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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Monthly Archives: July 2017

Movie Review: Dracula’s Daughter (1936)

20 Thursday Jul 2017

Posted by surgeons of horror in Universal Horror

≈ 1 Comment

Tags

Dracula, dracula's daughter, edward van sloan, universal pictures, Van Helsing

The first sequel to the Universal Dracula franchise would be released just five years after its predecessor.

In the last outing we saw the demise of the titular character at the hands of Professor Van Helsing, (played once again by Edward Van Sloan, and the only returning character to the franchise) who interestingly enough is on trial for the murder of the Count.

That in itself is something I’ve often pondered about. In a world where vampires and werewolves are the stuff of legend, if they were to exist, how would one prove it after they’ve been through such an ordeal and essentially disposed of the evidence?
Anyway, I digress.

Dracula’s Daughter is not only a sequel, but the start of a trend for Universal in order to keep their booming business going when your lead villain has been dispatched – by introducing an offspring.

We would see this repeated again with the likes of Son of Dracula and Son of Frankenstein.
In this instance the Dracula bloodline flows down to his daughter, Countess Marya Zaleska, with a suitably melodramatic performance from Gloria Holden (The Life of Emile Zola).

Her portrayal of the female vampire with a craving to be human (an act that she hopes will come true with the destruction of her father’s body) served as an inspiration to Anne Rice’s Queen of the Damned.

The notion of a vampire’s desire to be human has often been looked at in films and novels throughout the years, but as far as I know, this is the first instance of it on the silver screen.

When Countess Zaleska burns the body of Dracula, with the help of her manservant, Sandor, she discovers that the curse has not been broken, so resorts to an alternate method of psychiatry instead.

In steps Dr. Garth (Otto Kruger, Saboteur) who may just have the answer she needs. Garth entices her to confront her demons head on, but her desire for blood proves too strong and she attacks a girl named Lili.

Broken and lost, the Countess feels her only option is to remain a vampire, but decides that Dr. Garth would prove a suitable companion in the after life.

So she resorts to kidnapping his true love, Janet (Marguerite Churchill, The Big Trail) and luring him back with her to Transylvania.

Dr Garth is willing to give up his life for the sake of Janet’s freedom, and all seems doomed for the Doctor, when the manservant Sandor puts a halt on the proceedings and kills the Countess in a jealous rage with an arrow through her heart.

Before he is able to exact his fury further, he too is brought down, when he is shot by a policeman.

~

Critics have been somewhat split in their reviews of Dracula’s Daughter, some citing its lush cinematography and praising both Director Lambert Hillyer’s work and the performance from Holden. Others say that it pails in comparison to Dracula.

I for one, found it strangely mesmerising and almost hypnotic with some of its lesbian overtones and this is in part down to Holden’s captivating presence on screen.

And like other critics, I too noticed a similarity to Sunset Boulevard in its themes, a film that I’m a great lover of and perhaps why I find myself drawn to this movie, despite it not carrying the same weight as Dracula.

I applaud its effort to push the story into a whole new direction and to offer some alternative narrative to the tried and tested monster storyline.

For this alone, I believe that Dracula’s Daughter its place alongside the movies that made Universal pictures a force to be reckoned with, and its perhaps a shame that it has been lost in the shadows of time due to the overwhelming impact that both Dracula and Frankenstein had on the industry.

– Paul Farrell
Lead Surgeon

Movie Review: XX (2017)

19 Wednesday Jul 2017

Posted by surgeons of horror in Uncategorized

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Tags

female horror movies, Horror movie, XX

Horror has a new voice and it’s all woman.

Xx is released on Blu-ray and DVD today, so I thought I’d write this review and share my thoughts.

Warning: contains spoilers for those who’ve not seen it yet.

I soooo wanted to like this movie.

So long now, women have been forced into the shadows unable to have a voice (with a few exceptions) so when I heard that four female directors would team up to deliver a collection of short horror stories for a feature, I was beyond excited about shifting that ‘male gaze’ with a much-needed feminine skew.

I have to say though, I was let down, although only marginally.

Features that contain short stories rarely work in my opinion.

Some come out stronger than others and the overall feel of the feature as a whole is a little unbalanced as a result.

Unfortunately, the weaker of these stories occur at the beginning of the movie.

So, let’s scrutinise this further by examining the shorts in question.

First up we’re presented with…

The Box

XX_The-Box

…which was also written by Jack Ketchum, who has 4 Bram Stoker awards to his name, so he is no stranger to the dark world, but with all due respect to him, I was kind of hoping that these collections would be 100% female orientated.

Not just with the writing but with the writing too and his addition mars this ever-so-slightly.

The Box presents a mysterious story centred around a mysterious red box that a guy is holding on a train.

A boy, Danny asks what’s inside and when he peers in an eerie transformation occurs, where he won’t eat anything anymore.

One by one the other family members succumb to this strange ‘virus’, all except the mother played by Natalie Brown (Channel Zero: Candle Cove).

The family end up starving to death, and the mother is left wandering the tubes in search of the man with the box and an answer to the mystery to no avail.

The Box has a cold heart at its core, and whilst it’s interesting enough leaves the viewer feeling a little empty and therefore struggles to pick up any energy moving forward, which it does attempt to do with the more light-hearted….

The Birthday Party

XX_Birthday-party

Which stars the wonderful Melanie Lynskey (Heavenly Creatures) and it’s refreshing to see her on screen again.

Here she plays Mary, a housewife struggling in a troubled relationship

With her husband, David.

When she finds her husband dead on his home office, she struggles to hide this from her daughter, who just coincidentally is having her birthday party that day.

A sort of warped version of Weekend at Bernie’s, The Birthday unfolds with a comic lilt and is great insight into the vapid world of the social elite told from a mother struggling to keep up with the Joneses and all appearances to be pristine.

Written and directed by Annie Clark from St Vincent, this short feature would be best served as a single entity rather than absorbed in this group.

It’s certainly not a horror film despite it shedding light on a much heightened side of society, but by sitting alongside its fellow shorts here, it feels and makes the complete picture incredibly disjointed.

Next up…

Don’t Fall

XX_Dont-fall

Written and directed by Roxanne Benjamin, the third instalment feels like a nod to old school horror, and is quirky enough to stand out here, but rather than push the feature on in a stronger direction, it limps towards the finish line.

Set in remote desert, four campers encounter a creature that kills them one by one.

It has its funny moments of banter in the dialogue, but the care factor for the characters are low and because of this lack of engagement it’s hard for the viewer to empathise with their plight.

With more room to breathe and a possible feature in her hands, director Benjamin could still be someone to look out for as it does feel that she has more to say, and there’s enough in her writing that makes me willing to listen.

Onto the final instalment…

Her Only Living Son

XX_Her-only-living-son

Thank God for Karyn Kusama.

Just when it feels like XX is dying out with a whimper the director of the brilliant The Invitation comes along with the final offering and you can certainly see that she owns her craft and her skillet is a lot higher than her female counterparts.

Her Only Living Son is a glorious tale of a mother who soon discovers that her suspicions about her son being the spawn of Satan are true.

I have to commend the performance from Christina Kirk as the matriarch caught between the love of her son and knowing that she must prevent the evil from seeping into the world before it’s too late.

It feels like Rosemary’s Baby told from the view of the baby reaching adulthood and that despair of being caught between doing the right thing as painful as that decision may be.

Thankfully Kusama’s story elevates Xx back up to a semi-decent level.

It’s not the best of features and it certainly struggles in places, but it does have its strong points too and by the very nature of its existence, it will have an important place in horror film history.

 

  • Paul Farrell
    Lead Surgeon

 

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