the mark on the scare front.

Jan 31 – Gretel and Hansel

It’s been over 200 years since The Brothers Grimm fashioned the fairy tale about a cannibalistic witch that kidnaps two children roaming in the woods. The fact that it is still resonates today is a testament to the strength of the storytelling and it will be interesting to see the story told from the perspective of Gretel played by Sophia Lillis (IT) who has already proved compelling as the young Beverly Marsh.

Prediction: Better than your average fair without necessarily offering anything new or compelling with the horror genre.

Feb 6 – The Lighthouse

Some may argue its place in this list, but it is billed as a psychological horror and director Robert Eggers has already made a name for himself in the artistic expressionism world within the genre with his debut feature, The VVitch, a film that also divided audiences. American audiences have already seen the movie too as it was released there last year, but as yet Australian audiences are still to see Eggers’ sophomore outing which pits Willem Defoe and Robert Pattinson against one another in a battle of wills and sanity in a remote and confined island.

Prediction: Will wow audiences looking for the alternative and alienate those more into the mainstream. Either way, both audiences will applaud the performances and Eggers and cinematographer Jarin Blaschke will paint a stunningly beautiful canvas.

Feb 13 – Fantasy Island

Blumhouse Productions are about to shake things up again by breathing new life into a cult 70s tv series. With a star-studded cast – Michael Pena (Crash), Maggie Q (Nikita), Lucy Hale (Pretty Little Liars), and Michael Rooker (Henry: Portrait of a Serial Killer).
On an island where your fantasies come true, only to turn into nightmares and the guests must figure out its mystery in order to survive.

Prediction: Another success for Jason Blum and the team which will connect with the cinema-going public. If it’s played right, it could offer a fresh take using a blend of fantasy and horror that could also spark a franchise 

Feb 21 – Brahms: The Boy ll

This one is a bit of an oddity. Whilst its predecessor was a middle of the road affair and proved to be better than expected. It did feel like a one-off movie that didn’t necessarily warrant any further journey into the world of Brahms. A sequel is here though and will pick up with the doll being discovered by another family.

Prediction: A flop that will fall by the wayside and may not even make a blip on the radar.

Feb 27 – The Invisible Man

Another Blumhouse movie, this time in collaboration with Universal to resurrect their monsters franchise after the abysmal Tom Cruise vehicle from a few years ago. In what is potentially a ripe and current topic being explored in domestic violence as its central theme The Invisible Man boasts a cracking cast with Elisabeth Moss taking lead duties. It’s also in great hands with director Leigh Whannel steering the ship following his successful movie Upgrade from last year, plus Whannel is a storyteller, so expect a decent script to boot.

Prediction: The first big success of the year bringing the Universal monsters franchise back on track and paving the way for future projects with The Bride, Renfeld, The Invisible Woman, and Frankenstein.

Mar 20 – A Quiet Place Part 2

The question is whether director John Krasiniski can repeat the winning formula from the first movie. This War of the Worlds style feature with an audio twist is more sci-fi than horror, but with the family in plight scenario held a strong connection with the audience. How will this translate now that there is an absent father?

Prediction: Cillian Murphy will provide some much needed gravitas to the narrative which will be strong enough to lift the audience through with some decent ups and downs to wrench up the tension. 

Apr 3 – The New Mutants

Since Disney took over Marvel operations, The New Mutants has been stuck in production, deemed a little dark for the House of Mouse questioning how to distribute it. The feature comes across as The Dream Warriors crossed with the X-Men and centres on 5 young mutants held in a secret facility against their will. It also boasts a cracking cast with Maisie Williams (Game of Thrones), Anya Taylor-Joy (The VVitch, Split), and Charlie Heaton (Stranger Things).

Prediction: Despite several delays I feel that this film is gonna connect in a big way and pull in a lot of people. It just depends on how dark Disney are willing to go with it.

Apr 17 – Antlers

Little is known about this movie other than it is based on a short story by Nick Antosca the creative mind behind the Channel Zero anthology series. The screenplay must have some potential to have caught the eye of Guillermo Del Toro and put his name down as producer.

Prediction: With Keri Russell in the cast to provide the fantasy elements in reality, this could well be the surprise hit of the year.

May 15 – Saw reboot

Currently titled The Organ Donor starring Chris Rock, Samuel L. Jackson and Max Minghella this reboot of the Saw franchise will see the return of the Jigsaw Killer, but without Tobin Bell… I think? With director Darren Lynn Bousman at the helm once more following his turn overseeing parts 2-4, he is no stranger to the world.

Prediction: Will put bums on seats for the shock gore factor alone, but will the buddy cop drama approach pay off? Time will tell.

Jun 11 – Candyman

This is gonna be a tough one to watch for me as I am such a huge fan of the original movie and like Freddy, Candyman would haunt my dreams for a long time after viewing. A lot of that has to do with the strength of Clive Barker’s short story coupled with Tony Todd’s personification of the titular character.
Part of me is willing for this to be a success though as I can see room for the movie to be delivered to a modern audience using folklore and mythology at its core, and the storyline itself can transcend easily through the ages. It will be interesting to see a female perspective in director Nia DaCosta to follow Helen’s journalistic investigations.

Prediction: Jordan Peele has attached his name to this project and is clearly passionate about the story, but one can’t help but feel this is one step too far in rekindling the old flame that resides within the Candyman story.

Jul 2 – Ghostbuster: Afterlife

I know it’s technically not a horror film, but I’m including this in the mix for its nostalgic value in me the original movie paved the love of horror that I have and opened the door to many more glorious visions in the genre ever since. The original team will return in some shape or form, but primarily the film centres around a mother and her two children who set up on a farm only to discover something paranormal lurking in the town.

Prediction: Another film that will be resting on the merits of the first film, and while it’s great to see Jason Reitman take on the franchise following in his father’s footsteps, one can only hope that there will be enough comedy, horror and sci-fi to capture that old magic, but I think it will just be a glimmer rather than that sparkle.

Jul 10 – The Purge 5

Supposedly returning for the final instalment the 12 hour no holds-barred, crimefest ignited something in the movie-going audience. It has seen five feature length instalments and 2 seasons.

Prediction: More of the same, so if you’re a fan of the series, you’ll love it. I for one think the films are fun and enjoyable and it will be interesting to see how James DiMonaco will conclude things.

Jul 30 – Morbius

Sony has promised to take the Marvel universe into dark territory before with Venom and here they intend to do so again with Morbius, the Living Vampire. Jared Leto will no doubt bring the goods for the titular role and is in good company with Matt Smith, Jared Leto, and Tyrese Gibson.

Prediction: Director Daniel Espinosa provides great entertaining and solid movies, such as Safe House and Life, and I see no change here to his formula, but still question if they can go dark enough to make it compelling for horror fans.

Sep 11 – The Conjuring 3 aka The Conjuring: The Devil Made Me Do It

The Conjuring universe has progressed in leaps and bounds since its initial release in 2013. There has been the odd blips, but essentially the films continue to entertain and scare audiences. This latest film will once again see the Warrens at the centre of proceedings, this time with one of their most publicised cases that bore witness to Arne Cheyenne Johnson claiming that he was possessed when he murdered.

Prediction: Solid acting, tight storyline, but may fall down with its delivery and exposition. Unfortunately Director Michael Chaves didn’t deliver with The Curse of La Llorona, so I fear that this may end up in a similar way, but am still willing to give it a chance.

Sep 17 – Last Night In Soho

Not much known about this one, but Edgar Wright has a knack for tapping the pulse of classic films and adapting their essence for a modern audience. This time around the psychological horror is inspired by Don’t Look Now and Polanski’s Repulsion both high in my all-time favourite lists

Prediction: A killer cast in Anya Taylor-Joy, Matt Smith, Diana Rigg, and Terence Stamp, this could be the ‘big hit’ of the year.

Oct 15 – Halloween Kills

In 2018, David Gordon Green, Danny McBride and Jason Blum attempted the impossible, the resurrection of Michael Myers that would connect both fans of the original and connect with a new audience. By delving into the subject of trauma and the impact that this has on its victims, Myers became both topical and harrowing. His sheer brutality and the force in which he attacks his victims made his carnage all the more disturbing.

Prediction: The name and sheer presence of Myers will bring the audience to the screens, but can they still make him relevant? They can’t rest on the nostalgic nods this time around. It’s a fine line to walk on, for if they get it wrong, they could find their final instalment, Halloween Ends a tricky sell.

TBC – Army of the Dead

For sheer shits and giggles, and action-pumped mayhem from visual storyteller Zack Snyder, about a group of mercenaries who decide to rob a casino during a zombie outbreak, this film concludes our list.

Prediction: Starring Dave Bautista, Army of the Dead will be entertaining if nothing else. A perfect answer for those just wanting to get their kicks and not have to think too deeply.

  • Saul Muerte

Movie review: Halloween (2018)

22 Monday Oct 2018

Posted by surgeons of horror in Halloween franchise, John Carpenter, Movie review

≈ 4 Comments

Tags

blumhouse, danny mcbride, david gordon green, Halloween, Halloween franchise, Jamie Lee Curtis, jason blum, John Carpenter, michael myers

 

It’s been a long time coming. Since 1978 fans of Michael Myers have endured the ups and downs of their favourite slasher as he carved his way through the residents of Haddonfield, but never has captured the hearts and imagination of John Carpenter’s original vision.

We’ve seen Myers omitted from the franchise only to be brought back to stalk his niece, then inflicted with an ancient curse, played the part of a reality TV series, and then reimagined by director Rob Zombie with conflicting results.
It seemed that Myers was dead and buried, but when ‘hotter than hot right now’, production team Blumhouse started to taut the idea of bring him back to the screens once more, a new-found interest began to surface once again.

There were certain things that began to fall into place, such as the return of Jamie Lee Curtis as Laurie Strode (albeit with slight reservation as they had done this before), which was rewarded further with the approval of Carpenter himself, plus part of his agreement was that he would provide the score. Hell yeah!
It might be a small thing but with the casting of Nick Castle to the Shape back to Myers cemented things for their storyline, which would be set 40 years after the original events transpired. The catch, none of the other movies in the franchise would exist. The producers would be picking up the baton without the sequels to muddy the water.

The other slight snag is that director David Gordon Green and his writing collaborator Danny McBride, normally associated with comedy were attached to steer this new direction. The screenplay they presented had the approval of those around them, but could they pull off a horror slasher and one that comes with so much expectation?

As the pre-credits began to roll, you suddenly felt that they had got the tone just right, ranging from the familiar score charging up the emotions and the image of the pumpkin rebuilding itself with a giant metaphor for the franchise. Halloween is back and they’re going to make it as damn good as they can, whilst keeping in tone of the original movie.

As the film unfolds it soon becomes apparent that what Green and McBride are telling isn’t just a typical horror film, but one of the trauma and the suffering that one faces when they have gone through a massive ordeal such as the one Laurie Strode faced all those years ago. What does that do to the psyche? What would happen to someone like Laurie and how would she cope back once faced with the reality of her situation? The choice was to place her as a survivor of sorts who is still fighting her demons, as she has become a modern day doomsday prepper, although in her case, Laurie isn’t preparing for the end of the world, but her inevitable last encounter with Michael Myers.

Jamie Lee Curtis does an amazing job of portraying Laurie and the impact that her character has had on her family. I’m not sure if I can recall her ever showing such raw emotion on screen, but she is able to deliver a full range of vulnerability, compassion, strength, and empowerment and with it she harnesses the other characters with her to produce a well-accomplished, solid movie. Laurie Strode is now a symbol of the effect that trauma has on those who’ve lived it or experienced it. In one scene, Jamie Lee Curtis is so broken in her portrayal that you can see the pain etched across her face as her whole body folds in on itself. It truly is a wonderful performance and a fitting one as we move in a time of change and recognition of the suffering that women have had to endure over the years, forced to bury their emotions in a world that didn’t or refused to understand.

On Laurie’s journey of torment is her daughter, Karen, (who has had to bear the suffering of a childhood trapped in fear) and her Granddaughter, Allyson (a symbol of hope and understanding). Allyson almost represents the overall message here for the Halloween franchise. We have to bypass a whole generation in order to rebuild for the future. Our hands rest in the youth of tomorrow and if anyone is going to tap into that generation, it’s Blumhouse.

That’s no to say that Halloween doesn’t ignore the people that have had to tolerate each new chapter, if anything the movie wears it on its sleeve with plenty of nods and references along the way. It’s a fine line to tread, but Green manages to keep a perfect balance of old and new, whilst still offering something fresh and serving decent bouts of nostalgia to please all and sundry.

There are some stints of humour along the way though. It’s not all doom and gloom. Green is a comedy director first and foremost but he doesn’t saturate the film with light-hearted moments, instead he delivers when the beats serve it and it lifts the film all the more, especially with the scene in which Julian is being babysat for by Allyson’s friend, Vicky. It’s a great little exchange between the two of them that you know will just go sour as soon as Michael enters the scene.

As for our beloved psychopath, Michael, he hasn’t gone without his own set of changes. Having been incarcerated for 40 years, he too has bottled up his emotions, stifled from a system that refuses to let him indulge in his passion for killing. So when he does break free from prison bus transportation, he unleashes with such brutality that hasn’t been present in the franchise before. This suppressed Michael will stop at nothing to go on his killing rampage, selectively picking his victims at will, before coming face to face with his nemesis Laurie again.

The climax of the movie also hits some great strides and rewards with the choices that the characters take to meet the conclusion and puts you through the wringer whilst leaving you pleasantly satisfied with the result.

 

The Diagnosis:

 

“Welcome back Michael Myers.

David Gordon Green and Danny McBride have successfully resurrected new life into a much-loved franchise and delivered a movie that will delight both old and new generations alike.

Congratulations to the Blumhouse team. You’ve produced the best Halloween film in 40 years.”

 

– Saul Muerte

Top 18 Movies the Surgeons team can’t wait to go under the knife

25 Thursday Jan 2018

Posted by surgeons of horror in News article

≈ Leave a comment

Tags

a quiet place, aimee mullins, alien:covenant, Amityville: The Awakening, amy irving, Annabelle:Creation, annihilation, anya taylor joy, before i wake, blumhouse, cadaver, cargo, cate blanchett, christina hendricks, claire foy, corin hardy, danny mcbride, david gordon green, eli roth, emily blunt, game of thrones, gerald's game, Get Out, green inferno, Halloween, helen mirren, hellraiser:Judgement, hounds of love, insidious: the last key, It, it comes at night, jack black, Jamie Lee Curtis, jason statham, Jeepers Creepers 3, jennifer jason leigh, johannes roberts, john krasinski, Joshua Leonard, juno temple, Leatherface, lin shaye, maisie williams, mother!, natalie portman, nick frost, olivia munn, Patient Zero, rafe spall, Raw, shane black, simon pegg, slaughterhouse rulez, Split, stephen soderbergh, stranger things, Suspiria, the autopsy of jane doe, The Babysitter, the conjuring, The Conjuring 2, the god particle, the Hallow, the house with a clock in its walls, the lodgers, the marshes, the meg, the new mutants, The Nun, the predator, the ritual, the strangers 2, the witch, thelma, thomas jane, thorughbreds, tom hardy, truth or dare, unsane, venom, winchester

2017 proved to be a mammoth year in horror, with the likes of Get Out, It, and Annabelle: Creation causing waves of elation and that’s not to forget some awesome movies that rippled beneath the surface, including Gerald’s Game, Hounds of Love, Raw, The Marshes, mother!, and The Babysitter.

What does this mean to the genre as a whole? It can spell good news as the movie business see success and a money opportunity to exploit this genre to the bone.
This could mean an outpour of horrendous carbon copy movies that will grate to the bone, but it can’t be as bad as Amityville: The Awakening, Leatherface, or Jeepers Creepers 3 right?

But let’s not be too hasty on the negative-front. What does look promising is that we could very well get some fine horror films churning out over the coming years.

So with that in mind, the team stitched our collective minds together and come up with 18 of the most anticipated horror movies coming out that we would love to bring into the operating theatre and splice them wide open.

Annihilation

23 Feb / 12 Mar via Netflix

Directed by Alex Garland and starring Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac looks off the dial.
The fact that it has been picked up by Netflix for a release some 17 days after its cinematic release has left some people scratching their heads as to whether or not this film has merit, but that’s old school thinking.
We at Surgeons see this at as a bold attempt at a streaming company to make their move onto the big arena.
If the trailer is anything to go by this film could be a massive hit and shape up the distribution method in a big way.

Cadaver

23 Aug

Some may instantly see comparisons with The Autopsy of Jane Doe with this one, but this story of a city cop fresh out of rehab, who takes up a role at the city hospital morgue, could very well be a trippy affair, where sanity is on the line.

Halloween

19 Oct

You’d be remiss to neglect this one on the list. With the return of Jamie Lee Curtis and Nick Castle in their respective roles, alongside the creative minds of David Gordon Green and Danny McBride, can we finally see Michael Myers rampaging his way that will delight and reignite the franchise once more?
Here’s hoping.

The House With A Clock In Its Walls

21 Sep

Cate Blanchett and Jack Black lead the charge in Eli Roth’s latest feature about a young orphan and his magical uncle who go in search of a clock that could bring about the end of the world.
Could we see a return of fantasy horror on the big screen? Can Roth extend his bloody touch to go beyond the success of Green Inferno?

Insidious: The Last Key

8 Feb – Australian release

Whilst this has already been released in the States, the Surgeons team who are based in Australia, need to wait with eager anticipation for Elise Rainer and her team of ghost hunters to delve into the Further once more.
Early reports suggest that Lin Shaye continues to impress in her role, but that the franchise may have run its course. We’ll have to wait and see before we cast our thoughts on the latest addition to the franchise.

The Lodgers

23 Feb

2015’s release of The Witch and its success may have reawakened that love of folk horror, which has been embedded in British culture with the likes of The Wicker Man, Witchfinder General, and Blood on Satan’s Claw, has some of our team intrigued by this latest offering.
Set in 1920’s Ireland, a twin brother and sister must endure a sinister presence with a strong hold over them that may result in turning them against one another with drastic circumstances.

The Meg

23 Aug

Movies don’t get bigger than this one.

Sorry couldn’t resist that.

Whether you like him or not Jason Statham has a habit of packing a punch when it comes to ‘balls to the wall, testosterone-fuelled action movies.

Now he must come face-to-face come face to face with a 70-foot shark.

“You’re gonna need a bigger air tank.”

The New Mutants

12 Apr

When Logan was released and with the success that followed, Marvel were then faced with the enterprise of a much darker world.

In steps, The New Mutants which sees Anya Taylor-Joy (The Witch, Split) and Maisie Williams (Game of Thrones) among the imprisoned young mutants as they discover their new-found abilities and potential salvation.

It’s a good cast, but will it deliver?

The Nun

12 Jul

Speaking of franchises, The Conjuring universe continues to expand and haunt in more delectable ways to terrify our souls with the much-anticipated return of Valak.

In this instance, Rome is our setting and Father Burke is sent to investigate the mysterious death of a nun. Burke played by Demian Bichir, who I hope is given more time to flex his acting muscles compared to his under-used performance in Ridley Scott’s Alien: Covenant.

Gary Dauberman from It, Annabelle:Creation, and The Conjuring 2 is back on board to write the screenplay, so expect similar twists, turns, and scares to arise.

In addition, Corin Hardy steps in to direct, who oversaw the surprisingly decent The Hallow from a few years back and has been given the vote of confidence to resurrect The Crow, starring Jason Mamoa.

The Predator

2 Aug

Becoming something of the lesser cousin to the Alien franchise, The Predator universe has never managed to really make a dent beyond its original Arnie feature, which surprises as it is ripe full of potential.

One of the original stars Shane Black is on to direct, so you could argue that there isn’t anyone closer to the source to re-capture the magic of the first film, and he has proven success with Kiss Kiss, Bang Bang and Iron Man 3, but is that enough to win over fans and the many?

The additions of Oliva Munn, and Thomas Jane, who has had a something of a career comeback with Before I Wake, and 1922 of late, could very well help cement this together.

A Quiet Place

3 May

Where some were left aggrieved following the screening of It Comes At Night, (which is probably the best example of false advertising when it comes to luring your audience in – as an aside its actually a pretty decent and intense movie, just not how it was promoted) will no doubt have their needs met in this movie, which promises an intense and horrific ordeal.

John Krasinski directs and stars in his passion project alongside Emily Blunt as part of a family forced to live in silence from an unknown threat that will attack with the slightest noise.

The Ritual

9 Feb – on Netflix

Another example of how Netflix continue to become a force in the movie market, and another example of folk horror entering into the scene.

The Ritual stars Rafe Spall as a man with a damaged, who joins a group of friends on a camping expedition in the forest only to discover that they are not alone.

Slaughterhouse Rulez

7 Sep

Much discussion has been surrounding this project due to the re-collaboration of Simon Pegg and Nick Frost (Shaun of the Dead, Hot Fuzz) who both star in and produce this movie.

The story centres on a boarding school that unleashes all hell when a mysterious sinkhole emerges.
Cue comedy and bloody mayhem.

 

The Strangers 2: Prey at Night

9 Mar

The first film had horror fans divided – a bit like vegemite, you either love it, or hate it. For those that fell into the former category, they can rejoice as the trio of masked psychopaths return to reek havoc on some more prey.

The cast includes Christina Hendricks (Mad Men, The Neon Demon) and Martin Henderson (The Ring, Everest) and is directed by Johannes Roberts (47 Meters Down, The Other Side of the Door) but don’t let that sway you as he also helmed the magnificent F, and if he could tap the rage and anarchy unleashed in that movie, we could have a surprise hit on our hands.

Truth or Dare

3 May

Horror production giants, Blumhouse, who have been partly responsible for the rise in recent genre movies will be hoping to keep the trend going and repeat their successes of Get Out, and Happy Death Day.

Truth or Dare follows a group of friends who play a deadly version of said game when those that break the rules start a meet a grisly end.

Unsane

23 Mar

Critically praised film director, Steven Soderbergh enters the horror arena with his usual approach to exploring different filming techniques, in this instance shooting the entire film on an iPhone camera.

The cast is also impressive with Claire Foy (The Crown), entering a mental institution and once again reality comes into question. Foy is accompanied by Juno Temple (Horns), Aimee Mullins (Stranger Things), Amy Irving (Carrie) and Joshua Leonard (The Blair Witch Project).

Venom

5 Oct

If The New Mutants is going to push the boundaires of darkness in the Marvel universe, then Venom will surely rip that apart and enter whole new level of insanity.

With Tom Hardy taking on the titular character, you can expect some hefty weight in the acting department.
It’s a project that is shrouded in secrecy at the moment and just a few screenshots that have been handed out to the media. Lets hope that it will be worth the wait.

Winchester

22 Feb

Helen Mirren takes on the role of Lady Winchester house, heiress to the Winchester firearms, who becomes obsessed with building a house to trap ghosts with one of the most obscure architecture ever built.

From the creative minds of the Spierig Brothers (Undead, Daybreakers), this movie could be hit or miss.

Notable recommendations

Cargo, The God Particle, Hellraiser: Judgement, Patient Zero, Suspiria (remake), Thelma, Thoroughbreds

  • Saul Muerte

Podcast: The Halloween franchise: The Return of Laurie Strode

21 Monday Nov 2016

Posted by surgeons of horror in Halloween franchise, John Carpenter

≈ Leave a comment

Tags

American Pie, Busta Rhymes, Halloween, Horror movies, Jamie Lee Curtis, Josh Hartnett, Katee Sachoff, Kevin Williamson, LL Cool J, Michelle Williams, podcast

h20   resurrection

OUR PENULTIMATE PODCAST in the Halloween franchise discussions combines both Halloween H20: 20 Years Later and Halloween: Resurrection.

The former picks up the story 20 years after Michael’s killing spree in Haddonfield, 1978.
Laurie is now the head mistress of Hillcrest Academy, a boarding school where her son, John resides.

We learn that she faked her own death in a car accident, a knowing nod to comments made in Halloween 4: The Return of Michael Myers.

However, despite the original story treatment involving mention of Laurie’s daughter, Jamie, the writers removed any mention of her in the final treatment, thus rendering parts 4, 5, and 6 as obsolete and not part of the official canon.

A move that would scorn the wrath of certain hardcore fans of the franchise. Apparently this was to allow more room for Laurie’s character to breathe on screen.

The majority of the movie takes place in said school as Myers goes in search of his blood-kind, killing off a couple of teenagers along the way.

Resurrection became something of a mess, which not only sore the demise of a much-loved character, but arguably saw the destruction of the franchise too.

Looking at the film at its lack of success, one can’t but feel inclined to look a the director, Rick Rosenthal, whose film credits seem a little lacklustre, but is he solely to blame?

Another musician would step into the fray for Resurrection to try and draw some interest from the youth, Busta Rhymes and and an unforgettable cast alongside him, Bianca Kajilich, Sean Patrick Thomas (Save The Last Dance, Cruel Intentions, and Dracula 2000), Thomas Ian Nicholas (Kevin Myers in American Pie, and child star in Rookie of the Year) and notably Katee Sackhoff (Starbuck in the new Battlestar Gallactica, Longmire, and Occulus)

So, what do the Surgeons make of the these instalments to the franchise?
Click on the podcast below to find out.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/12/soh-halloween-franchise-the-return-of-laurie-strode.mp3

Podcast: Halloween franchise: Halloween II (1981)

31 Monday Oct 2016

Posted by surgeons of horror in Halloween franchise

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Tags

Donald Pleasance, Jamie Lee Curtis, John Carpenter, michael myers

Just three years after the original hit our screens, Michael Myers would return to Haddonfield, transporting him from Horror icon to legendary status.
Along with it, the Halloween franchise was born.

John Carpenter would vacate the director’s chair for Rick Rosenthal, but would still play an active role in the screenwriting and production of the movie, alongside Debra Hill.

Also returning to the franchise would be Donald Pleasance as Dr Sam Loomis and Jamie Lee Curtis as the ever-troubled Laurie Strode.

Interestingly set over the course of the same Hallows Eve of the previous movie as Myers continues on his killing spree.
But does Halloween II fall under the curse of movie sequels, doomed to live in the shadows of its successful predecessor?
Or does it stand out in its own right, a successful addition to the Halloween series?

The team at Surgeons of Horror dissects the movie in question to try and answer these questions and more.

Listen below to our thoughts and opinions in the first of our Halloween franchise discussions.

  • Saul Muerte

The Fog (1980)

20 Tuesday Sep 2016

Posted by surgeons of horror in John Carpenter

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Tags

Adrienne Barbeau, Horror film, Horror movie, Horror movies, Jamie Lee Curtis

the-fog

JOHN CARPENTER’S FOLLOW up to Halloween would come in the guise of The Fog.

Whilst it didn’t come close to success that Halloween would generate, it did generate enough of a following to push Carpenter’s career along and propel him further as a bankable director.

It would reunite him with co-star Jamie Lee Curtis albeit in a smaller role amongst a fairly strong ensemble cast.

Leading the way is Stevie Wayne played by the amazing and beautiful, Adrienne Barbeau pulling out a strong performance as the radio DJ ushering out the warning of the killer fog with those sultry tones……

Whilst on paper, this movie had a great premise and all the hallmarks of a classic horror,  with the classic ghost camp fire story brought to life of ghost pirates out to seek vengeance on a community that did them wrong 100 years ago.

The Surgeons of Horror podcast team pay close scrutiny to the movie and delve into our fifth subject of The John Carpenter early years sessions to find out by asking all the important questions.

Does it live up to its promise and deliver a classic ghost story?

Can fog actually be scary on film?

And more importantly. Are you weird?

Listen to the podcast below to find out our thoughts.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/09/soh-john-carpenter-the-early-years-the-fog.mp3

  • Paul Farrell

Halloween (1978)

13 Tuesday Sep 2016

Posted by surgeons of horror in John Carpenter

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Tags

Halloween franchise, Horror film, Horror movie, Jamie Lee Curtis, slasher horror

Four films into his career and John Carpenter hits one out of the park and creates the slasher horror genre in the process.

And yet it’s hard to recall from a personal perspective when exactly Halloween entered my consciousness.

Released the same year that I was born, one could argue that this movie and I were intrinsically connected, if you were that way inclined.

I for one have found myself constantly drawn to the dark arts of the silver screen and it only seems natural that a movie of this pedigree would enter my periphery at some stage in my life, coupled with my growing love of Carpenter’s movies that stayed with me throughout my childhood, a connection would be inevitable.

Looking back, it’s hard to see the world of horror movies without this as part of its canon.

It’s a movie that started a whole new genre of film (some may argue that 1974’s Black Christmas was the film that started it all, but it’s impact would never be as great) and it has been mimicked and repeated ever since.
Without it, Friday the 13th may never have existed. Victor Miller may have been guided be a completely different movie when coming up with the ‘horror movie template’ and the movie world would be a very different place indeed.

I think you get the point that I’m driving at, that this was a defining moment in cellular history and I’ve relished it ever since.

It’s the kind of movie that, when I first set up Surgeons of Horror, I knew that I wanted to discuss with my fellow surgeons and it was indeed the original impetus for putting together the podcast. Fate would have us steer down a completely different path however with Wes Craven’s untimely passing refocusing our directive for Season 1.

Now though, we are halfway through the John Carpenter: Early Years Sessions and finally at a point to talk about this much-heralded movie, but where does one begin?

Hopefully the following podcast will be of worthy listening, we certainly had fun discussing it. We hope that you do too.

– Saul Muerte

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