Belinda Balasaki, Dee Wallace, Horror movies, Joe Dante, Patrick Macnee, Robert Picardo, the howling, Werewolf, Werewolf movies
THIS YEAR, the Surgeons of Horror team would like to raise our heads to the power of the moon
With the power of the full moon, it’s time to bask in it’s cool glow in honour of all things lycanthropy with a monthly feature called the Full Moon Sessions.
Each month, the team will look into a werewolf movie and dissect them with some warm-hearted discussions to delve into the reasons why the film was a success and it’s overall appeal.
This month we launch with The Howling, one of three movies released in 1981 centred around the werewolf alongside An American Werewolf In London and Wolfen.
The Howling directed by Joe Dante who would spore a career out of creature features would initially turn heads with Piranha, a self-admitted Jaws rip-off.
Off the back of this, The Howling, would be his launchpad to success with The Gremlins, The Burbs, and Innerspace to name but a few.
The movie itself, based on a Gary Brandner novel of the same name, follows Karen White (Dee Wallace), co-anchor and on field reporter who through an investigation involving a serial killer unearths a dark cult immersed in American society.
The traumatic confrontation with the serial killer leads Karen to seek psychiatric help through a retreat known as ‘The Colony’, but all is not as it seems.
A cult following gathered from the back of the movie’s release at the height of the horror movie bang in the 80s and the home video boom, but after 30+ years, how does the movie stand up?
Does it still have an impact today? And can it stand out in it’s own right and away from the long shadow of An American Werewolf In London?
Check out the Full Moon Sessions podcast below to get the point of view from The Surgeons.
Also available on iTunes
- “Howling Mad Moon” MacGuire