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~ Dissecting horror films

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Tag Archives: Joshua Leonard

Retrospective: The Blair Witch Project

25 Friday Jan 2019

Posted by surgeons of horror in retrospective

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Blair Witch, Daniel Myrick, Eduardo Sanchez, found footage, Heather Donahue, Joshua Leonard, michael c williams, the Blair Witch Project

Transport yourself back twenty years and cast yourself in an auditorium draped with red velvet curtains and matching carpet where the unwanted popcorn had stuck to the floor and would crunch beneath your feet.

This is where I found myself ahead of this massively hyped movie that had allegedly had audiences throwing up in the aisles.

Was this a reaction to the events in the movie or from the hand-held cinematography that the filmmakers Daniel Myrick and Eduardo Sanchez were looking to achieve in order to capture the old documentary style filming you often saw in news reports etc.? What ever it was, Myrick and Sanchez had a lightning in the bottle moment that sent the Internet ablaze while it was still in its infancy, (no other film at this stage had created such a multimedia sensation) and in the process reawakened the found footage genre.

The twenty-year-old version of myself was determined not to buy into the insanity, but as I sat as the lights went down anticipating an awakening of my own. To be scared, thrilled, and gripped in fear at the events that would flow before me. This twenty-year-old was also incredibly stubborn. I beckoned, nay, willed the filmmakers to push my senses to the limit. Yes, I was disorientated, but not nearly to the degree that I had been led to believe, and I found my excitement transported to fury at these whining Americans that were lost in the woods.

To say that I was underwhelmed was a gross understatement.

And yet, something kept niggling away at me beneath the surface.

I was aware of the impact that this little movie had had on the horror industry, an industry that I loved so much. And numerous friends of mine would often talk about the impact that it had on them over the years. Was I wrong to have scoffed at the film so readily? Was there more to this movie than just your average run-of-the-mill found-footage horror?

Films of similar ilk like Paranormal Activity, or Cloverfield would come and go and not resonate as deeply, with the exception of Jaume Balagueró’s [Rec]. It was safe to say that I wasn’t a fan of this sub-genre.

It was only upon a few years back in preparation ahead of Adam Wingard’s sequel Blair Witch that I gathered the team together for a podcast on the franchise. It was during this time that I began to appreciate the making of this movie.

Listen to The Surgeons of Horror podcast:

The Blair Witch franchise


As The Blair Witch Project celebrates its 20th Anniversary, I’ve come to realize that it is a cracking example of experimental horror at its finest. The techniques that Myrick and Sanchez use in both production and marketing were exemplary, and should be applauded.

Whilst some could argue that it feels like a student film in places, (which let’s face it, it was) the direction would mark a new approach in film-making moving forward and open the door for similar stylized films.

With a 32-page screenplay and a trio of as-yet undiscovered actors (Heather Donahue, Michael C. Williams, and Joshua Leonard) in their crew, (some having to double-up as camera crew) they ventured out into the wooded terrain in Maryland to carry out their vision.

The aim was to guide the actors through pre-decided marks throughout the woods, where they would improvise around the screenplay, whilst adapting to each action as it was given to them. The effect was a naturalistic piece of drama, which made the plight of our trio all the more gritty and realistic.

It essentially became a test of endurance on the three actors, as they were deprived of food and disorientated by lack of sleep.

Throw in the shock ending, which was initially asked to be reshot by Artisan Entertainment for its confusion, only to end up in the final cut. It’s a good job too, as the ending is both startling and unsettling leaving the viewer hollow inside. Any movie that can garner such a reaction from its audience will always be held highly in these writers’ eyes.

The final mark of brilliance though comes in the marketing. With so much back-story written, it became an online producer’s playing field to create and sell the ‘history’ and cement the believability further. In an age where the scope of the internets online marketing capability had yet to be explored, and the mythology behind the Blair Witch was catapulted into the mainstream, coupled with the mockumentary, Curse of the Blair Witch, and the book, The Blair Witch Project: A Dossier.

There’s plenty of good reason that The Blair Witch Project should and still be deemed a horror movie classic, and twenty years on, it is a testament to clever filmmaking, marketing, and that special lightning in bottle magic, that only comes around every so often.

Listen to The Surgeons of Horror podcast:

Director Eduardo Sanchez interview

  • Saul Muerte

Movie review: Unsane

11 Monday Jun 2018

Posted by surgeons of horror in Movie review

≈ 2 Comments

Tags

amy irving, claire foy, Joshua Leonard, steven soderbergh

Steven Soderbergh’s bold venture into the horror scene would display his usual flair for the experimental by shooting the entire thing on an iPhone and utilising the sublime acting ability of Claire Foy, who seems to be on a massive trajectory right now following The Crown. Keep an eye out for The Girl in the Spider’s Web and First Man, both due out later in the year.

Foy certainly owns this movie too, eking out every ounce of her physical and mental prowess to deliver a cracking turn as an incredibly unhinged Sawyer Valentini. Her intrinsic mannerisms have you questioning her actions from the outset as she appears quite reserved and a little rude with one of her colleagues, to then venture outside the office building to talk with her mother, fabricating every detail of her day in order to appease, before venturing back inside. This leaves you wondering who is Sawyer Valentini?
The plotline takes a significant left turn however when Sawyer is committed into a mental institute for 24 hours after she visits a counselor and unwittingly signs a consent form volunteering her to do so.

Once inside, she tries to pull all the stops to be released but has a violent encounter with a fellow patient, Violet (a magnificent Juno Temple) and she has to resort to calling her mum (Amy Irving – Carrie, The Fury) to try and bail her out.

The convoluted narration has a few more twists up its sleeve though as we discover one of the doctors happens to be her stalker that she has been trying to run away from. The stalker in question is played by Joshua Leonard (Blair Witch Project) lends weight to the strength of the casting in this film as he excels as the main antagonist, David.

There’s even a superb cameo from Matt Damon as Detective Ferguson, who advises Sawyer on how to stay protected from her stalker.

The twists and turns that Jonathan Bernstein and James Greer provide with their screenplay is both Unsane’s genius and its Achilles heel as the viewer is dragged along Sawyer’s descent into hell through a crazed labyrinth before a climax that questions all that has unfolded.

 

The Diagnosis:

People will either love or hate this film, there’s no in-between. It took me a little while to register my feelings towards Unsane as I was mesmerized by Foy’s performance on screen, proving she is a force to be reckoned with. And yet, the storyline can leave you a little baffled and unsure of how it makes you feel by the time the end credits roll.

Top 18 Movies the Surgeons team can’t wait to go under the knife

25 Thursday Jan 2018

Posted by surgeons of horror in News article

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Tags

a quiet place, aimee mullins, alien:covenant, Amityville: The Awakening, amy irving, Annabelle:Creation, annihilation, anya taylor joy, before i wake, blumhouse, cadaver, cargo, cate blanchett, christina hendricks, claire foy, corin hardy, danny mcbride, david gordon green, eli roth, emily blunt, game of thrones, gerald's game, Get Out, green inferno, Halloween, helen mirren, hellraiser:Judgement, hounds of love, insidious: the last key, It, it comes at night, jack black, Jamie Lee Curtis, jason statham, Jeepers Creepers 3, jennifer jason leigh, johannes roberts, john krasinski, Joshua Leonard, juno temple, Leatherface, lin shaye, maisie williams, mother!, natalie portman, nick frost, olivia munn, Patient Zero, rafe spall, Raw, shane black, simon pegg, slaughterhouse rulez, Split, stephen soderbergh, stranger things, Suspiria, the autopsy of jane doe, The Babysitter, the conjuring, The Conjuring 2, the god particle, the Hallow, the house with a clock in its walls, the lodgers, the marshes, the meg, the new mutants, The Nun, the predator, the ritual, the strangers 2, the witch, thelma, thomas jane, thorughbreds, tom hardy, truth or dare, unsane, venom, winchester

2017 proved to be a mammoth year in horror, with the likes of Get Out, It, and Annabelle: Creation causing waves of elation and that’s not to forget some awesome movies that rippled beneath the surface, including Gerald’s Game, Hounds of Love, Raw, The Marshes, mother!, and The Babysitter.

What does this mean to the genre as a whole? It can spell good news as the movie business see success and a money opportunity to exploit this genre to the bone.
This could mean an outpour of horrendous carbon copy movies that will grate to the bone, but it can’t be as bad as Amityville: The Awakening, Leatherface, or Jeepers Creepers 3 right?

But let’s not be too hasty on the negative-front. What does look promising is that we could very well get some fine horror films churning out over the coming years.

So with that in mind, the team stitched our collective minds together and come up with 18 of the most anticipated horror movies coming out that we would love to bring into the operating theatre and splice them wide open.

Annihilation

23 Feb / 12 Mar via Netflix

Directed by Alex Garland and starring Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac looks off the dial.
The fact that it has been picked up by Netflix for a release some 17 days after its cinematic release has left some people scratching their heads as to whether or not this film has merit, but that’s old school thinking.
We at Surgeons see this at as a bold attempt at a streaming company to make their move onto the big arena.
If the trailer is anything to go by this film could be a massive hit and shape up the distribution method in a big way.

Cadaver

23 Aug

Some may instantly see comparisons with The Autopsy of Jane Doe with this one, but this story of a city cop fresh out of rehab, who takes up a role at the city hospital morgue, could very well be a trippy affair, where sanity is on the line.

Halloween

19 Oct

You’d be remiss to neglect this one on the list. With the return of Jamie Lee Curtis and Nick Castle in their respective roles, alongside the creative minds of David Gordon Green and Danny McBride, can we finally see Michael Myers rampaging his way that will delight and reignite the franchise once more?
Here’s hoping.

The House With A Clock In Its Walls

21 Sep

Cate Blanchett and Jack Black lead the charge in Eli Roth’s latest feature about a young orphan and his magical uncle who go in search of a clock that could bring about the end of the world.
Could we see a return of fantasy horror on the big screen? Can Roth extend his bloody touch to go beyond the success of Green Inferno?

Insidious: The Last Key

8 Feb – Australian release

Whilst this has already been released in the States, the Surgeons team who are based in Australia, need to wait with eager anticipation for Elise Rainer and her team of ghost hunters to delve into the Further once more.
Early reports suggest that Lin Shaye continues to impress in her role, but that the franchise may have run its course. We’ll have to wait and see before we cast our thoughts on the latest addition to the franchise.

The Lodgers

23 Feb

2015’s release of The Witch and its success may have reawakened that love of folk horror, which has been embedded in British culture with the likes of The Wicker Man, Witchfinder General, and Blood on Satan’s Claw, has some of our team intrigued by this latest offering.
Set in 1920’s Ireland, a twin brother and sister must endure a sinister presence with a strong hold over them that may result in turning them against one another with drastic circumstances.

The Meg

23 Aug

Movies don’t get bigger than this one.

Sorry couldn’t resist that.

Whether you like him or not Jason Statham has a habit of packing a punch when it comes to ‘balls to the wall, testosterone-fuelled action movies.

Now he must come face-to-face come face to face with a 70-foot shark.

“You’re gonna need a bigger air tank.”

The New Mutants

12 Apr

When Logan was released and with the success that followed, Marvel were then faced with the enterprise of a much darker world.

In steps, The New Mutants which sees Anya Taylor-Joy (The Witch, Split) and Maisie Williams (Game of Thrones) among the imprisoned young mutants as they discover their new-found abilities and potential salvation.

It’s a good cast, but will it deliver?

The Nun

12 Jul

Speaking of franchises, The Conjuring universe continues to expand and haunt in more delectable ways to terrify our souls with the much-anticipated return of Valak.

In this instance, Rome is our setting and Father Burke is sent to investigate the mysterious death of a nun. Burke played by Demian Bichir, who I hope is given more time to flex his acting muscles compared to his under-used performance in Ridley Scott’s Alien: Covenant.

Gary Dauberman from It, Annabelle:Creation, and The Conjuring 2 is back on board to write the screenplay, so expect similar twists, turns, and scares to arise.

In addition, Corin Hardy steps in to direct, who oversaw the surprisingly decent The Hallow from a few years back and has been given the vote of confidence to resurrect The Crow, starring Jason Mamoa.

The Predator

2 Aug

Becoming something of the lesser cousin to the Alien franchise, The Predator universe has never managed to really make a dent beyond its original Arnie feature, which surprises as it is ripe full of potential.

One of the original stars Shane Black is on to direct, so you could argue that there isn’t anyone closer to the source to re-capture the magic of the first film, and he has proven success with Kiss Kiss, Bang Bang and Iron Man 3, but is that enough to win over fans and the many?

The additions of Oliva Munn, and Thomas Jane, who has had a something of a career comeback with Before I Wake, and 1922 of late, could very well help cement this together.

A Quiet Place

3 May

Where some were left aggrieved following the screening of It Comes At Night, (which is probably the best example of false advertising when it comes to luring your audience in – as an aside its actually a pretty decent and intense movie, just not how it was promoted) will no doubt have their needs met in this movie, which promises an intense and horrific ordeal.

John Krasinski directs and stars in his passion project alongside Emily Blunt as part of a family forced to live in silence from an unknown threat that will attack with the slightest noise.

The Ritual

9 Feb – on Netflix

Another example of how Netflix continue to become a force in the movie market, and another example of folk horror entering into the scene.

The Ritual stars Rafe Spall as a man with a damaged, who joins a group of friends on a camping expedition in the forest only to discover that they are not alone.

Slaughterhouse Rulez

7 Sep

Much discussion has been surrounding this project due to the re-collaboration of Simon Pegg and Nick Frost (Shaun of the Dead, Hot Fuzz) who both star in and produce this movie.

The story centres on a boarding school that unleashes all hell when a mysterious sinkhole emerges.
Cue comedy and bloody mayhem.

 

The Strangers 2: Prey at Night

9 Mar

The first film had horror fans divided – a bit like vegemite, you either love it, or hate it. For those that fell into the former category, they can rejoice as the trio of masked psychopaths return to reek havoc on some more prey.

The cast includes Christina Hendricks (Mad Men, The Neon Demon) and Martin Henderson (The Ring, Everest) and is directed by Johannes Roberts (47 Meters Down, The Other Side of the Door) but don’t let that sway you as he also helmed the magnificent F, and if he could tap the rage and anarchy unleashed in that movie, we could have a surprise hit on our hands.

Truth or Dare

3 May

Horror production giants, Blumhouse, who have been partly responsible for the rise in recent genre movies will be hoping to keep the trend going and repeat their successes of Get Out, and Happy Death Day.

Truth or Dare follows a group of friends who play a deadly version of said game when those that break the rules start a meet a grisly end.

Unsane

23 Mar

Critically praised film director, Steven Soderbergh enters the horror arena with his usual approach to exploring different filming techniques, in this instance shooting the entire film on an iPhone camera.

The cast is also impressive with Claire Foy (The Crown), entering a mental institution and once again reality comes into question. Foy is accompanied by Juno Temple (Horns), Aimee Mullins (Stranger Things), Amy Irving (Carrie) and Joshua Leonard (The Blair Witch Project).

Venom

5 Oct

If The New Mutants is going to push the boundaires of darkness in the Marvel universe, then Venom will surely rip that apart and enter whole new level of insanity.

With Tom Hardy taking on the titular character, you can expect some hefty weight in the acting department.
It’s a project that is shrouded in secrecy at the moment and just a few screenshots that have been handed out to the media. Lets hope that it will be worth the wait.

Winchester

22 Feb

Helen Mirren takes on the role of Lady Winchester house, heiress to the Winchester firearms, who becomes obsessed with building a house to trap ghosts with one of the most obscure architecture ever built.

From the creative minds of the Spierig Brothers (Undead, Daybreakers), this movie could be hit or miss.

Notable recommendations

Cargo, The God Particle, Hellraiser: Judgement, Patient Zero, Suspiria (remake), Thelma, Thoroughbreds

  • Saul Muerte

The Blair Witch franchise (1999-2016)

20 Tuesday Sep 2016

Posted by surgeons of horror in Uncategorized

≈ 4 Comments

Tags

Blair Witch, Daniel Myrick, Eduardo Sanchez, Heather Donahue, Horror film, Horror movie, Joshua Leonard

blair-witch-project
WHAT DEFINES A successful modern day horror film?

Can The Blair Witch Project lay claim to this prestige or does the myth that surrounds it cloud our perception?

One things for sure, it was a landmark movie in not only the style in which the movie is delivered which effectively launched found footage horror to the forefront of the movie mainstream but also in the mode of establishing a new style of marketing that connected with audiences worldwide.

It had a pulse and substance to it that resonated on a massive scale and it was for this reason that USA Today went on record to state The Blair Witch Project was the first movie to go ‘viral’.

A trend was then set with numerous movies hoping to follow suit and creature a hit with a low budget feel.

What does that mean today though?

Does the movie still stand the test of time?

There have been books released, a rushed-to-production “unofficial” sequel released the following year in 2000 with Book of Shadows: Blair Witch 2.

And just recently an “official” sequel has been released, Blair Witch, which all lend weight to the mythos of The Blair Witch legend for good or ill.

Join our discussions on The Blair Witch franchise in a Surgeons of Horror Special podcast below.

https://surgeonsofhorrordotcom.files.wordpress.com/2016/09/soh-blair-witch-franchise.mp3

  • Paul Farrell

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