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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: zombie apocalypse

Retrospective: Undead (2003)

12 Sunday Dec 2021

Posted by surgeons of horror in retrospective

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Tags

alien horror, Australian Horror, felicity mason, mungo mckay, The Spierig Brothers, umbrella entertainment, Undead, zombie, zombie apocalypse, zombie horror

Before the Spierig Brothers would take on what would be their second feature film as their writer, director, producer team with Daybreakers starring Ethan Hawke, and possibly their best movie to date. 

Before they would even attempt to expand the Saw franchise with Jigsaw and then to breathe further life into the Hammer Films productions with Winchester, they would craft their first feature, Undead; a schlocky, low budget, zombie / alien invasion feast set in remote Australia.
The movie has just been released by Umbrella Entertainment as a Blu-ray/Dvd edition for their Beyond Genres collection. Check out the extras at the foot of this article.

The movie itself is not exactly brain fodder, but I remember from its initial release back in 2003 that it was a lot of fun to watch and packed with that unusual blend of Aussie humour that always seems to lift the storyline. There are some iconic moments too, namely from Mungo Mckay’s character Marion, a doomsday prepper who has encountered a paranormal encounter before and has been subjected to being an outcast ever since. His performance channels somewhere between Ash Campbell for sheer resilience and his namesake, James Wayne, with a cowboy like approach to survival and armed with a triple shotgun among his many resources.

Interestingly though, Marion isn’t the hero of the movie, as our lead protagonist falls to meek Rene (Felicity Mason) who has been a downtrodden character most of her life and just wants to get the hell out of Kansas. When push comes to shove though, she soon shows her metal and comes out fighting.

To look at this movie and scorn the performances though which I have seen some people comment on is to miss the style that The Spierig Brothers were going for. Clearly, they wanted to experiment with some visual effects, something that the extras in this release shines a light on. Undead would be their showpiece and a playing field for them to experiment with what they could do through a feature narrative. The problem as always is budget, which there wasn’t a lot of. So knowing this, the filmmakers went with a ramped up melodramatic, pulp style 50’s invasion feel. One that, knowing this beforehand, takes the pressure of applying a highbrow response to and simply letting it flow and enjoying the ride.

The film is packed with a lot of set play, from zombies attacking, survival instincts, seedy characters, bullheaded police officers, aliens, infection and nods to the era that formed the base of these kind of movies, one that comes to mind are some of the earlier scenes in Village of the Damned. There are also elements of Night of the Living Dead at play here, all of which goes to show that The Spierig Brothers are lovers of their craft and with Undead shows a great introduction to the celluloid mainstream with a film that wears its heart on its sleeve. So while it may not be original or groundbreaking, Undead still offers enough to entertain and essential viewing for film lovers who are interested in following the journey of a couple of creatives in the rise.

  • Saul Muerte

Undead is released on Blu Ray and DVD by Umbrella Entertainment.

Details of the extras are listed as follows:

  • Original Soundtrack CD
  • Audio Commentary with Directors Peter and Michael Spierig and Cinematographer Andy Strahorn
  • On the set of the Undead
  • Attack of the Undead – Short Film
  • The Making of Undead
  • Homemade Dolly Video
  • Undead Camera and Make-up Tests
  • Stills Gallery
  • Theatrical Trailer

Movie review: Army of the Dead

02 Wednesday Jun 2021

Posted by surgeons of horror in Movie review

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Tags

Ana de la Ruguera, army pf the dead, dave bautista, Ella Purnell, Hiroyuki Sanada, netflix, Omari Hardwick, Tig Notaro, zack snyder, zombie, zombie action, zombie apocalypse

By now Zack Snyder’s Netflix feature starring Dave Bautista is a massive streaming success which indicates that it was firmly on the pulse of the average punters celluloid palette.

You can see why as the trailer promises a jam-packed action feast billed as a cross between a comrade bank heist flick with elements of Oceans 11 (The Vegas element has a lot to do with this), with a post apocalyptic zombie infested world.
The films detailed prologue entails a zombie outbreak in the greed, glitz and glam of Las Vegas which is contained by huge storage containers that form a wall around the city.

Then we’re presented with the premise.
There’s money ripe for the picking in the vaults of the casinos and Bly Tanaka (Hiroyuki Sanada) employs Scott (Bautista) to form a crack guerilla team to infiltrate the quarantined city and retrieve the bounty. It’s a mad proposition but one Scott is willing to take up for a chance to rebuild his life and possibly reconnect with his daughter Kate (Ella Purnell), who he has become estranged with since the zombie outbreak occured.

Once the carrot has been dangled, the audience then sit back and eagerly wait for the carnage to begin. But first we must endure the Mission Impossible style formation of the team and our introduction to them and possible zombie fodder.
There’s two of Scott’s former associates, Maria Cruz (Ana de le Ruguera) and Vanderhoe (Omari Hardwick) the spiritual member of the group, helicopter pilot Marianne (Tig Notaro, who stepped into replace Chris D’Elia through CGI and green screens costing Snyder a fair packet of the production costs), German safecracker Dieter (Matthias Schweighöfer), and Chicano sharpshooter Guzman (Raúl Castillo) to name but a few.

Once the set up is established Scott’s daughter Kate, Tanaka’s associate Martin, and with the help of Lily aka The Coyote, the team sneak into the quarantined walls to carry out their mission. The catch, The Government are planning on nuking the whole city in a couple of days, so there’s no time for messing around. Plus, you know, it amplifies the tension… And of course you know that that timeline is going to shorten once said Government decide to move the nuke strike up, meaning the team have even less time to complete their task.

Here’s the thing that gets my goat though.
With such a cool premise, there’s not much substance for the audience to chew on.
Some may counter that with me, stating that it does exactly what it says on the tin. But I like my movies served a little cooked, not raw.

There is some humour on display and some strangled attempts at deep and meaningful chats along the way, but it’s missing some zing to tantalise us with.

Since watching the film there’s been some online discussions about Scott’s team stuck in a time loop purgatory, and this idea I can get behind and if there is truth to this theory, all of a sudden this film gets elevated a little in my reception of it. With rumours of a follow up film on the horizon and with Netflix’s success story to couple it, I wouldn’t be surprised if this isn’t fleshed out in some way.
I just hope that they can work on the story a little more and give the characters more to work with now that they’ve been established and give the audience a more hefty and enjoyable experience.

The Diagnosis:

Snyder provides us with another gloriously shot,  stellar CGI, packed with some cracking action.
But it is a little half baked and rests on a small thread of an idea. Yes that’s a cool thread, but needs more time and energy spent on building up the storyline and characters to allow them to stand out more.
But I guess time is the real player here. And time will tell if this story will continue and we get more from Snyder’s world or not.

  • Saul Muerte

Movie review: Blood Quantum

30 Wednesday Dec 2020

Posted by surgeons of horror in Movie review

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Tags

shudder australia, zombie, zombie apocalypse, zombie horror

There is a lot to praise about this film, but chiefly is its stance on American colonialism and thrusting the theme of zombie horror as the platform to herald from. The term Blood Quantum is from the Indian Blood Laws in the United States that determine Native American identity by the percentages of their ancestry, for example if you are born from a mother and father who are considered 100 percent Native American, you would be deemed as having pure blood.

It is this concept that is then carried through the film’s narrative which determines those with Native American blood, immune to a zombie outbreak that occurs.

When we meet our lead characters, they are a mismatch of family members, fractured by the toils that society has placed upon them. There’s the patriarchal figure in Traylor , an indigenous sheriff, who despite being the lead authority in the fishing town, has had his fair share of mistakes to bear his soul. The biggest test that Traylor must face is the bestow upon his two (Michael Greyeyes) sons (both from different mothers) the responsibilities that adulthood brings. One of his sons, Joseph (Forrest Goodluck) has the promise to take on this role, but is prone to self-sabotage and avoidance, which is primarily brought around by the daunting task of becoming a father himself. The other son, Lysol (Kiowa Gordon) seems to be beyond salvation, content on playing by his own rules. Traylor certainly has his work cut out for him under normal circumstances, but this all unfolds in the middle of a zombie outbreak. 

Thankfully, he’s supported by some kick-ass individuals along the way to protect him, his family and community along the way. Among them are his own father, Gisigu (Stonehorse Lone Goeman), a sword-wielding fiend who certainly knows how to hold his own and bastion of his kin. There’s also Traylor’s ex-wife, and mother to Joseph, Joss (Elle-Máijá Tailfeathers), who also happens to be a nurse. In this narrative, she serves as the constant strength and support to her family, despite all of their flaws.

The Prognosis:

The first half an hour of the movie as the zombie outbreak is unleashed, is jam-packed with tension as the lead characters first fathom what they are faced with and then how to survive this ordeal.

Unfortunately the middle section sags a little as the community has set up a refuge six months after the outbreak and learn that they are immune from the virus. The film struggles to stay afloat during this phase and at times feels that it is in danger of losing all the promise that led the stories charge. 

Blood Quantum’s saving grace comes from the strength of its characters. The inner turmoil that is evident in the set up, and like the virus itself, cannot be saved. Instead it is down to the most resilient of them to prevail and find a way out of their predicament. Just a shame it wasn’t able to keep the pace throughout.

  • Saul Muerte

Movie review: The Night Eats The World

17 Sunday Feb 2019

Posted by surgeons of horror in Alliance Francaise French Film Festival, Movie review

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Tags

French Film Festival, french horror, zombie apocalypse, zombie horror

The Alliance Francaise French Film Festival is once again showcasing some excellent features this year, especially in the horror genre.
Alongside the glorious, hard-edged, rape revenge film, Revenge, comes the debut directorial feature from Dominique Rocher, The Night Eats The World.

The film embodies Richard Matheson’s I Am Legend with its token male protagonist, struggling with isolation in a post-apocalyptic world over run by zombies, but there the similarities lie.

Set primarily within the confines of a Parisian apartment block, our lone figure Sam (played by Anders Danielson Lie, who is simply divine in this movie in creating his character with charm, charisma, coupled with this awkward mix of inept social skills) wakes up in an apartment room, after seeking refuge from a house party, only to find the afore-mentioned apocalypse has hit and it would appear that there are no other survivors… at least not human ones.

Whilst The Night Eats The World is a bit of a slow burn, audiences are rewarded with the attention to Sam’s character and as the film plays out we warm to his quirks. Sam is clearly a guy who struggles at the best of times to mix with people and would prefer to be holed up on his own, without the company of others. So it’s with some sense of irony that his wish comes true with the zombie outbreak, but through it all, his sense of isolation is heightened and he realizes that even he seeks companionship, which at one point he finds in a zombie trapped in the lift.

Despite his growing agoraphobia, Sam must break down his barriers and leap out into this strange new horizon, if he has any chance to survive in the ‘new world’.

It’s Sam’s anxiety about what may lay beyond the comforts of his four walls that makes this such a refreshing film to watch.

It also contains a feeling of warmth and humour, which juxtaposes the climate that Sam is faced with. This too provides a rich attraction to the movie that allows The Night That Ate The World to stand out and claim its own identity in a crowded sub-genre.

The Diagnosis:

Director Dominique Rocher offers a quirky and delightful take on the zombie genre, by offering a slice of humanity, whilst shining a spotlight on how crippling anxiety can be.

It is a beautifully paced movie providing ample time for the main protagonist to shine, with dramatic moments to pulsate and keep the audience entertained.

– Saul Muerte

Catch the screening of The Night Eats The World at the Alliance Francoise French Film Festival.

Screening times below:

Sun 10 Mar8:10 PMPalace Norton St.
Tue 12 Mar8:45 PMPalace Central
Wed 13 Mar8:30 PMPalace Central
Thu 14 Mar8:40 PMPalace Norton St.
Sat 16 Mar9:00 PMPalace Central
Wed 20 Mar8:50 PMPalace Norton St.
Fri 22 Mar7:30 PMChauvel Cinema
Sat 23 Mar8:40 PMPalace Central
Sun 24 Mar8:30 PMPalace Verona
Mon 25 Mar8:30 PM
Palace Central
Thu 28 Mar8:40 PMChauvel Cinema
Sat 30 Mar8:45 PMChauvel Cinema
Sun 31 Mar8:20 PMPalace Central
Mon 1 Apr8:50 PMPalace Verona
Tue 2 Apr8:50 PMPalace Central
Wed 3 Apr9:45 PMPalace Norton St.
Thu 4 Apr8:45 PMChauvel Cinema
Fri 5 Apr8:30 PMHayden Orpheum Cremorne
Fri 5 Apr8:40 PMPalace Norton St.

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