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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Category Archives: John Carpenter

Movie review: Halloween (2018)

22 Monday Oct 2018

Posted by surgeons of horror in Halloween franchise, John Carpenter, Movie review

≈ 7 Comments

Tags

blumhouse, danny mcbride, david gordon green, Halloween, Halloween franchise, Jamie Lee Curtis, jason blum, John Carpenter, michael myers

 

It’s been a long time coming. Since 1978 fans of Michael Myers have endured the ups and downs of their favourite slasher as he carved his way through the residents of Haddonfield, but never has captured the hearts and imagination of John Carpenter’s original vision.

We’ve seen Myers omitted from the franchise only to be brought back to stalk his niece, then inflicted with an ancient curse, played the part of a reality TV series, and then reimagined by director Rob Zombie with conflicting results.
It seemed that Myers was dead and buried, but when ‘hotter than hot right now’, production team Blumhouse started to taut the idea of bring him back to the screens once more, a new-found interest began to surface once again.

There were certain things that began to fall into place, such as the return of Jamie Lee Curtis as Laurie Strode (albeit with slight reservation as they had done this before), which was rewarded further with the approval of Carpenter himself, plus part of his agreement was that he would provide the score. Hell yeah!
It might be a small thing but with the casting of Nick Castle to the Shape back to Myers cemented things for their storyline, which would be set 40 years after the original events transpired. The catch, none of the other movies in the franchise would exist. The producers would be picking up the baton without the sequels to muddy the water.

The other slight snag is that director David Gordon Green and his writing collaborator Danny McBride, normally associated with comedy were attached to steer this new direction. The screenplay they presented had the approval of those around them, but could they pull off a horror slasher and one that comes with so much expectation?

As the pre-credits began to roll, you suddenly felt that they had got the tone just right, ranging from the familiar score charging up the emotions and the image of the pumpkin rebuilding itself with a giant metaphor for the franchise. Halloween is back and they’re going to make it as damn good as they can, whilst keeping in tone of the original movie.

As the film unfolds it soon becomes apparent that what Green and McBride are telling isn’t just a typical horror film, but one of the trauma and the suffering that one faces when they have gone through a massive ordeal such as the one Laurie Strode faced all those years ago. What does that do to the psyche? What would happen to someone like Laurie and how would she cope back once faced with the reality of her situation? The choice was to place her as a survivor of sorts who is still fighting her demons, as she has become a modern day doomsday prepper, although in her case, Laurie isn’t preparing for the end of the world, but her inevitable last encounter with Michael Myers.

Jamie Lee Curtis does an amazing job of portraying Laurie and the impact that her character has had on her family. I’m not sure if I can recall her ever showing such raw emotion on screen, but she is able to deliver a full range of vulnerability, compassion, strength, and empowerment and with it she harnesses the other characters with her to produce a well-accomplished, solid movie. Laurie Strode is now a symbol of the effect that trauma has on those who’ve lived it or experienced it. In one scene, Jamie Lee Curtis is so broken in her portrayal that you can see the pain etched across her face as her whole body folds in on itself. It truly is a wonderful performance and a fitting one as we move in a time of change and recognition of the suffering that women have had to endure over the years, forced to bury their emotions in a world that didn’t or refused to understand.

On Laurie’s journey of torment is her daughter, Karen, (who has had to bear the suffering of a childhood trapped in fear) and her Granddaughter, Allyson (a symbol of hope and understanding). Allyson almost represents the overall message here for the Halloween franchise. We have to bypass a whole generation in order to rebuild for the future. Our hands rest in the youth of tomorrow and if anyone is going to tap into that generation, it’s Blumhouse.

That’s no to say that Halloween doesn’t ignore the people that have had to tolerate each new chapter, if anything the movie wears it on its sleeve with plenty of nods and references along the way. It’s a fine line to tread, but Green manages to keep a perfect balance of old and new, whilst still offering something fresh and serving decent bouts of nostalgia to please all and sundry.

There are some stints of humour along the way though. It’s not all doom and gloom. Green is a comedy director first and foremost but he doesn’t saturate the film with light-hearted moments, instead he delivers when the beats serve it and it lifts the film all the more, especially with the scene in which Julian is being babysat for by Allyson’s friend, Vicky. It’s a great little exchange between the two of them that you know will just go sour as soon as Michael enters the scene.

As for our beloved psychopath, Michael, he hasn’t gone without his own set of changes. Having been incarcerated for 40 years, he too has bottled up his emotions, stifled from a system that refuses to let him indulge in his passion for killing. So when he does break free from prison bus transportation, he unleashes with such brutality that hasn’t been present in the franchise before. This suppressed Michael will stop at nothing to go on his killing rampage, selectively picking his victims at will, before coming face to face with his nemesis Laurie again.

The climax of the movie also hits some great strides and rewards with the choices that the characters take to meet the conclusion and puts you through the wringer whilst leaving you pleasantly satisfied with the result.

 

The Diagnosis:

 

“Welcome back Michael Myers.

David Gordon Green and Danny McBride have successfully resurrected new life into a much-loved franchise and delivered a movie that will delight both old and new generations alike.

Congratulations to the Blumhouse team. You’ve produced the best Halloween film in 40 years.”

 

– Saul Muerte

Podcast: The Halloween franchise: The Return of Laurie Strode

21 Monday Nov 2016

Posted by surgeons of horror in Halloween franchise, John Carpenter

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Tags

American Pie, Busta Rhymes, Halloween, Horror movies, Jamie Lee Curtis, Josh Hartnett, Katee Sachoff, Kevin Williamson, LL Cool J, Michelle Williams, podcast

h20   resurrection

OUR PENULTIMATE PODCAST in the Halloween franchise discussions combines both Halloween H20: 20 Years Later and Halloween: Resurrection.

The former picks up the story 20 years after Michael’s killing spree in Haddonfield, 1978.
Laurie is now the head mistress of Hillcrest Academy, a boarding school where her son, John resides.

We learn that she faked her own death in a car accident, a knowing nod to comments made in Halloween 4: The Return of Michael Myers.

However, despite the original story treatment involving mention of Laurie’s daughter, Jamie, the writers removed any mention of her in the final treatment, thus rendering parts 4, 5, and 6 as obsolete and not part of the official canon.

A move that would scorn the wrath of certain hardcore fans of the franchise. Apparently this was to allow more room for Laurie’s character to breathe on screen.

The majority of the movie takes place in said school as Myers goes in search of his blood-kind, killing off a couple of teenagers along the way.

Resurrection became something of a mess, which not only sore the demise of a much-loved character, but arguably saw the destruction of the franchise too.

Looking at the film at its lack of success, one can’t but feel inclined to look a the director, Rick Rosenthal, whose film credits seem a little lacklustre, but is he solely to blame?

Another musician would step into the fray for Resurrection to try and draw some interest from the youth, Busta Rhymes and and an unforgettable cast alongside him, Bianca Kajilich, Sean Patrick Thomas (Save The Last Dance, Cruel Intentions, and Dracula 2000), Thomas Ian Nicholas (Kevin Myers in American Pie, and child star in Rookie of the Year) and notably Katee Sackhoff (Starbuck in the new Battlestar Gallactica, Longmire, and Occulus)

So, what do the Surgeons make of the these instalments to the franchise?
Click on the podcast below to find out.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/12/soh-halloween-franchise-the-return-of-laurie-strode.mp3

Escape From New York (1981)

04 Tuesday Oct 2016

Posted by surgeons of horror in John Carpenter

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Adrienne Barbeau, ernest borgnine, harry dean stanton, Horror film, Horror movies, isaac hayes, kurt russell, lee van cleef, podcast

escape-from-new-york
THIS DYSOPTIAN VIEW of a troubled America, where crime rate has risen to 400% is the setting of our sixth instalment of the John Carpenter Early Years discussions on Surgeons of Horror.

It would mark a massive turning point in Carpenter’s career where he would stride onto iconic movies such as The Thing, They Live, and Big Trouble in Little China.

It would also prove fruitful for its lead star, Kurt Russell taking on Snake Plissken, a character that has stamped itself into film legend, such is the power of his presence on screen.

It’s setting of the President of the USA (Donald Pleasance) being jettisoned onto Manhattan Island after Air Force One is hijacked, the island in question has been transformed into a giant prison, (Think Alcatraz but on a much larger scale) tips this adventure into an adrenaline-fuelled ride. Even more so, with Plissken’s life is on the line. If he doesn’t retrieve the President in time, the toxins in his system will be released, killing him in the process.

So many things went right for Carpenter in the making of this movie. The ensemble cast all look there having a breeze and produce some memorable characters,

And the film crew, most of whom had been working alongside Carpenter since Assault On Precinct 13 / Halloween have certainly found there stride at this point.

All of which made our podcasts discussions on Escape From New York, such a fun one to take part in.

Check out what we had to say below.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/10/soh-jc-escape-from-new-york.mp3

The Fog (1980)

20 Tuesday Sep 2016

Posted by surgeons of horror in John Carpenter

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Adrienne Barbeau, Horror film, Horror movie, Horror movies, Jamie Lee Curtis

the-fog

JOHN CARPENTER’S FOLLOW up to Halloween would come in the guise of The Fog.

Whilst it didn’t come close to success that Halloween would generate, it did generate enough of a following to push Carpenter’s career along and propel him further as a bankable director.

It would reunite him with co-star Jamie Lee Curtis albeit in a smaller role amongst a fairly strong ensemble cast.

Leading the way is Stevie Wayne played by the amazing and beautiful, Adrienne Barbeau pulling out a strong performance as the radio DJ ushering out the warning of the killer fog with those sultry tones……

Whilst on paper, this movie had a great premise and all the hallmarks of a classic horror,  with the classic ghost camp fire story brought to life of ghost pirates out to seek vengeance on a community that did them wrong 100 years ago.

The Surgeons of Horror podcast team pay close scrutiny to the movie and delve into our fifth subject of The John Carpenter early years sessions to find out by asking all the important questions.

Does it live up to its promise and deliver a classic ghost story?

Can fog actually be scary on film?

And more importantly. Are you weird?

Listen to the podcast below to find out our thoughts.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/09/soh-john-carpenter-the-early-years-the-fog.mp3
  • Paul Farrell

Halloween (1978)

13 Tuesday Sep 2016

Posted by surgeons of horror in John Carpenter

≈ 1 Comment

Tags

Halloween franchise, Horror film, Horror movie, Jamie Lee Curtis, slasher horror

Four films into his career and John Carpenter hits one out of the park and creates the slasher horror genre in the process.

And yet it’s hard to recall from a personal perspective when exactly Halloween entered my consciousness.

Released the same year that I was born, one could argue that this movie and I were intrinsically connected, if you were that way inclined.

I for one have found myself constantly drawn to the dark arts of the silver screen and it only seems natural that a movie of this pedigree would enter my periphery at some stage in my life, coupled with my growing love of Carpenter’s movies that stayed with me throughout my childhood, a connection would be inevitable.

Looking back, it’s hard to see the world of horror movies without this as part of its canon.

It’s a movie that started a whole new genre of film (some may argue that 1974’s Black Christmas was the film that started it all, but it’s impact would never be as great) and it has been mimicked and repeated ever since.
Without it, Friday the 13th may never have existed. Victor Miller may have been guided be a completely different movie when coming up with the ‘horror movie template’ and the movie world would be a very different place indeed.

I think you get the point that I’m driving at, that this was a defining moment in cellular history and I’ve relished it ever since.

It’s the kind of movie that, when I first set up Surgeons of Horror, I knew that I wanted to discuss with my fellow surgeons and it was indeed the original impetus for putting together the podcast. Fate would have us steer down a completely different path however with Wes Craven’s untimely passing refocusing our directive for Season 1.

Now though, we are halfway through the John Carpenter: Early Years Sessions and finally at a point to talk about this much-heralded movie, but where does one begin?

Hopefully the following podcast will be of worthy listening, we certainly had fun discussing it. We hope that you do too.

– Saul Muerte

Someone’s Watching Me (1978)

06 Tuesday Sep 2016

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Adrienne Barbeau, Horror movie

Someone's-Watching-Me OUR THIRD ENTRY into the John Carpenter Early Years discussions is little known TV movie, Someone’s Watching Me.

The fact that this movie has fallen by the wayside in Carpenter’s canon of work is know real surprise, but for enthusiasts, this is definitely worth a visit.

Despite heavy nods and influences from another legend, Alfred Hitchcock, there are early indications of what was to come infused throughout.

Carpenter himself would admit that he learnt his craft in the making of Someone’s Watching Me and keen observers would note that there are a lot of similarities to his next movie, (and the one that would pave a fine selection of movies in arguably one of the best runs in film history) Halloween.

A now much-recognised trait is used here with the stalker POV, as the camera observes the victim or intended victims from afar, and the overall framing and flow of the movie would be repeated in the slasher flick.

It must be a subject that intrigued Carpenter as he once quoted, “Everybody’s a voyeur.”

A simple premise that plays on us the audience, allowed into the world of the killer, with a sense of guilty pleasure and would go on to influence many directors and writers to come.

So with that in mind, The Surgeons of Horror team lift the lid of this little-known movie to discover if it really is a hidden gem or best left forgotten.

Listen to our thoughts and opinions in the podcast below.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/09/soh-john-carpenter-the-early-years-someones-watching-me.mp3

 

The Jaws franchise (1975 – 1987)

04 Sunday Sep 2016

Posted by surgeons of horror in John Carpenter, Uncategorized

≈ 5 Comments

Tags

classic horror, Horror film, Horror movie, Killer shark, Richard Dreyfus, Robert Shaw, Roy Scheider, Steven Spielberg, Summer blockbuster

Jaws WHERE DO YOU begin when attempting to dissect Jaws and the franchise that it spawned?

It is so iconic, so embedded in the psyche of fans of film and the culture that it hails from.
Hell, it pretty much gave birth to the modern film and created what is now known as the summer blockbuster.

To say that it’s huge is a gross understatement.

Director, Steven Spielberg was only 26 when he made this movie and from the success of this went on to become one of the most successful directors in the industry.

But the final product could have been very different.

Its troubled production has been well reported upon from its lack of script, last-minute casting, and a mechanical shark that didn’t work.

It should have taken 55 days to film but it went on to take 159 days to complete running significantly over the production schedule.

So why and how did this film become so successful?

Its success would inevitably lead to similar themed movies and inspirations; chief amongst these was Joe Dante’s Piranha. A film that doesn’t shy away from the fact that it was a blatant rip off.

The Surgeons of Podcast team had a tough assignment before them in order to tackle such a subject as this.

One could say that we’re gonna need a bigger podcast session in order to carry this thing out. [Sorry, I couldn’t resist]

Either way, the team gathered our thoughts and opinions and tried to suppress them into the below discussion, hopefully for your hearing pleasure.

Take some time to listen to 3 individuals crammed into ‘The Cabin” in order to convey the impact that this movie had on us as individuals and the bragging rights over who was the most affected by it.

Have fun.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/09/soh-special-edition-jaws-franchise.mp3

 

Links:

The Shallows (2016)

Assault on Precinct 13 (1976)

23 Tuesday Aug 2016

Posted by surgeons of horror in John Carpenter

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Tags

austin stoker, Darwin Joston, Horror film, Horror movie, Horror movies, John Carpenter, Rio Bravo

Assault-On-Precinct-13

JOHN CARPENTER’S SOPHOMORE feature and realistically his first in the ‘professional’ circuit (as his debut, Dark Star, was a University project that received success beyond his wildest dreams) would catapult the film auteur into one of the best successes in the film industry with countless movies resonating with a wide audience.

In many ways, Assault On Precinct 13 reflects the very kernel of his following movies, with themes and compositions that steered Carpenter on his cinematic journey.

A self-confessed lover of Westerns, this movie would serve as a massive nod to Rio Bravo, the John Wayne feature that inspired Carpenter to create that storyline in a modern, urban world, taking the core ingredients of a siege mentality to drive the plot line of this action thriller.

Much of the tension is lost these days however, such is the changing landscape in storytelling on the celluloid canvas, but at its heart is a story that still resonates and pulls at the nostalgia strings for those with their heart still bent towards classic plot lines, memorable characters and cheesy one-liners…
”You Got A Smoke?”

The premise of the movie injects our protagonist in a volatile situation when he is called upon to look after a now defunct police station that is in the last stages of closing down.

All appears well until a father on the run from a group of vigilantes seeks refuge. The officer has to rely on his wits, minimal arsenal, a secretary and a couple of convicts to aid his survival through the night.

As I said, it’s classic storytelling at its best and would be the start of a fantastic career for Carpenter, and would be only a couple of years away from producing one of cinema’s classic slasher horrors, Halloween.

For more thoughts and observations on Assault On Precinct 13, click on the audio podcast below.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/08/soh-john-carpenter-the-early-years-assault-on-precinct-13.mp3

Dark Star (1974)

16 Tuesday Aug 2016

Posted by surgeons of horror in John Carpenter

≈ 3 Comments

Tags

Alien, Dan O'Bannon, Horror film, Horror movie, John Carpenter, Nick Castle, Sci-Fi Movies

dark-star
AFTER DEDICATING OUR last podcast season to the early works of the late great Wes Craven, we now switch our attention to another horror film auteur in John Carpenter.

Much like in our last season our method is to look back at his early work and to dissect these movies with great analysis and with a bit a friendly banter along the way.

The first subject to ho under the knife is Carpenter’s first feature, Dark Star, a university / pet project in which he would team up with Dan O’Bannon (Alien) to write, produce, and direct a movie that would gain significant attention from like-minded students and wind up as a classic among sci-fi fans.

Whilst this doesn’t fit among the canon of work that Carpenter would go on to direct, Dark Star certainly has its elements that lift the movie above many of its counterparts.

It must be said though, that this movie plants itself well and truly in comedy territory despite this not being its original intent.

Certainly not worthy of close scrutiny but Carpenter delivers a fun, light-hearted movie all the same.

For more thoughts and opinions head over to our podcast discussion below.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/08/soh-john-carpenter-the-early-years-dark-star.mp3

 

EXTRAS:

DARK STAR OST

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