Tag Archives: Horror movie

Halloween (1978)

13 Tuesday Sep 2016

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Four films into his career and John Carpenter hits one out of the park and creates the slasher horror genre in the process.

And yet it’s hard to recall from a personal perspective when exactly Halloween entered my consciousness.

Released the same year that I was born, one could argue that this movie and I were intrinsically connected, if you were that way inclined.

I for one have found myself constantly drawn to the dark arts of the silver screen and it only seems natural that a movie of this pedigree would enter my periphery at some stage in my life, coupled with my growing love of Carpenter’s movies that stayed with me throughout my childhood, a connection would be inevitable.

Looking back, it’s hard to see the world of horror movies without this as part of its canon.

It’s a movie that started a whole new genre of film (some may argue that 1974’s Black Christmas was the film that started it all, but it’s impact would never be as great) and it has been mimicked and repeated ever since.
Without it, Friday the 13th may never have existed. Victor Miller may have been guided be a completely different movie when coming up with the ‘horror movie template’ and the movie world would be a very different place indeed.

I think you get the point that I’m driving at, that this was a defining moment in cellular history and I’ve relished it ever since.

It’s the kind of movie that, when I first set up Surgeons of Horror, I knew that I wanted to discuss with my fellow surgeons and it was indeed the original impetus for putting together the podcast. Fate would have us steer down a completely different path however with Wes Craven’s untimely passing refocusing our directive for Season 1.

Now though, we are halfway through the John Carpenter: Early Years Sessions and finally at a point to talk about this much-heralded movie, but where does one begin?

Hopefully the following podcast will be of worthy listening, we certainly had fun discussing it. We hope that you do too.

– Saul Muerte

https://player.whooshkaa.com/episode?id=150388

Someone’s Watching Me (1978)

06 Tuesday Sep 2016

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Someone's-Watching-Me OUR THIRD ENTRY into the John Carpenter Early Years discussions is little known TV movie, Someone’s Watching Me.

The fact that this movie has fallen by the wayside in Carpenter’s canon of work is know real surprise, but for enthusiasts, this is definitely worth a visit.

Despite heavy nods and influences from another legend, Alfred Hitchcock, there are early indications of what was to come infused throughout.

Carpenter himself would admit that he learnt his craft in the making of Someone’s Watching Me and keen observers would note that there are a lot of similarities to his next movie, (and the one that would pave a fine selection of movies in arguably one of the best runs in film history) Halloween.

A now much-recognised trait is used here with the stalker POV, as the camera observes the victim or intended victims from afar, and the overall framing and flow of the movie would be repeated in the slasher flick.

It must be a subject that intrigued Carpenter as he once quoted, “Everybody’s a voyeur.”

A simple premise that plays on us the audience, allowed into the world of the killer, with a sense of guilty pleasure and would go on to influence many directors and writers to come.

So with that in mind, The Surgeons of Horror team lift the lid of this little-known movie to discover if it really is a hidden gem or best left forgotten.

Listen to our thoughts and opinions in the podcast below.

 

The Shallows (2016)

04 Sunday Sep 2016

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The-Shallows JOIN THE Surgeons of Horror team in our first ‘reaction’ podcast, dissecting the recent Blake Lively vehicle, The Shallows.

Get our gut reaction and comments and of its entry into the killer shark universe.

Will it prove to be out of its depth, try to stay afloat and attempt to tread water, or prove to be a bombora pioneer?

Check out our thoughts and views in the podcast below.

 

LINKS:

The Jaws Franchise (1975-1987)

The Jaws franchise (1975 – 1987)

04 Sunday Sep 2016

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Jaws WHERE DO YOU begin when attempting to dissect Jaws and the franchise that it spawned?

It is so iconic, so embedded in the psyche of fans of film and the culture that it hails from.
Hell, it pretty much gave birth to the modern film and created what is now known as the summer blockbuster.

To say that it’s huge is a gross understatement.

Director, Steven Spielberg was only 26 when he made this movie and from the success of this went on to become one of the most successful directors in the industry.

But the final product could have been very different.

Its troubled production has been well reported upon from its lack of script, last-minute casting, and a mechanical shark that didn’t work.

It should have taken 55 days to film but it went on to take 159 days to complete running significantly over the production schedule.

So why and how did this film become so successful?

Its success would inevitably lead to similar themed movies and inspirations; chief amongst these was Joe Dante’s Piranha. A film that doesn’t shy away from the fact that it was a blatant rip off.

The Surgeons of Podcast team had a tough assignment before them in order to tackle such a subject as this.

One could say that we’re gonna need a bigger podcast session in order to carry this thing out. [Sorry, I couldn’t resist]

Either way, the team gathered our thoughts and opinions and tried to suppress them into the below discussion, hopefully for your hearing pleasure.

Take some time to listen to 3 individuals crammed into ‘The Cabin” in order to convey the impact that this movie had on us as individuals and the bragging rights over who was the most affected by it.

Have fun.

 

Links:

The Shallows (2016)

Assault on Precinct 13 (1976)

23 Tuesday Aug 2016

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JOHN CARPENTER’S SOPHOMORE feature and realistically his first in the ‘professional’ circuit (as his debut, Dark Star, was a University project that received success beyond his wildest dreams) would catapult the film auteur into one of the best successes in the film industry with countless movies resonating with a wide audience.

In many ways, Assault On Precinct 13 reflects the very kernel of his following movies, with themes and compositions that steered Carpenter on his cinematic journey.

A self-confessed lover of Westerns, this movie would serve as a massive nod to Rio Bravo, the John Wayne feature that inspired Carpenter to create that storyline in a modern, urban world, taking the core ingredients of a siege mentality to drive the plot line of this action thriller.

Much of the tension is lost these days however, such is the changing landscape in storytelling on the celluloid canvas, but at its heart is a story that still resonates and pulls at the nostalgia strings for those with their heart still bent towards classic plot lines, memorable characters and cheesy one-liners…
”You Got A Smoke?”

The premise of the movie injects our protagonist in a volatile situation when he is called upon to look after a now defunct police station that is in the last stages of closing down.

All appears well until a father on the run from a group of vigilantes seeks refuge. The officer has to rely on his wits, minimal arsenal, a secretary and a couple of convicts to aid his survival through the night.

As I said, it’s classic storytelling at its best and would be the start of a fantastic career for Carpenter, and would be only a couple of years away from producing one of cinema’s classic slasher horrors, Halloween.

For more thoughts and observations on Assault On Precinct 13, click on the audio podcast below.

Dark Star (1974)

16 Tuesday Aug 2016

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dark-star
AFTER DEDICATING OUR last podcast season to the early works of the late great Wes Craven, we now switch our attention to another horror film auteur in John Carpenter.

Much like in our last season our method is to look back at his early work and to dissect these movies with great analysis and with a bit a friendly banter along the way.

The first subject to ho under the knife is Carpenter’s first feature, Dark Star, a university / pet project in which he would team up with Dan O’Bannon (Alien) to write, produce, and direct a movie that would gain significant attention from like-minded students and wind up as a classic among sci-fi fans.

Whilst this doesn’t fit among the canon of work that Carpenter would go on to direct, Dark Star certainly has its elements that lift the movie above many of its counterparts.

It must be said though, that this movie plants itself well and truly in comedy territory despite this not being its original intent.

Certainly not worthy of close scrutiny but Carpenter delivers a fun, light-hearted movie all the same.

For more thoughts and opinions head over to our podcast discussion below.

 

EXTRAS:

DARK STAR OST

Flashback Friday: Mind Ripper (1995)

08 Friday Jul 2016

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mind-ripper
BACK IN THE MID 90’s, a little known HBO movie was released with little fanfare or critical reaction.

It has also been known as The Hills Have Eyes Part 3 despite the fact that the only thing that connects this movie with the franchise is that Wes Craven is billed as producer and his son Jonathan is credited as writer.

Yes it is primarily set in some abandoned quarry in the middle of nowhere, which can loosely connect the films but rather than be a collection of mutants infected by radiation poisoning and reeking havoc on a family, here we have a character, THOR, who has been experimented upon via re-animation. In fact it is probably more closely aligned with Frankenstein, Re-Animator, or Universal Soldier with its subject matter.

The movie doesn’t exactly offer anything new, with it’s team of scientists holed up deep underground to perform their experiments only to have the tables turned on them when their test subject becomes a blood thirsty killer, hunting them one by one.

It does though have some prominent star-pulling power in Lance Henriksen (Aliens, The Terminator) and Giovanni Ribisi (Boiler Room, The Gift) as the dropout son who comes good. And they both stand out in the cast for what is essentially mediocre characters.

In some places the dialogue is clunky but at the end of the day, this movie was never going to win awards for its high brow conversation piece. It’s an action-based horror movie that struggled to find an identity, aiming for Aliens but ending up more like The Mimic.

It’s entertaining enough, but never finds its voice or is strong enough to mark on the horror celluloid mantle of greatness.

– Paul Farrell

 

 

 

The Hills Have Eyes Part 2 (1985)

05 Tuesday Jul 2016

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The Seventh and Last Feature for our Wes Craven Season 1 discussion centres on his first sequel and with it a potential to start a franchise.

Needless to say, The Hills Have Eyes Part 2 would not live up to expectations and the franchise would end up dead in the water despite reaching a cult status. Subsequently there have been 2 recent film adaptations based on the original and a comic book to boot.

Wes Craven has distanced himself from the project, citing it as an unfinished piece when he handed it in to the producers to review. The producers, aka the money and finance would accept the film as its first draft and push this out into cinemas with the need to market swiftly. The result speaks for itself.

As for Craven, this was no passion project. It did however, provide funds for him to create horror cinema gold, A Nightmare On Elm Street, (More on this in an upcoming season) and along with it the iconic character of Freddie Kruger.

When sidled next to A Nightmare On Elm Street, The Hills Have Eyes Part 2 pales in comparison. The film picks up with survivor from the first film, Bobby, discussing the horrific events that unfolded and the devastating impact it had on him and his family.

Bobby now runs a bike racing outfit and endeavours to take them back out to the sticks for them to compete in a race, but this task appears to be too great an ordeal and he reluctantly chooses not to go.

So, it is down to fellow survivor, Ruby / Rachel (and the dog, Beast of course) to take our intrepid team of victims / youths to certain doom when they once again come face to face with the mutant family in horror poster icon, Michael Berryman reprising his role as Pluto and The Reaper (Papa Jupiter’s brother).

So much is inherently wrong with this movie. Bad characters, poor set up, and no plot. It’s a wonder that it got off the ground. Perhaps is it wasn’t resting on its stronger predecessor and Craven’s now recogniseable name attached to it, it probably wouldn’t have.

And with the already mentioned, A Nightmare On Elm Street, and its success, along with it cane a much longer lifespan for The Hills Have Eyes Part 2 would ordinarily have occurred.

Check out the surgeons of horror podcast below for more thoughts and views.

https://player.whooshkaa.com/player/episode/id/98518?visual=true

Also available in iTunes.

– Paul Farrell

 

Retrospective: The Masque of the Red Death (1964)

01 Friday Jul 2016

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Based on the short story by Edgar Allen Poe and directed by B-Movie legend Roger Corman, this macabre story centres around a prince who lords it up whilst sheltering from the plague-ridden scenes that envelop the town around him.

He’s more than happy to delve into his riches and ignore the plight of others.

In fact he relishes in it and goes to great strengths to terrorize the peasantry.

Playing the role of the villainous tyrant Prospero is another horror icon, Vincent Price who becomes embroiled in a satanic cult and despite being known for his hammy antics, in this role his very nature is well suited to the character and he appears to be incredibly comfortable in his skin.

Corman was also evidently a huge fan of Poe’s work, this movie being the seventh of eight series, which included The Pit and the Pendulum and The Raven. The Masque of the Red Death is definitely the stronger of these titles, with Corman hitting all the right notes and belying the negative image that has been depicted upon him by critics.

This movie has a great lead in Price and plays with the melodrama and nuances with great style and substance and is a fine example of a director at the height of his craft.

  • Saul Muerte

Swamp Thing (1982)

21 Tuesday Jun 2016

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AS WE CONTINUE WITH OUR SERIES – Wes Craven – The Early Years discussions, we now draw our attention to his fourth outing in the director’s chair.

Swamp Thing would be the first non-Batman or Superman related live-action movie for DC and it would fall on the shoulders of Craven to turn this around.

It would follow Richard Donner’s Superman movies, so there were a lot of expectations resting on the films success.

Once pointed out by film critic, Roger Ebert that Swamp Thing was a thing of beauty if you knew where to look, which I can’t help but feel that he may have been referring to a certain scene involving its leading lady, Adrienne Barbeau (Escape From New York, The Fog).
Joining Barbeau in the cast would be a number of other faces, namely Ray Wise (Twin Peaks) and Louis Jourdan (Octopussy) the film drew heavily on the comics of the time and would generate another comic book series and even a sequel to the movie.

Essentially though, this was a ‘paint by numbers’ job for Craven who would took on the project to show Hollywood that he could handle set pieces and action sequences.

Essentially, it boils down to a man in a monster suit movie, arcing back to the days of Universal Monsters.

For more thoughts and views on Swamp Thing, check out the surgeons of horror podcast below.

https://player.whooshkaa.com/player/episode/id/98478?visual=true

Also available in iTunes.

– Paul Farrell