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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: gale sondergaard

Retrospective: The Spider Woman Strikes Back

21 Sunday Mar 2021

Posted by surgeons of horror in retrospective

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Brenda Joyce, gale sondergaard, kirby grant, rondo hatton, the spider woman, Universal, Universal Horror, universal pictures

Not to be confused with some kind of Marvel spin off, or even a follow up to the Sherlock Holmes feature some years before, The Spider Woman Strikes Back is a stand alone feature from the Universal vault that starred Gale Sondergaard, who also featured in the afore-mentioned Holmes film, The Spider Woman.

Sondergaard is given reign to flex her acting muscles and prowess as the local town’s wealthiest person Zenobia Dollard, and with that she carries a huge amount of privilege and entitlement of the land and those in her community. 

Zenobia also hides behind her supposed blindness to get people to think she is a weak and ailing old woman, when she is anything but.

Our lead protagonist is Jean (Brenda Joyce), a young woman new to the town to become Zenovia’s personal assistant. It’s not long before Jean suspects that all is not well in the household, and that something sinister has occurred to her predecessors. Just as she starts to uncover Zenovia’s sinister plan, she finds herself ensnared with her life in danger.
Her only hope may lie in her only contact in town, Hal (Kirby Grant) to discover the death serum, concocted by spider venom and Jean’s blood. 

Rondo Hatton is on hand to provide the lumbering muscle to protect and do Zenovia’s bidding, but he doesn’t offer much beyond this stereotype that he was now attached to.

Universal had grand plans to start a new series involving The Spider Woman, but much like The Jungle Woman, which was launched in a similar timeframe, it never registered well with the audience.
This may have something to do with the lack of enthusiasm from director Arthur Lubin, who strongly opposed the idea of directing a horror feature, but was forced to do so by Universal or else lose his contract.

Mostly though, The Spider Woman Strikes Back suffers from a convoluted script and little substance.

It’s a shame though as I could sense from watching the film that Sondergaard would have relished the opportunity to revisit the role.

As such, it has slipped into obscurity a little and Universal were beginning to suffer from trying to climb out of the shadows of Dracula, Frankenstein, etc. to make a mark on the horror genre further.

  • Saul Muerte

Retrospective: The Climax (1944)

29 Tuesday Dec 2020

Posted by surgeons of horror in Universal Horror

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Boris Karloff, gale sondergaard, susannah foster, turhan bey, Universal, Universal Horror, universal pictures

Originally billed as a sequel to The Phantom of the Opera, The Climax changed its course partly due to the unavailability of Claude Rains’ availability to reprise the role of the phantom. Instead some reworking in the script department led to some significant changes and bringing in Boris Karloff for his first feature released in colour. Karloff would play the role of demented physician, Dr. Hohner, driven by jealousy and the need to dominate his fiance, a prima donna at an established Vienna Royal Theatre, and murders her in his obsession.
Interestingly, Universal would resurplus some of the magnificent set that was used in their 1925 adaptation of Gaston LeRoux’s gothic novel and Susannah Foster who brought Christina Dubois to the silver screen in TPOTO (1943), would return albeit as a young operatic singer on the rise, Angela Klatt

Klatt bears a striking similarity to Hohner’s fiance, who has been missing some 10 years now, hence why Hohner has been able to avoid justice. With Klatt’s appearance though, it triggers the inner demon and conflict in Hohner’s mind and he seems hellbent on once more, keeping the diva for himself.

The film plays a familiar tune to previous Universal features and as such struggles to offer anything new in the horror scene. It is bolded by the presence of Karloff, Foster and Turhan Bey (The Mad Ghoul) as the romantic lead, Franz Munzer, but it’s Gale Sondergaard (The Cat and the Canary) as the dutiful Luise, poised to make Hohner pay for his past deeds that really shines through. 

A solid enough entry to the Universal Horror movies, but not nearly worthy of its predecessors.

  • Saul Muerte

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