Steven Soderbergh’s bold venture into the horror scene would display his usual flair for the experimental by shooting the entire thing on an iPhone and utilising the sublime acting ability of Claire Foy, who seems to be on a massive trajectory right now following The Crown. Keep an eye out for The Girl in the Spider’s Web and First Man, both due out later in the year.
Foy certainly owns this movie too, eking out every ounce of her physical and mental prowess to deliver a cracking turn as an incredibly unhinged Sawyer Valentini. Her intrinsic mannerisms have you questioning her actions from the outset as she appears quite reserved and a little rude with one of her colleagues, to then venture outside the office building to talk with her mother, fabricating every detail of her day in order to appease, before venturing back inside. This leaves you wondering who is Sawyer Valentini?
The plotline takes a significant left turn however when Sawyer is committed into a mental institute for 24 hours after she visits a counselor and unwittingly signs a consent form volunteering her to do so.
Once inside, she tries to pull all the stops to be released but has a violent encounter with a fellow patient, Violet (a magnificent Juno Temple) and she has to resort to calling her mum (Amy Irving – Carrie, The Fury) to try and bail her out.
The convoluted narration has a few more twists up its sleeve though as we discover one of the doctors happens to be her stalker that she has been trying to run away from. The stalker in question is played by Joshua Leonard (Blair Witch Project) lends weight to the strength of the casting in this film as he excels as the main antagonist, David.
There’s even a superb cameo from Matt Damon as Detective Ferguson, who advises Sawyer on how to stay protected from her stalker.
The twists and turns that Jonathan Bernstein and James Greer provide with their screenplay is both Unsane’s genius and its Achilles heel as the viewer is dragged along Sawyer’s descent into hell through a crazed labyrinth before a climax that questions all that has unfolded.
People will either love or hate this film, there’s no in-between. It took me a little while to register my feelings towards Unsane as I was mesmerized by Foy’s performance on screen, proving she is a force to be reckoned with. And yet, the storyline can leave you a little baffled and unsure of how it makes you feel by the time the end credits roll.
What does this mean to the genre as a whole? It can spell good news as the movie business see success and a money opportunity to exploit this genre to the bone.
This could mean an outpour of horrendous carbon copy movies that will grate to the bone, but it can’t be as bad as Amityville: The Awakening, Leatherface, or Jeepers Creepers 3 right?
But let’s not be too hasty on the negative-front. What does look promising is that we could very well get some fine horror films churning out over the coming years.
So with that in mind, the team stitched our collective minds together and come up with 18 of the most anticipated horror movies coming out that we would love to bring into the operating theatre and splice them wide open.
Directed by Alex Garland and starring Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac looks off the dial.
The fact that it has been picked up by Netflix for a release some 17 days after its cinematic release has left some people scratching their heads as to whether or not this film has merit, but that’s old school thinking.
We at Surgeons see this at as a bold attempt at a streaming company to make their move onto the big arena.
If the trailer is anything to go by this film could be a massive hit and shape up the distribution method in a big way.
Some may instantly see comparisons with The Autopsy of Jane Doe with this one, but this story of a city cop fresh out of rehab, who takes up a role at the city hospital morgue, could very well be a trippy affair, where sanity is on the line.
You’d be remiss to neglect this one on the list. With the return of Jamie Lee Curtis and Nick Castle in their respective roles, alongside the creative minds of David Gordon Green and Danny McBride, can we finally see Michael Myers rampaging his way that will delight and reignite the franchise once more?
The House With A Clock In Its Walls
Cate Blanchett and Jack Black lead the charge in Eli Roth’s latest feature about a young orphan and his magical uncle who go in search of a clock that could bring about the end of the world.
Could we see a return of fantasy horror on the big screen? Can Roth extend his bloody touch to go beyond the success of Green Inferno?
Whilst this has already been released in the States, the Surgeons team who are based in Australia, need to wait with eager anticipation for Elise Rainer and her team of ghost hunters to delve into the Further once more.
Early reports suggest that Lin Shaye continues to impress in her role, but that the franchise may have run its course. We’ll have to wait and see before we cast our thoughts on the latest addition to the franchise.
2015’s release of The Witch and its success may have reawakened that love of folk horror, which has been embedded in British culture with the likes of The Wicker Man, Witchfinder General, and Blood on Satan’s Claw, has some of our team intrigued by this latest offering.
Set in 1920’s Ireland, a twin brother and sister must endure a sinister presence with a strong hold over them that may result in turning them against one another with drastic circumstances.
Whether you like him or not Jason Statham has a habit of packing a punch when it comes to ‘balls to the wall, testosterone-fuelled action movies.
Now he must come face-to-face come face to face with a 70-foot shark.
“You’re gonna need a bigger air tank.”
The New Mutants
When Logan was released and with the success that followed, Marvel were then faced with the enterprise of a much darker world.
In steps, The New Mutants which sees Anya Taylor-Joy (The Witch, Split) and Maisie Williams (Game of Thrones) among the imprisoned young mutants as they discover their new-found abilities and potential salvation.
Speaking of franchises, The Conjuringuniverse continues to expand and haunt in more delectable ways to terrify our souls with the much-anticipated return of Valak.
In this instance, Rome is our setting and Father Burke is sent to investigate the mysterious death of a nun. Burke played by Demian Bichir, who I hope is given more time to flex his acting muscles compared to his under-used performance in Ridley Scott’s Alien: Covenant.
Gary Dauberman from It, Annabelle:Creation, and The Conjuring 2 is back on board to write the screenplay, so expect similar twists, turns, and scares to arise.
In addition, Corin Hardy steps in to direct, who oversaw the surprisingly decent The Hallow from a few years back and has been given the vote of confidence to resurrect The Crow, starring Jason Mamoa.
Becoming something of the lesser cousin to the Alien franchise, The Predator universe has never managed to really make a dent beyond its original Arnie feature, which surprises as it is ripe full of potential.
One of the original stars Shane Black is on to direct, so you could argue that there isn’t anyone closer to the source to re-capture the magic of the first film, and he has proven success with Kiss Kiss, Bang Bang and Iron Man 3, but is that enough to win over fans and the many?
The additions of Oliva Munn, and Thomas Jane, who has had a something of a career comeback with Before I Wake, and 1922 of late, could very well help cement this together.
Where some were left aggrieved following the screening of It Comes At Night, (which is probably the best example of false advertising when it comes to luring your audience in – as an aside its actually a pretty decent and intense movie, just not how it was promoted) will no doubt have their needs met in this movie, which promises an intense and horrific ordeal.
John Krasinski directs and stars in his passion project alongside Emily Blunt as part of a family forced to live in silence from an unknown threat that will attack with the slightest noise.
The first film had horror fans divided – a bit like vegemite, you either love it, or hate it. For those that fell into the former category, they can rejoice as the trio of masked psychopaths return to reek havoc on some more prey.
The cast includes Christina Hendricks (Mad Men, The Neon Demon) and Martin Henderson (The Ring, Everest) and is directed by Johannes Roberts (47 Meters Down, The Other Side of the Door) but don’t let that sway you as he also helmed the magnificent F, and if he could tap the rage and anarchy unleashed in that movie, we could have a surprise hit on our hands.
Horror production giants, Blumhouse, who have been partly responsible for the rise in recent genre movies will be hoping to keep the trend going and repeat their successes of Get Out, and Happy Death Day.
Truth or Dare follows a group of friends who play a deadly version of said game when those that break the rules start a meet a grisly end.
Critically praised film director, Steven Soderbergh enters the horror arena with his usual approach to exploring different filming techniques, in this instance shooting the entire film on an iPhone camera.
The cast is also impressive with Claire Foy (The Crown), entering a mental institution and once again reality comes into question. Foy is accompanied by Juno Temple (Horns), Aimee Mullins (Stranger Things), Amy Irving (Carrie) and Joshua Leonard (The Blair Witch Project).
If The New Mutants is going to push the boundaires of darkness in the Marvel universe, then Venom will surely rip that apart and enter whole new level of insanity.
With Tom Hardy taking on the titular character, you can expect some hefty weight in the acting department.
It’s a project that is shrouded in secrecy at the moment and just a few screenshots that have been handed out to the media. Lets hope that it will be worth the wait.
Helen Mirren takes on the role of Lady Winchester house, heiress to the Winchester firearms, who becomes obsessed with building a house to trap ghosts with one of the most obscure architecture ever built.
From the creative minds of the Spierig Brothers (Undead, Daybreakers), this movie could be hit or miss.