It seems like there’s never a perfect recipe for a decent sequel, but ask The Surgeons team and we can tell you that an essential ingredient is that it needs to create the look and feel of the original whilst expanding on the universe with enough of something new that doesn’t take too drastically away from its predecessor.
The Strangers entered the horror genre to mixed reactions. Some either loved it or were unmoved.
I for one fell into the former character and loved the protagonists played by Liv Tyler and Scott Speedman as less than idealised version of a ‘perfect’ couple.
The isolation and intimacy helped add to the angst that these characters were faced with when 3 masked figures broke creating an anarchy through a ‘house invasion’ style horror simply because “You were home”.
10 years later, Director Johannes Roberts (47 Meters Down) would bring back Doll Face, Pin Up Girl, and the Man in the Mask to a whole new audience and hoping to find that magic recipe for this feature to stand head and shoulders alongside the first film.
Does he succeed?
Well let’s look at the offering.
The family unit has expanded from broken couple to broken family of 2.4 children. Christina Hendricks notably pulls off a fine performance as the matriarch with little effort needed on her part, such is the strength of her acting.
It is the kids though that blossom in this movie as they are forced to use their own wits and methods of survival in order to overcome the ordeal.
Exchange the isolated house setting from the first film with near-abandoned trailer park for the second, which allows our protagonists various methods of ‘safe haven’ only to produce more invasions from our antagonists to wreak havoc upon, including a car invasion at one stage.
Roberts certainly knows his stuff when it comes to horror with knowing nods to the slasher genre embedded throughout this film, most notably Halloween and Texas Chain Saw Massacre.
And there are elements one of his early films, F is also on display here too.
So you’d think that this would be a walk in the park for Roberts to rekindle the mayhem of The Strangers, but too often he falls foul of typical horror tropes and repeats said formula throughout the movie.
Pop music from the 80s is used to heighten the sense of nostalgia whilst juxtaposing the sweet, candy style rhythms against the harsh horrors on the screen, which is either hit (Bonnie Tyler’s Total Eclipse of the Heart during a swimming pool scene, which also hangs on the screen for a measure amount of time while one of the characters’ life also hangs in the balance)or miss (Kim Wilde’s Kids In America).
In addition, there are moments where he stretches the realms of believability a bit too far that it breaks the moment and thrusts you out of the picture.
And in doing so renders the antagonists as less of a threat, which is a shame.
The Diagnosis:
It’s cheese on toast, with the the tones of the original dialled up.
Some might like the palate that is served up, happy to languish in a paint by numbers horror.
Others may grimace at how formulaic it becomes as you are forced through the ‘twee zone’ until the films conclusion.
It’s enjoyable enough, with strong performances from its cast but the impact is not as effective as its predecessor.
What does this mean to the genre as a whole? It can spell good news as the movie business see success and a money opportunity to exploit this genre to the bone.
This could mean an outpour of horrendous carbon copy movies that will grate to the bone, but it can’t be as bad as Amityville: The Awakening, Leatherface, or Jeepers Creepers 3 right?
But let’s not be too hasty on the negative-front. What does look promising is that we could very well get some fine horror films churning out over the coming years.
So with that in mind, the team stitched our collective minds together and come up with 18 of the most anticipated horror movies coming out that we would love to bring into the operating theatre and splice them wide open.
Directed by Alex Garland and starring Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac looks off the dial.
The fact that it has been picked up by Netflix for a release some 17 days after its cinematic release has left some people scratching their heads as to whether or not this film has merit, but that’s old school thinking.
We at Surgeons see this at as a bold attempt at a streaming company to make their move onto the big arena.
If the trailer is anything to go by this film could be a massive hit and shape up the distribution method in a big way.
Cadaver
23 Aug
Some may instantly see comparisons with The Autopsy of Jane Doe with this one, but this story of a city cop fresh out of rehab, who takes up a role at the city hospital morgue, could very well be a trippy affair, where sanity is on the line.
Halloween
19 Oct
You’d be remiss to neglect this one on the list. With the return of Jamie Lee Curtis and Nick Castle in their respective roles, alongside the creative minds of David Gordon Green and Danny McBride, can we finally see Michael Myers rampaging his way that will delight and reignite the franchise once more?
Here’s hoping.
The House With A Clock In Its Walls
21 Sep
Cate Blanchett and Jack Black lead the charge in Eli Roth’s latest feature about a young orphan and his magical uncle who go in search of a clock that could bring about the end of the world.
Could we see a return of fantasy horror on the big screen? Can Roth extend his bloody touch to go beyond the success of Green Inferno?
Whilst this has already been released in the States, the Surgeons team who are based in Australia, need to wait with eager anticipation for Elise Rainer and her team of ghost hunters to delve into the Further once more.
Early reports suggest that Lin Shaye continues to impress in her role, but that the franchise may have run its course. We’ll have to wait and see before we cast our thoughts on the latest addition to the franchise.
2015’s release of The Witch and its success may have reawakened that love of folk horror, which has been embedded in British culture with the likes of The Wicker Man, Witchfinder General, and Blood on Satan’s Claw, has some of our team intrigued by this latest offering.
Set in 1920’s Ireland, a twin brother and sister must endure a sinister presence with a strong hold over them that may result in turning them against one another with drastic circumstances.
Whether you like him or not Jason Statham has a habit of packing a punch when it comes to ‘balls to the wall, testosterone-fuelled action movies.
Now he must come face-to-face come face to face with a 70-foot shark.
“You’re gonna need a bigger air tank.”
The New Mutants
12 Apr
When Logan was released and with the success that followed, Marvel were then faced with the enterprise of a much darker world.
In steps, The New Mutants which sees Anya Taylor-Joy (The Witch, Split) and Maisie Williams (Game of Thrones) among the imprisoned young mutants as they discover their new-found abilities and potential salvation.
Speaking of franchises, The Conjuringuniverse continues to expand and haunt in more delectable ways to terrify our souls with the much-anticipated return of Valak.
In this instance, Rome is our setting and Father Burke is sent to investigate the mysterious death of a nun. Burke played by Demian Bichir, who I hope is given more time to flex his acting muscles compared to his under-used performance in Ridley Scott’s Alien: Covenant.
Gary Dauberman from It, Annabelle:Creation, and The Conjuring 2 is back on board to write the screenplay, so expect similar twists, turns, and scares to arise.
In addition, Corin Hardy steps in to direct, who oversaw the surprisingly decent The Hallow from a few years back and has been given the vote of confidence to resurrect The Crow, starring Jason Mamoa.
The Predator
2 Aug
Becoming something of the lesser cousin to the Alien franchise, The Predator universe has never managed to really make a dent beyond its original Arnie feature, which surprises as it is ripe full of potential.
One of the original stars Shane Black is on to direct, so you could argue that there isn’t anyone closer to the source to re-capture the magic of the first film, and he has proven success with Kiss Kiss, Bang Bang and Iron Man 3, but is that enough to win over fans and the many?
The additions of Oliva Munn, and Thomas Jane, who has had a something of a career comeback with Before I Wake, and 1922 of late, could very well help cement this together.
Where some were left aggrieved following the screening of It Comes At Night, (which is probably the best example of false advertising when it comes to luring your audience in – as an aside its actually a pretty decent and intense movie, just not how it was promoted) will no doubt have their needs met in this movie, which promises an intense and horrific ordeal.
John Krasinski directs and stars in his passion project alongside Emily Blunt as part of a family forced to live in silence from an unknown threat that will attack with the slightest noise.
Another example of how Netflix continue to become a force in the movie market, and another example of folk horror entering into the scene.
The Ritual stars Rafe Spall as a man with a damaged, who joins a group of friends on a camping expedition in the forest only to discover that they are not alone.
Slaughterhouse Rulez
7 Sep
Much discussion has been surrounding this project due to the re-collaboration of Simon Pegg and Nick Frost (Shaun of the Dead, Hot Fuzz) who both star in and produce this movie.
The story centres on a boarding school that unleashes all hell when a mysterious sinkhole emerges.
Cue comedy and bloody mayhem.
The first film had horror fans divided – a bit like vegemite, you either love it, or hate it. For those that fell into the former category, they can rejoice as the trio of masked psychopaths return to reek havoc on some more prey.
The cast includes Christina Hendricks (Mad Men, The Neon Demon) and Martin Henderson (The Ring, Everest) and is directed by Johannes Roberts (47 Meters Down, The Other Side of the Door) but don’t let that sway you as he also helmed the magnificent F, and if he could tap the rage and anarchy unleashed in that movie, we could have a surprise hit on our hands.
Horror production giants, Blumhouse, who have been partly responsible for the rise in recent genre movies will be hoping to keep the trend going and repeat their successes of Get Out, and Happy Death Day.
Truth or Dare follows a group of friends who play a deadly version of said game when those that break the rules start a meet a grisly end.
Critically praised film director, Steven Soderbergh enters the horror arena with his usual approach to exploring different filming techniques, in this instance shooting the entire film on an iPhone camera.
The cast is also impressive with Claire Foy (The Crown), entering a mental institution and once again reality comes into question. Foy is accompanied by Juno Temple (Horns), Aimee Mullins (Stranger Things), Amy Irving (Carrie) and Joshua Leonard (The Blair Witch Project).
Venom
5 Oct
If The New Mutants is going to push the boundaires of darkness in the Marvel universe, then Venom will surely rip that apart and enter whole new level of insanity.
With Tom Hardy taking on the titular character, you can expect some hefty weight in the acting department.
It’s a project that is shrouded in secrecy at the moment and just a few screenshots that have been handed out to the media. Lets hope that it will be worth the wait.
Helen Mirren takes on the role of Lady Winchester house, heiress to the Winchester firearms, who becomes obsessed with building a house to trap ghosts with one of the most obscure architecture ever built.
From the creative minds of the Spierig Brothers (Undead, Daybreakers), this movie could be hit or miss.
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