Tag Archives: Horror movies

Mike Flanagan hits 3 horror home runs in 2016 – pt3: Before I Wake

01 Sunday Jan 2017

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IN MY HUMBLE OPINION, Before I Wake is by far the best of Mike Flanagan’s 2016 movies.

I could also venture that it’s his best movie so far.

It’s filled with the stuff of imagination that makes one glow after viewing it.

So much magic and heart combined with fear and tragedy that can only be born out of dreams and nightmares.

The credit falls upon Flanagan and co-writer Jeff Howard to bring this spectacle to the screen with such wonder and delight.

Following the story of a couple who look to adopt a child after their own heartbreak and ruin after tragically losing their own son some years prior.

So, as they carry this baggage with them and try to repair, both Jessie and Mark have to face their past when Cody comes under their roof.

But all is not as it seems with Cody. 

There is a mystical aura that surrounds him and when he sleeps, something both glorious and sinister occurs.

Again what struck me about Flanagan’s craft as a storyteller is that he is able to show the depth of character with his leads and in doing so, Kate Bosworth’s Jessie shows all her flaws and weaknesses that as a viewer you both empathise and scathed with the same sweeping judgement.

The Diagnosis:

Before I Wake is an emotional journey that reawakens the soul and enriches the senses.

Don’t be turned off by it’s lack of a cinema release as this was purely down to the collapse in finances from Relativity Media.

Before I Wake is now available on Netflix.

Watch it now and fall in love with a supernatural fantasy that continues to delight with every viewing.

More Mike Flanagan movie reviews:

Mike Flanagan hits 3 horror home runs in 2016 – pt2: Ouija: Origin of Evil

31 Saturday Dec 2016

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I’M GOING TO hold my hand up and say that this was the weakest of the 3 Flanagan movies of 2016, but that’s not to lessen its integrity by any stretch as it’s still a damn good movie

If anything it just strengthens Mike Flanagan’s pedigree as a modern horror auteur even further when you combine this with his other 2016 movie releases, Hush, and Before I Wake.

But I digress, back to Ouija: Origin of Evil and why it deserves a lot more recognition than it currently holds.

Firstly, the big elephant in the room which automatically serves as a hindrance in my book, is the bold choice to create a franchise out of what was essentially a flop in its predecessor, Ouija.

When I first heard that Flanagan was attempting to do this I was at first a little flummoxed by that decision, but as a few of my colleagues will testament, I’m a sucker for creativity born out of bold choices and for that measure I was willing to let Flanagan to take me along for the ride.

Secondly, was yet another interesting decision; to take Ouija back to its origins (as the title suggests) and act as a prequel and not a sequel.

In doing so, Flanagan is almost able to wipe the slate clean and throw in a few rules of his own, (some that the original was sadly lacking and give said original a bit more strength to its cause) and generate a new lease of life into what was a dormant vehicle.

A daunting challenge for most but Flanagan would rise to the occasion and allow the tension to be drawn out gradually.

The story itself would follow a family of seance scammers to unwittingly unleash evil, primarily on the youngest daughter and then struggle to fight against damnation in order to win back her soul.

What struck me in particular about this movie was Flanagan’s fascination with the human mind and how it can manipulate, be manipulated and misinterpret various scenarios for good or ill.

It’s an area he has focused on before in Oculus and this movie would allow him to divulge further into this subject as part of his playing field.

So, if like some people you were drawn away from watching this movie as you were let down by the original, I would ask you to reconsider.

This is a movie that highlights a director who is only just starting to pick up his stride and produce some wonderful moments in the horror genre.

And is the reason why he is my recommendation for Director of the Year.

Next up: Before I Wake

Mike Flanagan hits 3 horror home runs in 2016 – pt1: Hush

31 Saturday Dec 2016

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DIRECTOR MIKE FLANAGAN has been slowly making his mark as ‘THE’ director to watch in the horror genre.

Back in 2011, he made his name with Absentia and then followed this up with the underrated Oculus film in 2013.

But it would be in 2016 that he would really show his mettle, hitting the ground running with a home invasion movie, Hush.

Something of a theme in 2016 combined with the success of Don’t Breathe.

What made Hush an interesting vehicle is that it thrust a deaf character as its central protagonist. Not a new concept granted but Flanagan’s direction would steer Maddie in a remote setting removing herself from society, running away from her troubles and from the sound of things a troubled relationship.

By stranding our heroine into isolation, she must resort to her strength and wit in order to survive.

And we’re not talking about the whole scream queen scenario where she runs up the stairs instead of out the front door.

There’s a lot of ingenuity involved in her attempts to escape but ultimately finding herself back in the house with nowhere to run.

Its strength is also derived by its minimal cast, essentially leaving the protagonist and antagonist to share the bulk of screen time, with the exception of a couple of neighbours, it relies on the tension and drama to unfold with genuine realism.

A choice that is rewarding to see both sides struggle to swing the pendulum in their favour

And what’s more the pay off is worth the wait.

If you’ve not caught this movie yet, I highly recommend it.

Hats off to the first in a trio of great movies by what I’m dubbing the Director of the Year.

 

Next up: Ouija: Origin of Evil.

Podcast: The Exorcist (1973)

29 Tuesday Nov 2016

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OFTEN VOTED best Horror film on some fan bases, The Exorcist has become a fixed entry in the genre and yet it’s makers and stars would taut the movie as a theological thriller, not a horror as it is perceived.

So why is it classified as such?

It’s certainly a film that resonates after viewing and stands firm today in part due to its strong direction and performances to match.

Along with it comes a crew that were dedicated to capturing a believable scenario, in the days when CGI wasn’t around as a device.

Hard to imagine these days, when it has become so intrinsic to the art form.

There are images that have inspired.

There are lines that are all too readily quoted by those swain by the material.

There were talks of a curse that had fallen upon those involved in the making.

And there have been numerous conversations on the lengths that director, William Friedkin would push his performers in order to achieve the results he desired.

All of which have kept The Exorcist in the limelight.

So how does it fair under closer scrutiny?

Check out The Surgeons of Horror podcast below as we take it under the knife and dissect the movie.

– Paul Farrell

Podcast: The Halloween franchise: The Return of Laurie Strode

21 Monday Nov 2016

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OUR PENULTIMATE PODCAST in the Halloween franchise discussions combines both Halloween H20: 20 Years Later and Halloween: Resurrection.

The former picks up the story 20 years after Michael’s killing spree in Haddonfield, 1978.
Laurie is now the head mistress of Hillcrest Academy, a boarding school where her son, John resides.

We learn that she faked her own death in a car accident, a knowing nod to comments made in Halloween 4: The Return of Michael Myers.

However, despite the original story treatment involving mention of Laurie’s daughter, Jamie, the writers removed any mention of her in the final treatment, thus rendering parts 4, 5, and 6 as obsolete and not part of the official canon.

A move that would scorn the wrath of certain hardcore fans of the franchise. Apparently this was to allow more room for Laurie’s character to breathe on screen.

The majority of the movie takes place in said school as Myers goes in search of his blood-kind, killing off a couple of teenagers along the way.

Resurrection became something of a mess, which not only sore the demise of a much-loved character, but arguably saw the destruction of the franchise too.

Looking at the film at its lack of success, one can’t but feel inclined to look a the director, Rick Rosenthal, whose film credits seem a little lacklustre, but is he solely to blame?

Another musician would step into the fray for Resurrection to try and draw some interest from the youth, Busta Rhymes and and an unforgettable cast alongside him, Bianca Kajilich, Sean Patrick Thomas (Save The Last Dance, Cruel Intentions, and Dracula 2000), Thomas Ian Nicholas (Kevin Myers in American Pie, and child star in Rookie of the Year) and notably Katee Sackhoff (Starbuck in the new Battlestar Gallactica, Longmire, and Occulus)

So, what do the Surgeons make of the these instalments to the franchise?
Click on the podcast below to find out.

Podcast: Halloween: The Jamie Lloyd movies

14 Monday Nov 2016

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THERE’S A SLIGHT change in this week’s surgery podcast as not one, but three movies go under the knife.

Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers, and Halloween 6: The Curse of Michael Myers.

The reason for combining these three movies from the Halloween franchise together is due to the shift in focus for the movies.

The bold attempt to turn the franchise away from the Michael Myers storyline and launch it into an anthology series would prove to be way ahead of its time.

Halloween lll: Season of the Witch may have its core fans but ultimately it would fall foul of dumping its much-loved villain.

The people spoke and the producers listened.
Bringing Myers back was the easiest part in resurrecting the franchise.

The tricky part was to encourage its writers John Carpenter and Debra Hill back into production. A task that would be too great as no amount of persuasion could encourage them to do so.

Not only that but their lead protagonist, Laurie Strode aka Jamie Lee Curtis turned down the chance to return, citing other commitments.

Laurie would be written out (at this stage), killed in a car crash.
So what is an antagonist without its protagonist to hunt down and kill?

The writers would have to come up with something fast if the game of cat and mouse was to mount to anything on screen.

The answer was to bring in another Myers relative to continue the bloodline in the form of Laurie Strode’s daughter, Jamie Lloyd played in the next two installments by 8 year old, Danielle Harris.

The only trouble was that being a kid, Jamie Lloyd was no match for Myers.

So another nemesis would be brought back from the ashes, Dr Sam Loomis (Donald Pleasance once again taking on the role) to outwit Michael.
The series owes a lot to Pleasance’s gravitas on screen – a legend in his time.

Throw in a cult and Paul Rudd and you have a mixture of twisted storylines to keep the beating heart of the Halloween franchise going.

But what do the Surgeons of Horror make of this round of movies in the franchise.

Does it take too many twists and turns on its journey?

Listen to the podcast to catch our thoughts and opinions.

Escape From New York (1981)

04 Tuesday Oct 2016

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THIS DYSOPTIAN VIEW of a troubled America, where crime rate has risen to 400% is the setting of our sixth instalment of the John Carpenter Early Years discussions on Surgeons of Horror.

It would mark a massive turning point in Carpenter’s career where he would stride onto iconic movies such as The Thing, They Live, and Big Trouble in Little China.

It would also prove fruitful for its lead star, Kurt Russell taking on Snake Plissken, a character that has stamped itself into film legend, such is the power of his presence on screen.

It’s setting of the President of the USA (Donald Pleasance) being jettisoned onto Manhattan Island after Air Force One is hijacked, the island in question has been transformed into a giant prison, (Think Alcatraz but on a much larger scale) tips this adventure into an adrenaline-fuelled ride. Even more so, with Plissken’s life is on the line. If he doesn’t retrieve the President in time, the toxins in his system will be released, killing him in the process.

So many things went right for Carpenter in the making of this movie. The ensemble cast all look there having a breeze and produce some memorable characters,

And the film crew, most of whom had been working alongside Carpenter since Assault On Precinct 13 / Halloween have certainly found there stride at this point.

All of which made our podcasts discussions on Escape From New York, such a fun one to take part in.

Check out what we had to say below.

The Fog (1980)

20 Tuesday Sep 2016

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JOHN CARPENTER’S FOLLOW up to Halloween would come in the guise of The Fog.

Whilst it didn’t come close to success that Halloween would generate, it did generate enough of a following to push Carpenter’s career along and propel him further as a bankable director.

It would reunite him with co-star Jamie Lee Curtis albeit in a smaller role amongst a fairly strong ensemble cast.

Leading the way is Stevie Wayne played by the amazing and beautiful, Adrienne Barbeau pulling out a strong performance as the radio DJ ushering out the warning of the killer fog with those sultry tones……

Whilst on paper, this movie had a great premise and all the hallmarks of a classic horror,  with the classic ghost camp fire story brought to life of ghost pirates out to seek vengeance on a community that did them wrong 100 years ago.

The Surgeons of Horror podcast team pay close scrutiny to the movie and delve into our fifth subject of The John Carpenter early years sessions to find out by asking all the important questions.

Does it live up to its promise and deliver a classic ghost story?

Can fog actually be scary on film?

And more importantly. Are you weird?

Listen to the podcast below to find out our thoughts.

  • Paul Farrell

Assault on Precinct 13 (1976)

23 Tuesday Aug 2016

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JOHN CARPENTER’S SOPHOMORE feature and realistically his first in the ‘professional’ circuit (as his debut, Dark Star, was a University project that received success beyond his wildest dreams) would catapult the film auteur into one of the best successes in the film industry with countless movies resonating with a wide audience.

In many ways, Assault On Precinct 13 reflects the very kernel of his following movies, with themes and compositions that steered Carpenter on his cinematic journey.

A self-confessed lover of Westerns, this movie would serve as a massive nod to Rio Bravo, the John Wayne feature that inspired Carpenter to create that storyline in a modern, urban world, taking the core ingredients of a siege mentality to drive the plot line of this action thriller.

Much of the tension is lost these days however, such is the changing landscape in storytelling on the celluloid canvas, but at its heart is a story that still resonates and pulls at the nostalgia strings for those with their heart still bent towards classic plot lines, memorable characters and cheesy one-liners…
”You Got A Smoke?”

The premise of the movie injects our protagonist in a volatile situation when he is called upon to look after a now defunct police station that is in the last stages of closing down.

All appears well until a father on the run from a group of vigilantes seeks refuge. The officer has to rely on his wits, minimal arsenal, a secretary and a couple of convicts to aid his survival through the night.

As I said, it’s classic storytelling at its best and would be the start of a fantastic career for Carpenter, and would be only a couple of years away from producing one of cinema’s classic slasher horrors, Halloween.

For more thoughts and observations on Assault On Precinct 13, click on the audio podcast below.

The Purge: Election Year (2016)

14 Thursday Jul 2016

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AND SO IT would come to pass that director James DeMonaco would delve into another Purge movie where the streets of America are filled with anarchy, marking this the third entry in the series and a fitting as US Presidential Election would also take place in 2016.

The result of which is potentially a lot more scary and hazardous than this film depicts.

For those not familiar with the Purge series, it essentially follows the ratification of the 28th Amendment to the U.S Constitution. 

This amendment establishes a 12-hour event known as “The Purge” which would take place on from 7:00 in the evening ofMarch 21 to 7:00 in the morning of March 22, wherein all crime including murder becomes legal. 

Election Year would pick up in the year 2040, following a lawyer turned senator, Charlie Roan, who is now running for President with the aim of stopping ‘The Purge’ once and for all.

This gets the New Founding Fathers in a knot, so they decide to change the rules and make a Government Official with a rating of 10 or above no longer immune to the game.

This in effect it to make Charlie a target and eliminate her from the running.

But Charlie is a survivor, as evidenced in the opening scene of the movie as she gets through an ordeal back in the original Purge, whilst a masked purger torments and tortures her family.

The movie then takes place as part survival movie and part action movie as Charlie teams up with a group of underground vigilantes and overthrow the corrupt government.

There’s plenty here to keep you salivated and by now DeMonaco has immersed himself so much into the Purge universe, he’s able to spread his wings a little and focus on the impact that these rules have placed on society that little bit more.

Elizabeth Mitchell cuts a fine display as Charlie Roan, a woman who is scared but still has a lot of heart and willing to see the compassion in humanity and restore faith once more.

Frank Grillo also effectively grimaces and grunts his way through the movie as he revisits his character, Sgt Leo Barnes.

Action movies are such a staple of Grillo’s work that this feels like yet another day in the office where he hits each sequence note for note.

Yes Election Year isn’t going to set worlds on fire, but it is a bit of fun whilst still flicking the bird to the people with the power and authority.

Heck it’s even great to see Kyle Secor back on screen hamming it up as Presidential candidate Minister Edwidge Owens.

The films have seen a combined income of over $318 million, so DeMonaco must be doing something right.

With that kind of result you’d be forgiven for thinking about yet another addition to the franchise, but SPOILERS…..

At the conclusion of Election Year, Roan has successfully turned over the amendment and put a stop to The Purge each year.

Combine that with Frank Grillo stating that he won’t be back for another outing, the likelihood that a continuation from the on-screen events is unlikely to occur.

But rumours are that a fourth film is in the works and likely to be a prequel looking at how the New Founding Fathers were formed.

Whatever the outcome it was a fun ride and if you’ve not seen any of the series yet, then perhaps you should get your hands on the trilogy and treat yourself to a Purge.

  • Paul Farrell