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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: Ted Levine

The Mangler (1995) – Tobe Hooper’s Industrial Nightmare Turns 30

02 Sunday Mar 2025

Posted by surgeons of horror in retrospective

≈ 1 Comment

Tags

robert englund, Stephen King, Ted Levine, tobe hooper

It has a CRUSH on you!
When an accident involving a folding machine at an old laundry happens, detective John Hunton investigates. As his investigation progresses, he begins to suspect the machine is possessed by a demon from Hell.

By 1995, director Tobe Hooper had long cemented his legacy in horror history with The Texas Chain Saw Massacre (1974) and Poltergeist (1982), while Robert Englund had become an icon as Freddy Krueger. Their reunion in The Mangler—an adaptation of a lesser-known Stephen King short story—should have been an exciting horror event. Instead, it became one of the more peculiar and divisive entries in all their careers.

It’s not every day that a movie about a possessed industrial laundry press makes it to the big screen, but that’s exactly the kind of bizarre energy The Mangler brings. The film exists in a world of exaggerated performances, over-the-top set pieces, and a plot so ludicrous that it straddles the line between horror and dark comedy. Englund, buried under grotesque makeup as the sadistic factory owner Bill Gartley, chews the scenery with relish. Meanwhile, Ted Levine, fresh off The Silence of the Lambs, lends his gravelly, weary presence to the role of the skeptical detective who slowly realises that there may be supernatural forces at play.

Hooper leans into the absurdity, crafting a grimy, oppressive atmosphere that feels reminiscent of his early work, albeit with a more surreal, almost operatic quality. However, the film struggles with pacing and tone—moments of genuine horror are often undercut by unintentional comedy, making it an acquired taste even for die-hard horror fans. The practical effects and gore are commendable, but the story itself stretches believability to the breaking point, even for King’s standards.

Despite its many flaws, The Mangler has developed a small cult following over the years, thanks in part to its sheer audacity. While it never reached the heights of Hooper’s greatest works, it remains a fascinating oddity in ‘90s horror, a relic from a time when studios were still willing to gamble on the outlandish. For those willing to embrace its madness, it’s an entertaining, if deeply flawed, slice of supernatural horror.

  • Saul Muerte

Movie review: The Hills Have Eyes (2006)

23 Thursday Mar 2017

Posted by surgeons of horror in Wes Craven

≈ 1 Comment

Tags

Alexandre Aja, Emile de Ravin, Kathleen Quinlan, Ted Levine, The Hills Have Eyes, Wes Craven

WES CRAVEN must have felt pretty proud of this adaptation from his original movie.

The Hills Have Eyes was the second movie that he made following on from Last House On The Left and was a huge success for the director, paving the way for a smashing career in the horror realm.

For the remake though, Craven would step aside from directorial duties, focusing solely on his Producer role and allow Alexandre Aja take the helm.

Aja already carved success in his own right in the genre with Furia and Haute Tension, both bloody brutal films. (The less said about Mirrors and Piranha 3D the better).

And the frenchman doesn’t shy away from the gore and mayhem in this movie, much to our delight.

After watching the screening at the Horror Movie Campout in Sydney,  was reminded of how hard-wired, crazed, and fucked up this movie is.

Having dissected the original movie in a previous podcast, yo could clearly see the same paths being plotted out by our protagonists, but this version does allow for some more freedom and exploration when it comes to the ‘mutant’ family.

Craven had always ventured out to make  a savage insight into the good and bad side of America by polarising families on the opposite side of the spectrum and pitted them against each other in a bloody war of survival.

Much of that is apparent in this version, but Aja takes that concept and ups the ante by throwing the Carter family into a world of carnage and disarray, where it is anyone’s guess who if anyone will survive.

That raw energy transcends well and it’s the perfect recipe for a thrill ride of massive proportions .

If there is a flaw, it’s that our Carter family seem a little too polished when held up against the mutant family.

There are often times when you wished that more time was spent on fleshing out the characters than actually ripping the flesh off them, but who am I kidding?

This movie is fun, all the same and provides enough shocks, all-out-gore, and ferocity that not only make it a worthy of the original, but dare I say it?

A rarity in that it adds something additional to the Craven’s vision and expands on it in a positive way.

A decent stab in the open, vast and deserted landscape.

  • Paul Farrell

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