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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: jared leto

How The Craft formed my love for 90s teen horror

02 Sunday May 2021

Posted by surgeons of horror in retrospective

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alcia witt, bebe neurwrith, Christine Taylor, clea duvall, courtney cox, Danielle Harris, David Arquette, devon sawa, disturbing behaviour, drew barrymore, elijah wood, Fairuza Balk, famke janssen, freddie prinze jr., ghostface, Halloween, Halloween franchise, halloween h20, i know what you did last summer, idle hands, james marsden, jamie kennedy, Jamie Lee Curtis, jared leto, jennifer love-hewitt, jessica alba, jon stewart, jordana brewster, Josh Hartnett, joshua jackson, katie holmes, Kevin Williamson, laura harris, matthew lillard, micahel rosenbaum, michael myers, Michelle Williams, Neve Campbell, nick stahl, piper laurie, rachel true, rebecca gayheart, robert englund, Robert Patrick, robert rodriguez, Robin Tunney, rose mcgowan, ryan phillipe, salma hayek, sarah michelle gellar, scream, seth green, shawn hatosy, Skeet Ulrich, tara reid, the craft, the faculty, urban legend, Wes Craven

25 years ago, before Scream would reawaken the horror genre and generate a plethora of like minded movies came a film that tapped wholly into my adolescent brain. I’ll let you decide which part of the brain from which I am referring. Needless to say, Fairuza Balk’s Nancy stirred something inside me that yearned for and connected with females who drifted outside the mainstream of what was considered “normal”.

Recently, The Craft was given new life in the public eye thanks to its sequel of sorts, The Craft: Legacy released by Blumhouse last year, but somehow it failed to ignite the same passion as the original.

Some of this could easily be put down to its strong, young cast with the afore-mentioned Fairuza playing the main antagonist to Robin Tunney’s white witch, Sarah in what is essentially a coming of age teen-drama. Joining these two are also Neve Campbell, Rachel True, Skeet Ulrich, and Christine Taylor, who all essentially lift what comes across as a medicroe tale when reviewed through today’s eyes.

It still however holds a strong place in my heart, despite its flaws and molded my love of 90s teen horror as a result. What can I say, it’s my achilles heel.

It helps that swiftly following The Craft came the behemoth of Teen Slasher films… Scream directed by the great, Wes Craven. It also boasted two of the movie’s stars in Neve Campbell and Skeet Ulrich whose careers were rightfully projected to stardom as a result.

Scream is now the stuff of legend with its meta representation of the horror franchise and again boasted an awesome cast with Courtney Cox, David Arqette, Matthew Lillard, Rose McGowan, Jamie Kennedy and let’s not forget that killer opening sequence with Drew Barrymore. Before the decade was out a sequel would also follow the following year and along with it a franchise and Ghostface’s interchangeable personna was born.

Chief among setting the tone for the decade and the success that followed in Scream’s wake was Dawson’s Creek scribe Kevin Williamson, who managed to tap into the pulse of those of my generation, eager to be understood and have those “deep and meaningful’ relationship discussions.

By 1997, Williamson was just starting to hit his stride with I Know What You Did Last Summer starring Campbell’s fellow Party of Five alumni Jennifer Love-Hewitt. 

Love-Hewitt stars as Julie James, who along with three other school friends (Ryan Philippe, Freddie Prinze Jr. and Sarah Michelle Gellar, the latter was already on the rise thanks to a certain Buffy role) accidentally run down a stranger on the road and leave him for dead. It’s basically an elongated urban legend with the man with a hook hellbent on revenge. Like Scream it would also generate a franchise with a further two sequels to cash the cow. 

Back to the Dawson’s Creek connection and another teen horror, Disturbing Behaviour that would be released in 1998, the busiest year for the sub-genre,  At the time, I more-than jumped on this band-wagon following Katie Holmes’ second feature film. This was a time when I, like Dawson, was undecided about the whole Joey/Jen thing, before realising in my case, that Michelle Williams was always the more interesting person to watch on screen, but more about her in a moment. 

Disturbing Behaviour is probably the weakest in this line up of movies, but does boast James Marsden and Nick Stahl in the mix, in a tale of idyllic suburbia with a sour undertone in both its take of the American Dream and repressed teenage sexuality but it does still have the same beats and touches on the same wavelength that was being generated at the time.

Onto Holmes’ counterpart, Michelle Williams, who, again in my opinion, deserves greater praise for the work that she produces each year. In 1998, Williams would be cast in the support role of Molly in one of Horrors biggest franchises, Halloween. 

Halloween H20: 20 Years Later would have Kevin Williamson on writing duties, so it’s no wonder that Williams would connect well with the screenplay. Aside from bringing Jamie Lee Curtis back for the first time since Halloween 2 to pit against Michael Myers, it also introduced us to the so fresh and hot right now, Josh Hartnett. Let’s not talk about that hair cut though, for in his other movie that year, The Faculty, he slipped easily into the bad boy, good heart character with a brooding presence. Oh and that guy Kevin Williamson is behind the screenplay again.

When I first watched The Faculty I had a strong negative reaction to it, as I wore my snobbery hat when I watched it and took all the homagees embedded within as rip=offs of the great films that preceded it. I was a huge fan of director Rober Rodriguez at the time, which I think added to my disappointment further.

I have since grown to love this film more though and recognise it for what it was, a love of sci fi horror and again had some great stars in Elijah Wood (pre-LOTR), Jordana Brewster, Clea Duvall (I had such a thing for her too – Apparently I have a type, just ask fellow Surgeon Antony Yee), Laura Harris, Salma Hayek, Famke Janssen, Bebe Neuwirth, Robert Patrick, Shawn Hatosy, Jon Stewart, and Piper Laurie. It definitely warrants repeat viewing and holds up because of the fun energy and bold direction that Rodriuez alway brings to his movies.

Rounding out the quartet of movies for 1998 is Urban Legend which is a little forgotten despite generating a franchise in its own right and another strong cast considering with Alicia Witt, Jared Leto, Tara Reid, Rebecca Gayheart, Michael Rosenbaum, Joshua Jackson (Dawson’s Creek again), Robert Englund, and Danielle Harris into the fold. It captures the urban legend tales of horror well enough but can’t quite shake off the fact that it’s riding on the coattails of stronger movies and suffers a little with age.

My last notable film to mention however lifts the  half-decade of teen horror back to higher standards with its clearly tongue in cheek tale, Idle Hands where a stoner, Anton (Devon Sawa currently seen in a cracking film, Hunter Hunter) who discovers his hands are possessed after waking up to find his parents murdered. A cool cast again with Jessica Alba and Seth Green, Idle Hands is great fun to watch and definitely not to be taken seriously.

Sawa would also go on to star in another cracking film at the turn of the next decade in Final Destination as the trend would dial down a little.

For those 5-6  years though, it would produce a number of movies, some to hold high and some probably best forgotten but for nostalgic reasons still resonate with me today. I can only blame Nancy. I should have taken the heed and bound her from harm… harm to others and harm to myself…

  • Saul Muerte

Movie review: The Little Things (2021)

16 Tuesday Feb 2021

Posted by surgeons of horror in Movie review

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crime, denzel washington, jared leto, john lee hancock, neo-noir, rami malik, thriller

On paper, The Little Things boasts some pretty big elements.

First up the cast.

Denzel Washington, who always brings an essence of suave and cool to his roles without showing any effort at all. Here is provided the perfect canvas to etch out his craft playing deputy sheriff Joe “Deke” Deacon lured back into the sin city of Los Angeles with a potential serial killer on the loose that could potentially spark the same kind of fear that was drawn by The Night Stalker.

Accompanying him is hot shot detective Jimmy Baxter (equally hotter than hot right now, Rami Malek) who strives to put an end to the suffering inflicted by this seditious killer at all costs. 

And Jared Leto as the chief suspect in the two detectives investigations, Albert Sparma, an eccentric recluse, who is just a little too out of sync with the world that he instantly draws your attention. Leto’s performance is once again a stand out, proving that he can easily shift into the quirky state of mind and pull you in. So much so that he rightfully earned his Golden Globes and Screen Actors Guild nominations for Supporting Actor.

Secondly, The style and setting.

LA will always project a certain amount of style onto the screen, with its vast spreading landscape and the golden charade promised at the lands west, but is and always will be shrouded by its corruptibility and dark past.
The city and its landscape slips easily into the neo-noir crime world painted by director John Lee Hancock (The Rookie, The Highwaymen). In many ways it is the perfect place to mould the dark etchings of life and shed light on the most darkened souls.

In doing so, Hancock is constantly posing the question of what drives a person to reach their end? Are we all blinded by our own pursuits to reach our goal that we fail to see the bigger picture? And even when we believe that we have attained our needs and salvated our lust for success and exposed our inner hedonistic tendencies and the narcissist that we believe lies dormant at our core, we simply get blinded once more. The circle continues as we spiral into the murky terrain.

All of these elements are to be applauded including some stunning shots by cinematographer John Schwartzman, but there’s something that doesn’t quite sit right that lurks beneath the surface of this incredibly lush and stylised story.

The Prognosis:

Yes we are lured in by the intelligence of Washington’s inquisitive mind combined with the fiery, passionate temperament of Malik, but ultimately the dots don’t join together and the plot doesn’t hold enough substance to grip you into its fold.
Instead we’re cast around carelessly from one lead to another and expected to forgive these missteps towards an admittedly bold and decisive ending. But by the time we’re presented with that compelling turn off the narrative highway, we’re too lost in the searing heat of confusion, trying to make sense of it all.

  • Saul Muerte

20 Horror films set to go under the knife in 2020

13 Monday Jan 2020

Posted by surgeons of horror in Uncategorized

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a quiet place sequel, antlers, anya taylor joy, army of the dead, bill murray, blumhouse productions, brahms, candyman, charlie heaton, chris rock, cillian murphy, clive barker, dan ackroyd, danny mcbride, darren lynn bousman, dave bautista, david gordon green, diana rigg, disney, edgar wright, elisabeth moss, emily blunt, ernie hudson, fantasy island, finn wolfhard, floria sigismondi, ghostbusters, ghostbusters afterlife, gretel and hansel, guillermo del toro, Halloween franchise, halloween kills, henry james, james di monaco, Jamie Lee Curtis, jared leto, jason blum, jason reitman, Jigsaw, john krasinski, Jordan Peele, keri russell, kristen stewart, Leigh Whannel, mackenzie davis, maggie q, maisie williams, marvel, matt smith, max minghella, michael chaves, michael pena, michael rooker, morbius, nia dacosta, nick antosca, nicolas pesce, Patrick Wilson, robert eggers, robert pattinson, samuel l jackson, Saw, sony, sophia lillis, Steven Spielberg, terence stamp, the brothers grimm, the conjuring, the conjuring 3, the grudge, The Invisible Man, the lighthouse, the new mutants, The Purge, the turning, the turning of the screw, the warrens, tyrese gibson, underwater, Universal Horror, Vera Farmiga, vincent cassel, Willem Defoe, zack snyder

100 years ago the Roaring Twenties came into effect with a social and economic boom that pushed the boundaries of experimentation and exploration dubbing it the crazy years. 

Cinema has evolved greatly during this time and spawned Robert Miene’s silent horror in German Expressionism, which is still considered a classic among some critics. 

While the tides have shifted and the boundaries of what is classified as horror has twisted through the years, moving numerous debates and discussions along the way, we come to a time when originality can be hard to come by, or perhaps the audience has become too critical and our perceptions have changed. 

Can the films of today cause a deeper development in the genre that we’ve come to love and like the films that were born a century ago stir the insanity again and break new ground in the process?

Let’s look at what 2020 has in store and see if indeed it will deliver.

Jan 23 – Underwater

This film has led some early reports to compare it to Alien but in the ocean deep instead of the far reaches of space. It does boast Kristen Stewart in the cast who may divide audiences and has been a bit hit and miss of late in her film choices but she is supported in this instance by Vincent Cassel, who is known for choosing experimental films. Does this then mean that this team of underwater researchers will uncover not only a few beasties but also break new ground in the process?

Prediction: Neither sink or swim. A drifter that will entertain some but not cast anything new into the cinematic landscape.

Jan 24 – The Turning

Based on Henry James novel, The Turn of the Screw and produced by Steven Spielberg, it stars Mackenzie Davis (Terminator: Dark Fate) and Finn “Can my hair grow any longer?” Wolfhard (Stranger Things) and bears close scrutiny as director Mike Flanagan (Doctor Sleep) is set to release an interpretation of the novel in Netflix series, The Haunting of Bly Manor, his follow up to the successful The Haunting of Hill House.

Prediction: Director Floria Sigismondi will no doubt bring some artistic visual flair that is evidence from her music videos, but could possibly fall foul of “popcorn syndrome” – Light, fluffy with a bit of crunch and serves the masses, but ultimately has no substance.

Jan 30 – The Grudge

Initially I was really excited about this release, being a fan of the Ju On franchise, plus Nicolas Pesce’s work with The Eyes of My Mother, and Piercing. Both movies have pushed the boundaries of comfort and shot in stylistic fashion that I was keen to see where Pesce would take The Grudge. Early reports haven’t been favourable however, so it could be another disappointment in the first month of the new decade.

Prediction: Could be another franchise instalment too many. The name alone will pull in the numbers, yet may not hit the mark on the scare front.

Jan 31 – Gretel and Hansel

It’s been over 200 years since The Brothers Grimm fashioned the fairy tale about a cannibalistic witch that kidnaps two children roaming in the woods. The fact that it is still resonates today is a testament to the strength of the storytelling and it will be interesting to see the story told from the perspective of Gretel played by Sophia Lillis (IT) who has already proved compelling as the young Beverly Marsh.

Prediction: Better than your average fair without necessarily offering anything new or compelling with the horror genre.

Feb 6 – The Lighthouse

Some may argue its place in this list, but it is billed as a psychological horror and director Robert Eggers has already made a name for himself in the artistic expressionism world within the genre with his debut feature, The VVitch, a film that also divided audiences. American audiences have already seen the movie too as it was released there last year, but as yet Australian audiences are still to see Eggers’ sophomore outing which pits Willem Defoe and Robert Pattinson against one another in a battle of wills and sanity in a remote and confined island.

Prediction: Will wow audiences looking for the alternative and alienate those more into the mainstream. Either way, both audiences will applaud the performances and Eggers and cinematographer Jarin Blaschke will paint a stunningly beautiful canvas.

Feb 13 – Fantasy Island

Blumhouse Productions are about to shake things up again by breathing new life into a cult 70s tv series. With a star-studded cast – Michael Pena (Crash), Maggie Q (Nikita), Lucy Hale (Pretty Little Liars), and Michael Rooker (Henry: Portrait of a Serial Killer).
On an island where your fantasies come true, only to turn into nightmares and the guests must figure out its mystery in order to survive.

Prediction: Another success for Jason Blum and the team which will connect with the cinema-going public. If it’s played right, it could offer a fresh take using a blend of fantasy and horror that could also spark a franchise 

Feb 21 – Brahms: The Boy ll

This one is a bit of an oddity. Whilst its predecessor was a middle of the road affair and proved to be better than expected. It did feel like a one-off movie that didn’t necessarily warrant any further journey into the world of Brahms. A sequel is here though and will pick up with the doll being discovered by another family.

Prediction: A flop that will fall by the wayside and may not even make a blip on the radar.

Feb 27 – The Invisible Man

Another Blumhouse movie, this time in collaboration with Universal to resurrect their monsters franchise after the abysmal Tom Cruise vehicle from a few years ago. In what is potentially a ripe and current topic being explored in domestic violence as its central theme The Invisible Man boasts a cracking cast with Elisabeth Moss taking lead duties. It’s also in great hands with director Leigh Whannel steering the ship following his successful movie Upgrade from last year, plus Whannel is a storyteller, so expect a decent script to boot.

Prediction: The first big success of the year bringing the Universal monsters franchise back on track and paving the way for future projects with The Bride, Renfeld, The Invisible Woman, and Frankenstein.

Mar 20 – A Quiet Place Part 2

The question is whether director John Krasiniski can repeat the winning formula from the first movie. This War of the Worlds style feature with an audio twist is more sci-fi than horror, but with the family in plight scenario held a strong connection with the audience. How will this translate now that there is an absent father?

Prediction: Cillian Murphy will provide some much needed gravitas to the narrative which will be strong enough to lift the audience through with some decent ups and downs to wrench up the tension. 

Apr 3 – The New Mutants

Since Disney took over Marvel operations, The New Mutants has been stuck in production, deemed a little dark for the House of Mouse questioning how to distribute it. The feature comes across as The Dream Warriors crossed with the X-Men and centres on 5 young mutants held in a secret facility against their will. It also boasts a cracking cast with Maisie Williams (Game of Thrones), Anya Taylor-Joy (The VVitch, Split), and Charlie Heaton (Stranger Things).

Prediction: Despite several delays I feel that this film is gonna connect in a big way and pull in a lot of people. It just depends on how dark Disney are willing to go with it.

Apr 17 – Antlers

Little is known about this movie other than it is based on a short story by Nick Antosca the creative mind behind the Channel Zero anthology series. The screenplay must have some potential to have caught the eye of Guillermo Del Toro and put his name down as producer.

Prediction: With Keri Russell in the cast to provide the fantasy elements in reality, this could well be the surprise hit of the year.

May 15 – Saw reboot

Currently titled The Organ Donor starring Chris Rock, Samuel L. Jackson and Max Minghella this reboot of the Saw franchise will see the return of the Jigsaw Killer, but without Tobin Bell… I think? With director Darren Lynn Bousman at the helm once more following his turn overseeing parts 2-4, he is no stranger to the world.

Prediction: Will put bums on seats for the shock gore factor alone, but will the buddy cop drama approach pay off? Time will tell.

Jun 11 – Candyman

This is gonna be a tough one to watch for me as I am such a huge fan of the original movie and like Freddy, Candyman would haunt my dreams for a long time after viewing. A lot of that has to do with the strength of Clive Barker’s short story coupled with Tony Todd’s personification of the titular character.
Part of me is willing for this to be a success though as I can see room for the movie to be delivered to a modern audience using folklore and mythology at its core, and the storyline itself can transcend easily through the ages. It will be interesting to see a female perspective in director Nia DaCosta to follow Helen’s journalistic investigations.

Prediction: Jordan Peele has attached his name to this project and is clearly passionate about the story, but one can’t help but feel this is one step too far in rekindling the old flame that resides within the Candyman story.

Jul 2 – Ghostbuster: Afterlife

I know it’s technically not a horror film, but I’m including this in the mix for its nostalgic value in me the original movie paved the love of horror that I have and opened the door to many more glorious visions in the genre ever since. The original team will return in some shape or form, but primarily the film centres around a mother and her two children who set up on a farm only to discover something paranormal lurking in the town.

Prediction: Another film that will be resting on the merits of the first film, and while it’s great to see Jason Reitman take on the franchise following in his father’s footsteps, one can only hope that there will be enough comedy, horror and sci-fi to capture that old magic, but I think it will just be a glimmer rather than that sparkle.

Jul 10 – The Purge 5

Supposedly returning for the final instalment the 12 hour no holds-barred, crimefest ignited something in the movie-going audience. It has seen five feature length instalments and 2 seasons.

Prediction: More of the same, so if you’re a fan of the series, you’ll love it. I for one think the films are fun and enjoyable and it will be interesting to see how James DiMonaco will conclude things.

Jul 30 – Morbius

Sony has promised to take the Marvel universe into dark territory before with Venom and here they intend to do so again with Morbius, the Living Vampire. Jared Leto will no doubt bring the goods for the titular role and is in good company with Matt Smith, Jared Leto, and Tyrese Gibson.

Prediction: Director Daniel Espinosa provides great entertaining and solid movies, such as Safe House and Life, and I see no change here to his formula, but still question if they can go dark enough to make it compelling for horror fans.

Sep 11 – The Conjuring 3 aka The Conjuring: The Devil Made Me Do It

The Conjuring universe has progressed in leaps and bounds since its initial release in 2013. There has been the odd blips, but essentially the films continue to entertain and scare audiences. This latest film will once again see the Warrens at the centre of proceedings, this time with one of their most publicised cases that bore witness to Arne Cheyenne Johnson claiming that he was possessed when he murdered.

Prediction: Solid acting, tight storyline, but may fall down with its delivery and exposition. Unfortunately Director Michael Chaves didn’t deliver with The Curse of La Llorona, so I fear that this may end up in a similar way, but am still willing to give it a chance.

Sep 17 – Last Night In Soho

Not much known about this one, but Edgar Wright has a knack for tapping the pulse of classic films and adapting their essence for a modern audience. This time around the psychological horror is inspired by Don’t Look Now and Polanski’s Repulsion both high in my all-time favourite lists

Prediction: A killer cast in Anya Taylor-Joy, Matt Smith, Diana Rigg, and Terence Stamp, this could be the ‘big hit’ of the year.

Oct 15 – Halloween Kills

In 2018, David Gordon Green, Danny McBride and Jason Blum attempted the impossible, the resurrection of Michael Myers that would connect both fans of the original and connect with a new audience. By delving into the subject of trauma and the impact that this has on its victims, Myers became both topical and harrowing. His sheer brutality and the force in which he attacks his victims made his carnage all the more disturbing.

Prediction: The name and sheer presence of Myers will bring the audience to the screens, but can they still make him relevant? They can’t rest on the nostalgic nods this time around. It’s a fine line to walk on, for if they get it wrong, they could find their final instalment, Halloween Ends a tricky sell.

TBC – Army of the Dead

For sheer shits and giggles, and action-pumped mayhem from visual storyteller Zack Snyder, about a group of mercenaries who decide to rob a casino during a zombie outbreak, this film concludes our list.

Prediction: Starring Dave Bautista, Army of the Dead will be entertaining if nothing else. A perfect answer for those just wanting to get their kicks and not have to think too deeply.

  • Saul Muerte

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