Tag Archives: found footage horror

Heretics (2025): Found Footage Fodder with No Soul

07 Monday Jul 2025

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Heretics, directed by José Prendes, is yet another entry in the ever-bloated found footage genre—a tired rehash of tropes that aspires to be The Blair Witch Project in a haunted house but crashes and burns before it even gets the camera rolling.

The premise is painfully familiar: a group of thrill-seeking teens break into the abandoned Simmons House, armed with shaky camcorders, bad attitudes, and even worse dialogue. They’re swiftly confronted with the presence of a shadowy cult that begins picking them off one by one. It’s a setup we’ve seen dozens of times, and Heretics brings nothing new to the table—only louder screams, cheaper scares, and a cast that feels more irritating than imperilled.

Any potential tension is suffocated by the unbearable ensemble of characters, each more grating than the last. Instead of building atmosphere or dread, the film relies on aimless yelling, predictable jump scares, and faux-ritual mumbo jumbo. It’s hard to care about who lives or dies when you’re actively hoping the cult hurries things along.

The only flicker of professionalism comes in the form of Eric Roberts, whose 20-second cameo is little more than a contractual obligation. His presence is both jarring and ironic—proof that the film knows how to attract a name, but not how to use it.

From its dull aesthetic to its lazy execution, Heretics feels like it was made with one eye on viral success and the other closed entirely. It mistakes noise for tension, clichés for plot, and shaky cam for style. What could have been a creepy little cult horror flick turns out to be an uninspired slog with no purpose and zero payoff.

The Prognosis:

Some heresies are unforgivable. This is one of them.

  • Saul Muerte

Solvent (2024): A Twisted Descent into Body Horror and Paranoia

23 Monday Sep 2024

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Johannes Grenzfurthner’s Solvent is a visceral dive into both the found footage and body horror sub-genres, subverting expectations at every turn. The film introduces us to a team of experts searching for Nazi documents in an isolated Austrian farmhouse, only to uncover a far more sinister secret hidden in the shadows of history. As the team leader becomes obsessed with revealing the truth, his sanity slips away, revealing the true horror that lies beneath—the corrosive force of obsession itself.

What sets Solvent apart from typical found footage films is its refusal to adhere to the genre’s usual tropes. While many found footage films struggle to balance realism with narrative tension, Solvent blends body horror and the obsessive drive for truth, immersing the audience in a descent into madness that feels both surreal and grotesque. Grenzfurthner’s approach to this format is deliberate, calculated, and refreshingly inventive. The faux-documentary style doesn’t just feel like a device to capture jump scares but becomes an integral part of the narrative’s tension, one that slowly unravels with each disturbing discovery.

The film’s brilliance lies in how it explores the toll that the pursuit of truth can take on the human spirit. As the leader of the investigation digs deeper into the farmhouse’s disturbing past, the very act of seeking knowledge becomes a self-destructive obsession. The further he delves, the more he sacrifices his humanity, willingly eroding his moral compass in exchange for answers. This theme is amplified by the body horror elements, where the human form begins to mirror the mental and emotional decay taking place within. It’s a journey through fluid debauchery—one that seeps into every pore of the film, leaving the viewer unsettled and questioning how much one should risk in pursuit of the unknown.

Admittedly, found footage has never been my favorite genre. However, Solvent shifts the direction enough to make it a harrowing and engaging experience. The film hooks you from the very beginning, pulling you deep into its underworld of depravity and insanity. Each moment feels like a gamble with pure evil, and the tension builds to an unbearable crescendo, leaving you wondering whether anyone can truly negotiate with forces so dark and extreme.

Solvent isn’t just a film about unearthing historical horrors; it’s a philosophical exploration of the lengths people will go to when consumed by obsession. Grenzfurthner takes the familiar tropes of body horror and found footage, blends them with a slow-burning narrative, and crafts something perversely unique. It’s a dizzying descent into madness, but for those willing to follow it down the rabbit hole, it’s a ride that will infect you long after the credits roll.

  • Saul Muerte

Solvent is screening as part of the Dark Nights Film Fest, Sat 13 Oct at 5pm (Ritz Cinema – Randwick)

Movie Review: Frogman (2023)

04 Tuesday Jun 2024

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Anthony Cousins’ Frogman croaks its way onto Screambox with a premise that delves into the eerie legend of the Loveland Frogman. This found footage horror flick follows three friends on a quest to uncover the truth behind the local amphibious cryptid, only to discover that the legend holds more truth—and terror—than they could have imagined.

Frogman draws heavily from the influential found footage classic The Blair Witch Project. This influence is evident in both the film’s strengths and its weaknesses. On the one hand, the similarities lend Frogman a sense of nostalgic familiarity. The shaky camera work, the realistic portrayals of fear, and the gradual build-up of suspense all harken back to Blair Witch, grounding Frogman in a tried-and-true formula that successfully evokes a creeping sense of dread.

The found footage style effectively immerses the viewer in the trio’s journey. The film’s setting—dense, misty woods—adds to the atmosphere, with the natural sounds of the forest punctuated by unsettling croaks that hint at the lurking presence of the Frogman. The tension builds slowly but steadily, leading to several genuinely chilling moments as the friends inch closer to the truth.

However, the film’s adherence to the Blair Witch template also highlights some of its limitations. Frogman struggles to break new ground, often feeling like a retread of familiar territory rather than a fresh take on the found footage genre. The characters, while likable, sometimes fall into predictable patterns, and the plot occasionally meanders, losing momentum in places where it should be tightening the suspense.

Despite these issues, Frogman manages to carve out its own identity, thanks largely to the intriguing legend at its core. The Loveland Frogman is a fascinating figure, and the film’s exploration of this cryptid adds a layer of originality that helps to distinguish it from its predecessors. The climax, while somewhat conventional, delivers enough thrills to satisfy fans of the genre.

In conclusion, Frogman is a solid entry into the found footage horror canon. It may not fully escape the shadow of The Blair Witch Project, but it leverages its similarities to craft an engaging and eerie experience. For those who enjoy cryptid lore and slow-burn horror, Frogman is worth a watch—just don’t expect it to completely revolutionize the genre.

The Prognosis:

The croaks are no hoax! Frogman hops onto Screambox exclusively on June 7. Don’t miss this ribbiting found footage curio as it explores the chilling local legend of the Loveland Frogman.

  • Saul Muerte