This may have been a late entry, but it made such an impact on the Surgeons team that two members of the Surgeons team instantly placed it in their Top three movies of the year. For this reason, the Sandra Bullock post-apocalyptic thriller by director Susanne Bier finds itself in the Top five list.
“Great example how the best horror is shown but not seen. (“See” what i did there?)” – Dr. Yee
“When the world starts going mad, a single look could get you killed. Bird Box is engaging from the start. Packed with tense moments and like most good post apocalyptic movies it deals with trust, loyalty and the lengths people will go to for survival and to protect the ones they love. It does often bear similarities to other films in the genre but there are a few fresh ideas here to enjoy. Overall it was a great experience, loaded with tension and solid performances.” – Dr. Allford
Here’s another example of one of our top rated movies dividing the thoughts and opinions of our Surgeons, as you will see from the quotes below, but this re-imagining of the Argento classic from the mind of Luca Guadagnino, starring Tilda Swinton and Dakota Johnson does enough to shimmy its way into the top four spot in our countdown, proving that perhaps style can outweigh substance. (You biatch!! – Editor)
“It’s a slow-burn movie that grinds its way to a stumbled conclusion. The drama is gritty and realistic with some stunning performances and dramatic dance sequences that hook you in, but rather than set you ablaze in a fury of emotion, it peeters out to a mere whimper.” – Dr. Muerte
“Out the gate the new Suspiria makes it clear it reveres the original but will not retread it’s steps, absolving a lot of fears I had going in, the focus on the witches coven politics and each slow and gorgeous turn of the screw that the main characters suffer is hypnotic.” – Dr. Jack
Marking the only entry for a TV series this year, The Haunting of Hill House by the brilliant mind of Mike Flanagan deserves its place in the Top three for shaking up the medium on the small screen by providing in-depth characters on a journey that challenges the mind and captures the very essence of your classic ghost story. We were already fans of Flanagan’s work and he has once again proved to be a modern storyteller with his finger firmly on the horror pulse. Doctor Sleep can’t come soon enough.
“This is a fantastically complex gothic horror story for the Netflix generation.” – Dr. Davies
“Very hard to sustain quality horror over even a handful of eps. The fact HoHH did it over 10 is a testimony to its writing.” – Dr. Yee
It may not be everyones taste, but this crazed, psychedelic, mind-fuck that takes Nicolas Cage to the height of rage and fury, hell-bent on seeking revenge certainly left a mark this year. Mandy is a life-form of its own and its originality coupled with a savage journey thrust this centre stage of our top horror list. Two of our surgeons are still in recovery from the sheer orgasmic attack on their senses from watching this cult-film in the making.
“Beware of your strive for beauty and perfection. Slice it open and you get a reign of anarchy and destruction.” – Dr. Muerte
“This heavy metal horror was quite simply a work of visual and audio genius.” – Dr. Davies
Hands down, no other film on this list had such a huge impact after watching. Despite its early release in the year, two of the Surgeons laid down the gauntlet of prediction and labelled this as the Movie of the Year. A bold statement, and A Quiet Place had its fair share of challengers, but the strength of the premise along with the simple, heart-breaking narrative kept it firmly in the no.1 spot.
“Tension ratcheted to 10 at the start and wound to 11 soon after and never. Lets. Go. Great writing, great performances and great directing. The fact it was done by Jim from the office is even more remarkable.” – Dr. Yee
Here’s the thing with zombie like apocalypses. What happens to all the snorers?
From My Name is Legion to your basic Walking Dead – if you suffer sleep apnea or have half a bender (and when the world is effectively nuked, why wouldn’t you?) then how can you realistically expect to survive a night when sleep finally takes you? If they hear you chain-sawing, they’re gonna find you!
So straight away that’s an interesting twist on the twist that is the premise of A Quiet Place.
Specifically – what if the apocalypse you’re trying to survive hunts through sound and nothing else?
And by that we mean anything louder than a sneaky cheek squeak, and you’re toast. OH! Farting! That’s another one! Everybody does it. Eventually.
It’s an apocalypse…food is scarce… you’re down to your last can of beans and starving… it’s not an unrealistic scenario in a scenario that’s unrealistic (ish. We are still only 1 year into this presidency after all).
ANYway… A Quiet Place. Its set in generic country-town USA, and sometime after an unknown global catastrophe.
Although the time scale is hard to judge, as what has wiped out humanity in this case – you get the impression – was WAY swifter than your basic zombie attack.
So, for our leads – The Abbott family – finding viable supplies is not that much of a problem.
Stressing about other human survivors forcefully taking what’s theirs (something all writers automatically assume will happen when things go to shit) isn’t a worry either. Because what few pockets of humanity there are, give each other a LOT of space.
For when people congregate, they make noise. And as established above, noise is death.
In this case, fast and brutal death that will eviscerate you like a hangry landshark on steroids. To elaborate any more than that would be to miss the point.
For the joy of AQP is not in the minutiae of its premise (if you look hard enough there are holes, but when aren’t there in any concept film?) but in the preciseness of its execution.
It’s a brilliant and ridiculously simple idea that right from the start sets the tension to a certain level that does. Not. End. Because to be quiet is to hold your breath, and as an audience member, you find yourself doing this a lot.
It is tightly written, tightly directed and beautifully designed – especially audio wise. Which you would expect from a film that is about silence, but the way it is crafted here belies the experience of its director.
John Krasinski is no stranger to saying “action” on a film set, but in this case he had to write (well, more specifically re-write) a studio creature feature where he had to carry the Male Lead as well. PLUS direct his offscreen wife Emily Blunt into the bargain.
That’s a delicate balancing act, yet he has come away with a story that is smart, tense, and relentless; but doesn’t leave you exhausted.
Just in love with film, because this is a fantastic example how a neat sci fi premise, executed through a smart horror lens can cross over into a great movie-going experience.
The Prognosis:
Don’t Breathe was an impressive example of how silence can be a wonderful horror device. This is even better. And people who won’t like this film will do so for the wrong reasons. Everybody else will just “get it”.
Who knew Jim from The Office had it in him? I’d love to see if the guy from Chuck can do the same. Maybe he already has? You know – considering they’re the same guy…
What does this mean to the genre as a whole? It can spell good news as the movie business see success and a money opportunity to exploit this genre to the bone.
This could mean an outpour of horrendous carbon copy movies that will grate to the bone, but it can’t be as bad as Amityville: The Awakening, Leatherface, or Jeepers Creepers 3 right?
But let’s not be too hasty on the negative-front. What does look promising is that we could very well get some fine horror films churning out over the coming years.
So with that in mind, the team stitched our collective minds together and come up with 18 of the most anticipated horror movies coming out that we would love to bring into the operating theatre and splice them wide open.
Directed by Alex Garland and starring Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac looks off the dial.
The fact that it has been picked up by Netflix for a release some 17 days after its cinematic release has left some people scratching their heads as to whether or not this film has merit, but that’s old school thinking.
We at Surgeons see this at as a bold attempt at a streaming company to make their move onto the big arena.
If the trailer is anything to go by this film could be a massive hit and shape up the distribution method in a big way.
Cadaver
23 Aug
Some may instantly see comparisons with The Autopsy of Jane Doe with this one, but this story of a city cop fresh out of rehab, who takes up a role at the city hospital morgue, could very well be a trippy affair, where sanity is on the line.
Halloween
19 Oct
You’d be remiss to neglect this one on the list. With the return of Jamie Lee Curtis and Nick Castle in their respective roles, alongside the creative minds of David Gordon Green and Danny McBride, can we finally see Michael Myers rampaging his way that will delight and reignite the franchise once more?
Here’s hoping.
The House With A Clock In Its Walls
21 Sep
Cate Blanchett and Jack Black lead the charge in Eli Roth’s latest feature about a young orphan and his magical uncle who go in search of a clock that could bring about the end of the world.
Could we see a return of fantasy horror on the big screen? Can Roth extend his bloody touch to go beyond the success of Green Inferno?
Whilst this has already been released in the States, the Surgeons team who are based in Australia, need to wait with eager anticipation for Elise Rainer and her team of ghost hunters to delve into the Further once more.
Early reports suggest that Lin Shaye continues to impress in her role, but that the franchise may have run its course. We’ll have to wait and see before we cast our thoughts on the latest addition to the franchise.
2015’s release of The Witch and its success may have reawakened that love of folk horror, which has been embedded in British culture with the likes of The Wicker Man, Witchfinder General, and Blood on Satan’s Claw, has some of our team intrigued by this latest offering.
Set in 1920’s Ireland, a twin brother and sister must endure a sinister presence with a strong hold over them that may result in turning them against one another with drastic circumstances.
Whether you like him or not Jason Statham has a habit of packing a punch when it comes to ‘balls to the wall, testosterone-fuelled action movies.
Now he must come face-to-face come face to face with a 70-foot shark.
“You’re gonna need a bigger air tank.”
The New Mutants
12 Apr
When Logan was released and with the success that followed, Marvel were then faced with the enterprise of a much darker world.
In steps, The New Mutants which sees Anya Taylor-Joy (The Witch, Split) and Maisie Williams (Game of Thrones) among the imprisoned young mutants as they discover their new-found abilities and potential salvation.
Speaking of franchises, The Conjuringuniverse continues to expand and haunt in more delectable ways to terrify our souls with the much-anticipated return of Valak.
In this instance, Rome is our setting and Father Burke is sent to investigate the mysterious death of a nun. Burke played by Demian Bichir, who I hope is given more time to flex his acting muscles compared to his under-used performance in Ridley Scott’s Alien: Covenant.
Gary Dauberman from It, Annabelle:Creation, and The Conjuring 2 is back on board to write the screenplay, so expect similar twists, turns, and scares to arise.
In addition, Corin Hardy steps in to direct, who oversaw the surprisingly decent The Hallow from a few years back and has been given the vote of confidence to resurrect The Crow, starring Jason Mamoa.
The Predator
2 Aug
Becoming something of the lesser cousin to the Alien franchise, The Predator universe has never managed to really make a dent beyond its original Arnie feature, which surprises as it is ripe full of potential.
One of the original stars Shane Black is on to direct, so you could argue that there isn’t anyone closer to the source to re-capture the magic of the first film, and he has proven success with Kiss Kiss, Bang Bang and Iron Man 3, but is that enough to win over fans and the many?
The additions of Oliva Munn, and Thomas Jane, who has had a something of a career comeback with Before I Wake, and 1922 of late, could very well help cement this together.
Where some were left aggrieved following the screening of It Comes At Night, (which is probably the best example of false advertising when it comes to luring your audience in – as an aside its actually a pretty decent and intense movie, just not how it was promoted) will no doubt have their needs met in this movie, which promises an intense and horrific ordeal.
John Krasinski directs and stars in his passion project alongside Emily Blunt as part of a family forced to live in silence from an unknown threat that will attack with the slightest noise.
Another example of how Netflix continue to become a force in the movie market, and another example of folk horror entering into the scene.
The Ritual stars Rafe Spall as a man with a damaged, who joins a group of friends on a camping expedition in the forest only to discover that they are not alone.
Slaughterhouse Rulez
7 Sep
Much discussion has been surrounding this project due to the re-collaboration of Simon Pegg and Nick Frost (Shaun of the Dead, Hot Fuzz) who both star in and produce this movie.
The story centres on a boarding school that unleashes all hell when a mysterious sinkhole emerges.
Cue comedy and bloody mayhem.
The first film had horror fans divided – a bit like vegemite, you either love it, or hate it. For those that fell into the former category, they can rejoice as the trio of masked psychopaths return to reek havoc on some more prey.
The cast includes Christina Hendricks (Mad Men, The Neon Demon) and Martin Henderson (The Ring, Everest) and is directed by Johannes Roberts (47 Meters Down, The Other Side of the Door) but don’t let that sway you as he also helmed the magnificent F, and if he could tap the rage and anarchy unleashed in that movie, we could have a surprise hit on our hands.
Horror production giants, Blumhouse, who have been partly responsible for the rise in recent genre movies will be hoping to keep the trend going and repeat their successes of Get Out, and Happy Death Day.
Truth or Dare follows a group of friends who play a deadly version of said game when those that break the rules start a meet a grisly end.
Critically praised film director, Steven Soderbergh enters the horror arena with his usual approach to exploring different filming techniques, in this instance shooting the entire film on an iPhone camera.
The cast is also impressive with Claire Foy (The Crown), entering a mental institution and once again reality comes into question. Foy is accompanied by Juno Temple (Horns), Aimee Mullins (Stranger Things), Amy Irving (Carrie) and Joshua Leonard (The Blair Witch Project).
Venom
5 Oct
If The New Mutants is going to push the boundaires of darkness in the Marvel universe, then Venom will surely rip that apart and enter whole new level of insanity.
With Tom Hardy taking on the titular character, you can expect some hefty weight in the acting department.
It’s a project that is shrouded in secrecy at the moment and just a few screenshots that have been handed out to the media. Lets hope that it will be worth the wait.
Helen Mirren takes on the role of Lady Winchester house, heiress to the Winchester firearms, who becomes obsessed with building a house to trap ghosts with one of the most obscure architecture ever built.
From the creative minds of the Spierig Brothers (Undead, Daybreakers), this movie could be hit or miss.
Surgeons of Horror 