Tag Archives: Horror movie

Competition: Win one of 5 double passes to Rings

13 Monday Feb 2017

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THIS COMPETITION IS NOW CLOSED

To celebrate the release of Rings, Surgeons of Horror along with Paramount Pictures are giving you the chance to WIN 1 of 5 double passes to see the film.

Want to submit your entry? It’s simple, just send us an email to surgeons.of.horror@gmail.com with all your details and simply tell us which iconic villain is set to return and scare for this much-loved franchise?

To keep up to date on all of our latest giveaways, just like our Facebook page here  and keep an ear out for our film podcast sessions.

Please read all the rules and T&Cs at the bottom of the page before entering.

Film Synopsis:
A new chapter in the beloved RING horror franchise. A young woman becomes worried about her boyfriend when he explores a dark subculture surrounding a mysterious videotape said to kill the watcher seven days after he has viewed it. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before…

LINKS:

Facebook: facebook.com/ParamountPicturesAU

Website: www.RingsMovie.com.au

Twitter: @ParamountAU

Instagram: @ParamountAU

#RINGS #SamaraReturns

IN CINEMAS FEBRUARY 23

RINGS – FEBRUARY 23 2017

©2016 Paramount Pictures. All Rights Reserved

THIS COMPETITION IS NOW CLOSED

Surgeons of Horror Competition Rules:

  • Competition is open to Australian residents only.
  • Only one entry will be accepted per person. Multiple entries from the same person will be disqualified.
  • Closing date for entry will be Feb 19 @ 8.30pm EDT. After this date, no further entries to the competition will be permitted.
  • No responsibility can be accepted for entries not received for whatever reason.

Surgeons of Horror Terms & Conditions:

  • Surgeons of Horror’s decision as to those able to take part and selection of winners is final.
  • Surgeons of Horror will judge the competition and decide on the winners once the competition has ended, which will be picked at random from all complete entries via this page.
  • Winners will be announced on our Facebook page the day after the competition has closed.
  • Staff of this site and their immediate families are not eligible to participate in the competition.
  • You must be at least 18 years of age to enter this competition, or have parents or guardians permission.
  • By entering this competition, an entrant is indicating his/her agreement to be bound by these terms and conditions.
  • Surgeons of Horror and Paramount Pictures take no responsibility for any delay, loss or damage to prizes sent to winners.
  • Surgeons of Horror shall have the right, at its sole discretion and at any time, to change or modify these terms and conditions, such change shall be effective immediately upon posting to this webpage.
  • Surgeons of Horror also reserves the right to cancel the competition if circumstances arise outside of its control.We look forward to hearing from you.

Podcast: Halloween: The Jamie Lloyd movies

14 Monday Nov 2016

Posted by in Halloween franchise

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THERE’S A SLIGHT change in this week’s surgery podcast as not one, but three movies go under the knife.

Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers, and Halloween 6: The Curse of Michael Myers.

The reason for combining these three movies from the Halloween franchise together is due to the shift in focus for the movies.

The bold attempt to turn the franchise away from the Michael Myers storyline and launch it into an anthology series would prove to be way ahead of its time.

Halloween lll: Season of the Witch may have its core fans but ultimately it would fall foul of dumping its much-loved villain.

The people spoke and the producers listened.
Bringing Myers back was the easiest part in resurrecting the franchise.

The tricky part was to encourage its writers John Carpenter and Debra Hill back into production. A task that would be too great as no amount of persuasion could encourage them to do so.

Not only that but their lead protagonist, Laurie Strode aka Jamie Lee Curtis turned down the chance to return, citing other commitments.

Laurie would be written out (at this stage), killed in a car crash.
So what is an antagonist without its protagonist to hunt down and kill?

The writers would have to come up with something fast if the game of cat and mouse was to mount to anything on screen.

The answer was to bring in another Myers relative to continue the bloodline in the form of Laurie Strode’s daughter, Jamie Lloyd played in the next two installments by 8 year old, Danielle Harris.

The only trouble was that being a kid, Jamie Lloyd was no match for Myers.

So another nemesis would be brought back from the ashes, Dr Sam Loomis (Donald Pleasance once again taking on the role) to outwit Michael.
The series owes a lot to Pleasance’s gravitas on screen – a legend in his time.

Throw in a cult and Paul Rudd and you have a mixture of twisted storylines to keep the beating heart of the Halloween franchise going.

But what do the Surgeons of Horror make of this round of movies in the franchise.

Does it take too many twists and turns on its journey?

Listen to the podcast to catch our thoughts and opinions.

The Blair Witch franchise (1999-2016)

20 Tuesday Sep 2016

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WHAT DEFINES A successful modern day horror film?

Can The Blair Witch Project lay claim to this prestige or does the myth that surrounds it cloud our perception?

One things for sure, it was a landmark movie in not only the style in which the movie is delivered which effectively launched found footage horror to the forefront of the movie mainstream but also in the mode of establishing a new style of marketing that connected with audiences worldwide.

It had a pulse and substance to it that resonated on a massive scale and it was for this reason that USA Today went on record to state The Blair Witch Project was the first movie to go ‘viral’.

A trend was then set with numerous movies hoping to follow suit and creature a hit with a low budget feel.

What does that mean today though?

Does the movie still stand the test of time?

There have been books released, a rushed-to-production “unofficial” sequel released the following year in 2000 with Book of Shadows: Blair Witch 2.

And just recently an “official” sequel has been released, Blair Witch, which all lend weight to the mythos of The Blair Witch legend for good or ill.

Join our discussions on The Blair Witch franchise in a Surgeons of Horror Special podcast below.

  • Paul Farrell

The Fog (1980)

20 Tuesday Sep 2016

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JOHN CARPENTER’S FOLLOW up to Halloween would come in the guise of The Fog.

Whilst it didn’t come close to success that Halloween would generate, it did generate enough of a following to push Carpenter’s career along and propel him further as a bankable director.

It would reunite him with co-star Jamie Lee Curtis albeit in a smaller role amongst a fairly strong ensemble cast.

Leading the way is Stevie Wayne played by the amazing and beautiful, Adrienne Barbeau pulling out a strong performance as the radio DJ ushering out the warning of the killer fog with those sultry tones……

Whilst on paper, this movie had a great premise and all the hallmarks of a classic horror,  with the classic ghost camp fire story brought to life of ghost pirates out to seek vengeance on a community that did them wrong 100 years ago.

The Surgeons of Horror podcast team pay close scrutiny to the movie and delve into our fifth subject of The John Carpenter early years sessions to find out by asking all the important questions.

Does it live up to its promise and deliver a classic ghost story?

Can fog actually be scary on film?

And more importantly. Are you weird?

Listen to the podcast below to find out our thoughts.

  • Paul Farrell

Halloween (1978)

13 Tuesday Sep 2016

Posted by in John Carpenter

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Four films into his career and John Carpenter hits one out of the park and creates the slasher horror genre in the process.

And yet it’s hard to recall from a personal perspective when exactly Halloween entered my consciousness.

Released the same year that I was born, one could argue that this movie and I were intrinsically connected, if you were that way inclined.

I for one have found myself constantly drawn to the dark arts of the silver screen and it only seems natural that a movie of this pedigree would enter my periphery at some stage in my life, coupled with my growing love of Carpenter’s movies that stayed with me throughout my childhood, a connection would be inevitable.

Looking back, it’s hard to see the world of horror movies without this as part of its canon.

It’s a movie that started a whole new genre of film (some may argue that 1974’s Black Christmas was the film that started it all, but it’s impact would never be as great) and it has been mimicked and repeated ever since.
Without it, Friday the 13th may never have existed. Victor Miller may have been guided be a completely different movie when coming up with the ‘horror movie template’ and the movie world would be a very different place indeed.

I think you get the point that I’m driving at, that this was a defining moment in cellular history and I’ve relished it ever since.

It’s the kind of movie that, when I first set up Surgeons of Horror, I knew that I wanted to discuss with my fellow surgeons and it was indeed the original impetus for putting together the podcast. Fate would have us steer down a completely different path however with Wes Craven’s untimely passing refocusing our directive for Season 1.

Now though, we are halfway through the John Carpenter: Early Years Sessions and finally at a point to talk about this much-heralded movie, but where does one begin?

Hopefully the following podcast will be of worthy listening, we certainly had fun discussing it. We hope that you do too.

– Saul Muerte

Someone’s Watching Me (1978)

06 Tuesday Sep 2016

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Someone's-Watching-Me OUR THIRD ENTRY into the John Carpenter Early Years discussions is little known TV movie, Someone’s Watching Me.

The fact that this movie has fallen by the wayside in Carpenter’s canon of work is know real surprise, but for enthusiasts, this is definitely worth a visit.

Despite heavy nods and influences from another legend, Alfred Hitchcock, there are early indications of what was to come infused throughout.

Carpenter himself would admit that he learnt his craft in the making of Someone’s Watching Me and keen observers would note that there are a lot of similarities to his next movie, (and the one that would pave a fine selection of movies in arguably one of the best runs in film history) Halloween.

A now much-recognised trait is used here with the stalker POV, as the camera observes the victim or intended victims from afar, and the overall framing and flow of the movie would be repeated in the slasher flick.

It must be a subject that intrigued Carpenter as he once quoted, “Everybody’s a voyeur.”

A simple premise that plays on us the audience, allowed into the world of the killer, with a sense of guilty pleasure and would go on to influence many directors and writers to come.

So with that in mind, The Surgeons of Horror team lift the lid of this little-known movie to discover if it really is a hidden gem or best left forgotten.

Listen to our thoughts and opinions in the podcast below.

 

The Shallows (2016)

04 Sunday Sep 2016

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The-Shallows JOIN THE Surgeons of Horror team in our first ‘reaction’ podcast, dissecting the recent Blake Lively vehicle, The Shallows.

Get our gut reaction and comments and of its entry into the killer shark universe.

Will it prove to be out of its depth, try to stay afloat and attempt to tread water, or prove to be a bombora pioneer?

Check out our thoughts and views in the podcast below.

 

LINKS:

The Jaws Franchise (1975-1987)

The Jaws franchise (1975 – 1987)

04 Sunday Sep 2016

Posted by in John Carpenter, Uncategorized

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Jaws WHERE DO YOU begin when attempting to dissect Jaws and the franchise that it spawned?

It is so iconic, so embedded in the psyche of fans of film and the culture that it hails from.
Hell, it pretty much gave birth to the modern film and created what is now known as the summer blockbuster.

To say that it’s huge is a gross understatement.

Director, Steven Spielberg was only 26 when he made this movie and from the success of this went on to become one of the most successful directors in the industry.

But the final product could have been very different.

Its troubled production has been well reported upon from its lack of script, last-minute casting, and a mechanical shark that didn’t work.

It should have taken 55 days to film but it went on to take 159 days to complete running significantly over the production schedule.

So why and how did this film become so successful?

Its success would inevitably lead to similar themed movies and inspirations; chief amongst these was Joe Dante’s Piranha. A film that doesn’t shy away from the fact that it was a blatant rip off.

The Surgeons of Podcast team had a tough assignment before them in order to tackle such a subject as this.

One could say that we’re gonna need a bigger podcast session in order to carry this thing out. [Sorry, I couldn’t resist]

Either way, the team gathered our thoughts and opinions and tried to suppress them into the below discussion, hopefully for your hearing pleasure.

Take some time to listen to 3 individuals crammed into ‘The Cabin” in order to convey the impact that this movie had on us as individuals and the bragging rights over who was the most affected by it.

Have fun.

 

Links:

The Shallows (2016)

Assault on Precinct 13 (1976)

23 Tuesday Aug 2016

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JOHN CARPENTER’S SOPHOMORE feature and realistically his first in the ‘professional’ circuit (as his debut, Dark Star, was a University project that received success beyond his wildest dreams) would catapult the film auteur into one of the best successes in the film industry with countless movies resonating with a wide audience.

In many ways, Assault On Precinct 13 reflects the very kernel of his following movies, with themes and compositions that steered Carpenter on his cinematic journey.

A self-confessed lover of Westerns, this movie would serve as a massive nod to Rio Bravo, the John Wayne feature that inspired Carpenter to create that storyline in a modern, urban world, taking the core ingredients of a siege mentality to drive the plot line of this action thriller.

Much of the tension is lost these days however, such is the changing landscape in storytelling on the celluloid canvas, but at its heart is a story that still resonates and pulls at the nostalgia strings for those with their heart still bent towards classic plot lines, memorable characters and cheesy one-liners…
”You Got A Smoke?”

The premise of the movie injects our protagonist in a volatile situation when he is called upon to look after a now defunct police station that is in the last stages of closing down.

All appears well until a father on the run from a group of vigilantes seeks refuge. The officer has to rely on his wits, minimal arsenal, a secretary and a couple of convicts to aid his survival through the night.

As I said, it’s classic storytelling at its best and would be the start of a fantastic career for Carpenter, and would be only a couple of years away from producing one of cinema’s classic slasher horrors, Halloween.

For more thoughts and observations on Assault On Precinct 13, click on the audio podcast below.

Dark Star (1974)

16 Tuesday Aug 2016

Posted by in John Carpenter

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dark-star
AFTER DEDICATING OUR last podcast season to the early works of the late great Wes Craven, we now switch our attention to another horror film auteur in John Carpenter.

Much like in our last season our method is to look back at his early work and to dissect these movies with great analysis and with a bit a friendly banter along the way.

The first subject to ho under the knife is Carpenter’s first feature, Dark Star, a university / pet project in which he would team up with Dan O’Bannon (Alien) to write, produce, and direct a movie that would gain significant attention from like-minded students and wind up as a classic among sci-fi fans.

Whilst this doesn’t fit among the canon of work that Carpenter would go on to direct, Dark Star certainly has its elements that lift the movie above many of its counterparts.

It must be said though, that this movie plants itself well and truly in comedy territory despite this not being its original intent.

Certainly not worthy of close scrutiny but Carpenter delivers a fun, light-hearted movie all the same.

For more thoughts and opinions head over to our podcast discussion below.

 

EXTRAS:

DARK STAR OST