Village of the Damned: A Cinematic Cautionary Tale and the Legacy of John Wyndham

13 Monday May 2024

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Rating: ★★★★☆

Released in 1960, “Village of the Damned” emerged as more than just a chilling science fiction film; it served as a mirror reflecting society’s anxieties and exploring themes deeply ingrained in the collective consciousness. Adapted from the novel “The Midwich Cuckoos” by John Wyndham, the film resonated with audiences not only for its eerie narrative but also for its subtle commentary on social consensus and the consequences of conformity.

At its core, “Village of the Damned” delves into the fear of the unknown and the threats posed by outsiders who disrupt the status quo. Set in the tranquil English village of Midwich, the arrival of otherworldly children challenges the community’s sense of security and unity, sparking tension and mistrust among its inhabitants. This narrative thread reflects the societal unease prevalent during the Cold War era, where the fear of infiltration and subversion loomed large.

Director Wolf Rilla skillfully translates Wyndham’s thematic depth onto the screen, employing atmospheric cinematography and a haunting score to heighten the sense of foreboding. The film’s pacing is deliberate, allowing the tension to simmer gradually until it reaches a fever pitch in the gripping climax. Performances from the cast, particularly George Sanders as the skeptical Professor Gordon Zellaby, lend credibility to the narrative, grounding the fantastical elements in emotional realism.

However, it is John Wyndham’s influence that elevates “Village of the Damned” beyond a mere sci-fi thriller. Wyndham’s body of work, characterized by its exploration of societal norms and the consequences of unchecked progress, serves as a thematic blueprint for the film. His novels, including “The Day of the Triffids” and “The Chrysalids,” similarly examine the fragility of societal structures and the dangers of blind conformity, resonating with audiences grappling with their own anxieties about the future.

The Prognosis:

“Village of the Damned” endures not only as a classic of the science fiction genre but also as a poignant reflection of the human condition. Its exploration of social consensus and the impact of external forces on community dynamics remains as relevant today as it was in 1960. As we continue to navigate an ever-changing world fraught with uncertainty, the cautionary tale of “Village of the Damned” serves as a reminder of the importance of vigilance and individuality in the face of conformity.

  • Saul Muerte

“Exploring the Cinematic Legacy: 10 Influential Films by Roger Corman”

13 Monday May 2024

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**Roger Corman: Master of Genre Cinema**

Roger Corman, the legendary filmmaker, producer, and mentor, is renowned for his prolific career spanning over six decades. With a keen eye for talent, a fearless approach to storytelling, and a knack for pushing the boundaries of genre cinema, Corman has left an indelible mark on the industry. Here, we explore ten influential films that showcase his visionary genius and enduring impact on the world of cinema.

**1. “House of Usher” (1960)**

Based on Edgar Allan Poe’s classic tale, “House of Usher” marked Corman’s foray into the realm of horror. With its haunting atmosphere, Gothic aesthetics, and psychological tension, the film set a new standard for the genre and established Corman as a master of cinematic terror.

**2. “The Little Shop of Horrors” (1960)**

A darkly comedic tale of a man-eating plant, “The Little Shop of Horrors” is a cult classic that showcases Corman’s ability to blend horror and humor seamlessly. Despite its low budget and limited resources, the film remains a beloved favorite among audiences worldwide.

**3. “The Masque of the Red Death” (1964)**

Another adaptation of Edgar Allan Poe’s work, “The Masque of the Red Death” is a visually stunning masterpiece that delves into themes of mortality, decadence, and the human condition. With its striking imagery and atmospheric storytelling, the film is a testament to Corman’s mastery of the Gothic genre.

**4. “The Wild Angels” (1966)**

Considered one of the defining films of the biker genre, “The Wild Angels” is a gritty, uncompromising exploration of counterculture and rebellion. Starring Peter Fonda and Nancy Sinatra, the film captures the anarchic spirit of the 1960s and remains a cultural touchstone to this day.

**5. “The Trip” (1967)**

A psychedelic journey into the mind of a man on an LSD trip, “The Trip” is a visually stunning and emotionally intense exploration of consciousness and self-discovery. Directed by Corman and written by a young Jack Nicholson, the film is a landmark of the psychedelic era and a testament to Corman’s willingness to experiment with unconventional storytelling techniques.

**6. “Bloody Mama” (1970)**

Based on the true story of Ma Barker and her criminal family, “Bloody Mama” is a violent and unflinching portrayal of America’s dark underbelly. Starring Shelley Winters and Robert De Niro, the film is a raw and visceral exploration of crime, family, and the American Dream.

**7. “Death Race 2000” (1975)**

A dystopian vision of a future where death is entertainment, “Death Race 2000” is a cult classic that combines action, satire, and social commentary in equal measure. With its over-the-top violence and dark humor, the film remains a favorite among genre fans and cinephiles alike.

**8. “Piranha” (1978)**

A suspenseful and thrilling creature feature, “Piranha” is a prime example of Corman’s ability to deliver big scares on a shoestring budget. Directed by Joe Dante and written by John Sayles, the film is a clever homage to classic monster movies while offering a fresh and exciting take on the genre.

**9. “Galaxy of Terror” (1981)**

A sci-fi horror extravaganza set in deep space, “Galaxy of Terror” is a cult favorite known for its imaginative visuals, gruesome effects, and eerie atmosphere. Directed by Bruce D. Clark and featuring a young James Cameron as the production designer, the film is a testament to Corman’s ability to nurture emerging talent and push the boundaries of genre filmmaking.

**10. “The Intruder” (1962)**

A powerful and provocative drama exploring themes of racism and prejudice in the American South, “The Intruder” is a departure from Corman’s usual genre fare but showcases his versatility as a filmmaker. Starring William Shatner in a career-defining role, the film is a searing indictment of social injustice and remains as relevant today as it was upon its release.

Roger Corman’s filmography is a testament to his visionary genius, his fearless experimentation, and his enduring impact on the world of cinema. From horror to sci-fi, from comedy to drama, Corman’s influence can be felt across a wide range of genres, and his legacy will continue to inspire filmmakers and audiences for generations to come.

  • Saul Muerte

“Roger Corman: Pioneering a Legacy of Innovation and Mentorship in Cinema”

“Roger Corman: Pioneering a Legacy of Innovation and Mentorship in Cinema”

13 Monday May 2024

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Roger Corman, a name synonymous with innovation, creativity, and a fearless approach to filmmaking, stands as a titan in the world of cinema. With a career spanning over six decades, Corman has left an indelible mark on the industry, shaping it in ways that continue to resonate with filmmakers and audiences alike.

Born on April 5, 1926, in Detroit, Michigan, Corman’s journey to becoming one of the most influential figures in film was marked by a passion for storytelling and an unwavering determination to defy convention. After studying engineering at Stanford University and briefly working as a naval officer, Corman found his true calling in the world of cinema. In 1954, he founded his own production company, American International Pictures (AIP), which would become synonymous with low-budget, high-concept films that pushed the boundaries of genre filmmaking.

Corman’s directorial debut came with the 1955 film “Five Guns West,” a low-budget western that showcased his ability to deliver compelling narratives with limited resources. However, it was his foray into the realm of horror that would solidify his reputation as a master of the genre. In 1959, Corman directed “House of Usher,” the first of many Edgar Allan Poe adaptations that would become his signature. With its atmospheric cinematography, haunting score, and chilling performances, “House of Usher” set a new standard for horror cinema and established Corman as a director to watch.

Throughout the 1960s, Corman continued to push the boundaries of genre filmmaking, directing a string of successful horror, sci-fi, and exploitation films that captured the imaginations of audiences around the world. From “The Pit and the Pendulum” to “The Wild Angels,” Corman’s films were marked by their bold storytelling, innovative use of special effects, and willingness to tackle taboo subjects.

But perhaps Corman’s greatest contribution to cinema lies not just in his directorial efforts, but in his role as a mentor to a generation of filmmakers who would go on to shape the future of the industry. Through his legendary “Corman School of Filmmaking,” Corman provided aspiring directors, writers, and producers with the opportunity to learn the craft of filmmaking firsthand, often under grueling conditions and tight deadlines. Alumni of the Corman School include some of the most celebrated names in Hollywood, including Francis Ford Coppola, Martin Scorsese, James Cameron, and Jonathan Demme, among others.

Corman’s impact on the film industry extends far beyond his own directorial efforts and the filmmakers he mentored. He was also a shrewd producer who understood the commercial appeal of genre films and the importance of delivering quality entertainment to audiences. Under his leadership, AIP became one of the most successful independent production companies of its time, churning out a steady stream of profitable films that captured the zeitgeist of the era.

In addition to his work as a filmmaker and producer, Corman has also been a tireless advocate for independent cinema, championing the rights of filmmakers to tell the stories they want to tell, free from the constraints of studio interference. He has been a vocal critic of the Hollywood studio system and has fought tirelessly to give independent filmmakers a platform to showcase their work.

Roger Corman’s legacy looms large over the world of cinema. His films continue to inspire and entertain audiences, his mentorship has shaped the careers of countless filmmakers, and his advocacy for independent cinema has paved the way for a new generation of storytellers to follow in his footsteps. In an industry often driven by commercialism and conformity, Roger Corman stands as a beacon of creativity, originality, and the enduring power of the human imagination.

  • Saul Muerte

Retrospective Review: “Au Secours!” (1924) – Celebrating 100 Years

12 Sunday May 2024

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As we mark the centenary of “Au Secours!“, this silent comedy not only stands as a testament to the brilliance of Max Linder but also serves as a poignant reminder of his enduring legacy. Directed by Abel Gance, this film showcases Linder’s comedic genius and his unparalleled ability to captivate audiences with his charm and wit.

Max Linder, one of the earliest and greatest silent film stars of his time, rose to prominence in the early 20th century. With his trademark top hat, cane, and impeccable comic timing, he became synonymous with the sophisticated gentleman archetype, influencing countless comedians who followed in his footsteps. Linder’s suave persona and inventive slapstick routines endeared him to audiences around the world, earning him the title of “The King of Comedy.”

In “Au Secours!“, Linder shines in the role of a bumbling detective who finds himself embroiled in a series of misadventures as he attempts to solve a mystery. With his trademark physical comedy and effortless charm, Linder delivers a performance that is both hilarious and endearing, cementing his status as a comedic icon.

Tragically, Linder’s life was marred by personal demons and mental health struggles. Despite his success on screen, he battled depression and struggled to maintain stability in his personal life. In 1925, at the age of 41, Linder, along with his wife and daughter, died in a double suicide. The news sent shockwaves through the film industry, leaving fans and colleagues mourning the loss of a true talent.

As we reflect on the legacy of “Au Secours!” on its 100th anniversary, we are reminded of Max Linder’s lasting impact on silent cinema and the art of comedy. His contributions continue to be celebrated, serving as a timeless reminder of the power of laughter to transcend language and time. While Linder’s life may have ended in tragedy, his comedic genius lives on, immortalized in the films that made him a legend.

  • Saul Muerte

Unraveling the Seductive Chaos: A Surreal Dive into ‘The Housemaid’ (1960)

12 Sunday May 2024

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Rating: ★★★★☆

Prepare to be seduced and unsettled in equal measure as we journey back to the twisted world of “The Housemaid,” a fever dream of desire and destruction that defies all expectations. Released in 1960, this Korean masterpiece of psychological horror remains as enigmatic and provocative today as it was upon its initial release.

Set within the opulent confines of a wealthy household, “The Housemaid” introduces us to a seemingly idyllic family on the surface. But beneath the veneer of respectability lies a seething cauldron of lust, jealousy, and betrayal waiting to boil over. When the innocent and alluring housemaid (played with captivating allure by Lee Eun-shim) enters the fray, she unwittingly becomes the catalyst for a descent into madness that will leave no one unscathed.

What sets “The Housemaid” apart is its fearless exploration of taboo subjects and its willingness to push the boundaries of conventional storytelling. Director Kim Ki-Young employs a surreal and dreamlike aesthetic that blurs the line between reality and fantasy, inviting viewers to question the nature of truth and illusion. As the narrative twists and turns with dizzying speed, we find ourselves drawn deeper into a world where nothing is as it seems, and every character hides a dark secret.

At the heart of “The Housemaid” lies a powerhouse performance by Lee Eun-shim, whose magnetic presence electrifies every frame. With a single glance, she can convey a universe of emotions, from innocence to seduction to outright menace. As the titular housemaid, she is both victim and villain, a symbol of feminine power unleashed and unchecked.

But “The Housemaid” is more than just a showcase for its talented cast; it’s also a meditation on the corrosive effects of desire and obsession. As the characters spiral ever deeper into their own personal hells, we are forced to confront our own darkest impulses and desires. It’s a harrowing journey, to be sure, but one that ultimately leaves us with a newfound appreciation for the fragile beauty of the human soul.

The Prognosis:

“The Housemaid” is a mesmerizing and unforgettable cinematic experience that defies easy categorization. Equal parts horror, drama, and psychological thriller, it challenges our preconceptions and leaves us questioning the nature of reality itself. Whether you’re a fan of avant-garde cinema or simply crave a story that dares to push the boundaries of convention, “The Housemaid” is an essential viewing experience that demands to be seen to be believed. So, dim the lights, open your mind, and prepare to be swept away on a journey into the darkest recesses of the human psyche.

  • Saul Muerte

Unveiling the Haunting Charms of Kaibyo Otama-ga-ike (1960)

12 Sunday May 2024

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Rating: ★★★★☆

Step into the mysterious and enchanting world of Japanese folklore with “Kaibyo Otama-ga-ike,” a hidden gem waiting to be discovered by a new audience. Released in 1960, this atmospheric tale of supernatural intrigue offers a captivating blend of horror, mythology, and cultural richness that is sure to leave viewers spellbound.

Set against the backdrop of rural Japan, “Kaibyo Otama-ga-ike” transports audiences to a realm where ancient spirits and malevolent forces hold sway. At its heart lies the haunting Otama Pond, a place steeped in legend and whispered tales of tragedy and terror. When a young couple, Tadahiko and Keiko, stumble upon the pond during a hiking trip, they unwittingly awaken dark forces that have lain dormant for centuries.

What sets “Kaibyo Otama-ga-ike” apart is its deep-rooted connection to Japanese folklore and mythology. Director Yoshihiro Ishikawa draws upon a rich tapestry of traditional stories and beliefs, weaving them into the fabric of the narrative with skill and finesse. From vengeful spirits to mischievous yokai, every corner of the film brims with cultural authenticity and reverence, inviting viewers to immerse themselves in a world where the supernatural is as real as the air they breathe.

But “Kaibyo Otama-ga-ike” is more than just a showcase of folklore; it’s also a masterclass in atmospheric storytelling. Yoshihiro Ishikawa expertly crafts a sense of foreboding and unease that hangs over every frame, using light, shadow, and sound to create a palpable sense of dread. As the tension mounts and the mysteries deepen, viewers will find themselves drawn deeper into the dark heart of Otama Pond, unable to look away even as the shadows close in.

Of course, no discussion of “Kaibyo Otama-ga-ike” would be complete without mentioning the standout performances of Shôzaburô Date and Noriko Kitazawa. Their portrayal of Tadahiko and Keiko brings depth and humanity to the story, grounding the supernatural elements in a relatable emotional reality. As they navigate the treacherous waters of Otama Pond, their journey becomes a mirror for our own fears and desires, inviting us to confront the darkness within ourselves.

The Prognosis:

“Kaibyo Otama-ga-ike” is a haunting and evocative journey into the heart of Japanese folklore, filled with spine-tingling scares and moments of profound beauty. Whether you’re a seasoned fan of horror or a newcomer to the genre, this hidden gem is sure to captivate and enthrall, leaving you hungry for more tales from the depths of Otama Pond. So, gather your courage, take a deep breath, and prepare to be transported to a world where the line between the living and the dead grows ever thinner.

  • Saul Muerte

Unearthly Delights: The Eccentric Charms of ‘The City of the Dead’ (1960)

11 Saturday May 2024

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Rating: ★★★★☆

Prepare to be bewitched and bewildered by the enigmatic allure of “The City of the Dead,” a delightful journey into the occult realms of 1960s horror. Starring the iconic Christopher Lee, this film serves up a deliciously off-kilter blend of supernatural thrills and twisted storytelling that is sure to leave audiences both intrigued and entertained.

Set in the eerie town of Whitewood, Massachusetts, “The City of the Dead” follows the adventures of Nan Barlow (played with wide-eyed innocence by Venetia Stevenson), a plucky college student with a penchant for the paranormal. Determined to unravel the mysteries surrounding the town’s dark history, Nan finds herself drawn into a web of witchcraft, black magic, and sinister secrets.

What sets “The City of the Dead” apart from its contemporaries is its offbeat charm and quirky sensibilities. Director John Llewellyn Moxey infuses the film with a distinct sense of atmosphere, conjuring up a world where shadows dance and whispers linger in the air. From the hauntingly beautiful cinematography to the eerie sound design, every element of the film contributes to its otherworldly appeal.

Of course, no discussion of “The City of the Dead” would be complete without mentioning the magnetic presence of Christopher Lee. As the enigmatic Professor Alan Driscoll, Lee exudes an aura of quiet menace, his piercing gaze hinting at depths of darkness yet to be revealed. It’s a testament to Lee’s talent that he can command the screen with such effortless grace, elevating every scene he’s in to new heights of cinematic brilliance.

But perhaps the true star of “The City of the Dead” is its twisted narrative, which twists and turns like a labyrinthine maze. Just when you think you’ve unraveled its secrets, it pulls the rug out from under you, leaving you gasping for breath and begging for more. It’s a rollercoaster ride of shocks and surprises, guaranteed to keep you on the edge of your seat until the very end.

The Prognosis:

“The City of the Dead” is a deliciously off-kilter delight that deserves a place of honor in the pantheon of 1960s horror. With its bewitching atmosphere, magnetic performances, and twisted storytelling, it’s a film that defies expectations and delights at every turn. So, dim the lights, gather round the screen, and prepare to be transported to a world where the supernatural reigns supreme.

  • Saul Muerte

Mysteries Unveiled: Mill of the Stone Women (1960)

11 Saturday May 2024

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Rating: ★★★☆☆

Transport yourself back to the enchanting era of 1960s horror with “Mill of the Stone Women,” a Gothic gem that stands as a historical milestone in Italian cinema. Shot in vibrant color, this film immerses viewers in the lush landscapes of the Holland countryside, expertly captured by cinematographer Pier Ludovico Pavoni. Drawing inspiration from Flemish and Dutch painters, the visuals alone are worth the price of admission. Also, on a worthy note, the opening credits claim that the film is based on the book Flemish Tales by Pieter van Weigen. This is a fictionalised statement as no such book exists and sparks the imagination and inspiration of similar concepts adopted by future filmmakers who claim their features are ‘based on a true story’.

The story revolves around journalist Hans von Arnim (Pierre Brice), who embarks on an investigation into the fabled Mill of the Stone Women. Designed by the enigmatic Professor Gregorious Wahl (Herbert A.E. Böhme), the mill features a carousel adorned with female statues. As Hans delves deeper into the mysteries surrounding the mill, he becomes entangled in a web of secrets, madness, and macabre occurrences.

While the initial setup may feel somewhat pedestrian, the film gains momentum as it hurtles towards its climactic finale. Director Giorgio Ferroni deftly infuses the narrative with Grand Guignol flair, delivering a theatrical and melodramatic conclusion that grips viewers until the very end. Though it may not reach the dizzying heights of Mario Bava’s “Black Sunday,” released in the same year, “Mill of the Stone Women” still offers plenty to sink your teeth into, from its captivating storyline to its haunting visual charm.

The Prognosis:

“Mill of the Stone Women” is a captivating journey into the heart of Gothic horror, filled with intrigue, suspense, and visual splendor. While it may stumble at times, it ultimately delivers a satisfying cinematic experience that will linger in the minds of viewers long after the credits roll.

  • Saul Muerte

1960s Horror Retrospective: Black Sunday (1960)

06 Monday May 2024

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The Birth of Baza

As I began my retrospectives of the 1960s horror era, part of my excitement centred on the Master of Italian Italian Horror and pioneer in the Giallo scene, film director Mario Bava. He led the way and inspired so many filmmakers with his visual style, particularly for his use of colour that would leave a lasting legacy on the genre. This all started in earnest with his solo directorial debut, the Gothic horror starring Barbara Steele, Black Sunday. That’s not to say he was a stranger to the celluloid art, having crafted a career since the late 30’s in many guises that would lead him to becoming a cinematographer to harness his voice and vision, come the release of Black Sunday.

Loosely based on the short story Viy by Nikolai Gogol, that was a passion project of Bava and one he had a close liking to having told the story numerous times to his own children before they went to bed. It’s little wonder that his own son Lamberto Bava would follow in his father’s footsteps and direct horror films. 

Black Sunday is a tale of vengeance and retribution and is most predominantly remembered for its shocking opening scene. Asa (Steele) and her paramour, Javutich are accused of sorcery and sentenced to death. Part of their sentence involved being placed in bronze masks with spikes on the inside and having them hammered in place over their face.

Two centuries later her preserved corpse is reanimated and in order to be fully resurrected, Asa must possess the body of her look-alike descendant Katia. Will she succeed? Can love prevail?

Also starring John Richardson before he was cast in Hammer’s She, and One Million Years BC, as the love interest. Black Sunday is held in high esteem because of some of its imagery, such as the afore-mentioned opener and maggots crawling out of an eye socket in another scene, but it’s also the decision to shoot in black and white, monochrome with a richness to it that both arcs back to the films of Universal that had initially paved the way for horror on screen, but also bridges the gap to the future and how the genre would be shaped. It would launch Barbara Steele’s career, especially in horror for classic films such as The Pit and the Pendulum, and The Horrible Dr Hichcock. For Bava, he would mould his movies over the following decade and cement his name in history. 

– Saul Muerte

Movie Review: Mad Heidi (2023)

04 Saturday May 2024

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Mad by name, mad by nature. This film is off the dial crazy and we’re all the better for it. From the crazed masterminds and self-confessed film buffs hellbent on wanting to create the first ever Swiss exploitation movie. With no money they put forward one heck of a kickstarter campaign and like-minded individuals were hooked, wanting to see the feature brought to life.

Directors Johannes Hartmann, Sandro Klopfstein wanted to take a warped dystopian future take on the classic children’s novel Heidi by Johanna Spyri. Heidi (Alice Lucy) is all grown up and quite intent on spending her innocent-yet-sexually adventurous life with Goat Peter (Kel Matsena) the local goatherd who has a little sideline in an illegal cheese trade. Unfortunately, Switzerland is under tyrannical ruling by President Meili (Casper Van Dien) who is magnificently off-kilter in his pursuit for global domination and uniting the world with the ultimate Swiss cheese. This is bad news for the lactose intolerant as they are rounded up and eradicated through cheesification techniques and when Goat Peter’s trade is discovered, he is brutally murdered and Heidi’s world spins into turmoil. In order to right it once more, she must train up and be a kick-ass warrior and bring back the heart to the Motherland once more.

The Prognosis:

This is a swiss cheese on toast movie that wears its hyperbolic tendencies firmly on its sleeves. Hartmann and Klopfstein craft a meticulously over the top jibe at all the stereotypes of their homeland from chocolate, pocket knives, watches and of course cheese and unapologetically shoves these cliches down your throat until you burst. 

Mad Heidi is so gloriously eccentric and unique that it is a welcome shift outside of the main cinematic beats, that it tempts you in and delivers all the gore, larger-than-life characters, absurdity and madcap mayhem to keep you entertained. 

  • Saul Muerte

Mad Heidi  is streaming on Shudder from 6 May.