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Surgeons of Horror

~ Dissecting horror films

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Tag Archives: flying lotus

Ash (2025): A Sensory Voyage from a Singular Artist

24 Thursday Apr 2025

Posted by surgeons of horror in Movie review

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Tags

aaron paul, amazon prime, elza gonzalez, film, flying lotus, horror, review, reviews, sci-fi, scifi horror

Flying Lotus has never been a filmmaker to colour inside the lines. With Kuso (2017), he exploded onto the scene with a hallucinogenic blend of body horror, surrealism, and sound design that dared viewers to stick with it—or run screaming. With Ash, he reins in the chaos just enough to create what is arguably his most accessible film to date, while still packing it with enough aural and visual flourishes to remain unmistakably his own.

Set on a remote planet and anchored by a creeping sense of cosmic dread, Ash follows a woman (Elza González) who wakes up to find her crew slaughtered and must unravel the mystery before a darker truth consumes her. It’s a premise steeped in sci-fi tradition, but Flying Lotus isn’t here to offer a straightforward space thriller. Instead, he weaves a waking dream of sound and vision—atmospheric, meditative, and disorienting in equal measure.

The real marvel is in the film’s sensory layering. The soundscape—unsurprisingly exquisite—is a collage of ambient dread, industrial echoes, and meditative melodies that feel like transmissions from another dimension. As a musician, Flying Lotus has always been a sound alchemist; here, he pushes that instinct into the very bones of the film.

Elza González gives a committed, emotional performance that grounds the film’s cerebral tendencies. It’s largely her show, and she rises to the occasion with a mix of vulnerability and resolve. Aaron Paul appears in a supporting role that brings both tension and quiet depth, acting as a counterpoint to González’s isolation and inner turmoil.

The film’s Achilles’ heel is its plot. Beneath the rich surface textures and hypnotic editing, Ash tells a story that is familiar, even predictable. But it’s cleverly concealed beneath the stylistic veneer, like a well-worn book with a mesmerising new cover. There’s craft in how Flying Lotus reshapes and recontextualises sci-fi horror tropes, but at times, it feels like style just barely holding up a sagging structure.

The Prognosis:

There’s no denying Ash is a step forward—a distillation of Flying Lotus’s eccentricities into something more narratively digestible while retaining his unique artistic stamp. For fans of bold sci-fi that dares to flirt with the abstract, Ash may not be the deepest story, but it’s one hell of a ride through an artist’s ever-evolving mind.

Ash is currently streaming on Amazon Prime.

  • Review by Saul Muerte

Movie review: V/H/S/99 (2022)

20 Thursday Oct 2022

Posted by surgeons of horror in Movie review

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Tags

bloody disgusting, brad miska, flying lotus, johannes roberts, joseph winter, maggie levin, shudder australia, Tyler MacIntyre, V/H/S/99, vanessa winter, vhs, vhs franchise

It’s been 10 years since Brad Miska, co-founder of horror themed website Bloody Disgusting launched the found footage anthology film series V/H/S. Its concept would have five short stories that were located from a bank of VHS tapes and would be a collaboration of cutting edge film makers such as Adam Wingard (You’re Next), David Bruckner (The Ritual), and Ti West (X). 

Now in its fifth instalment V/H/S/99, the franchise is once again hitting an annual stride with another due to be released next year. The format is still the same with five unique stories interwoven throughout the running time, each with a compelling narrative drive to get the audience hooked. 

First up is Shredding, (Directed by Maggie Levin) a skater punk influenced tale that follows a rock band as they break into the basement of an abandoned art building and last resting place of another rock band. Will their fates be entwined?

The second story Suicide Bid (Directed by Johannes Roberts – Resident Evil: Welcome to Raccoon City) is a playful tale that sheds light on thr tortourous ordeal of trying to get into a sorority house. An audition prank goes horribly wrong when she is convinced to spend the night buried in a coffin.

The third instalment, Ozzy’s Dungeon comes from the macabre and beautifully twisted mind of Flying Lotus – Kuso. A girl is horribly disfigured in a sleazy tv show and her family seek vengeance on the host by dragging him through a similar ordeal. 

Next up is The Gawkers (Directed by Tyler MacIntyre) a group of teenagers that get more than they bargained for when they begin perving on the girl next door.

And lastly, To Hell and Back (Directed by Vanessa Winter & Joseph Winter – Deadstream) where this writing team once again taps into the zany underworld antics, blending horror and humour with little effort. This time around we follow two filmmakers who document a ritual, only to be transported to a hellish dimension where they are forced to battle demonic beings in a desperate bid to find their way back home.

The Prognosis:

The franchise has really hit its stride with V/H/S/99 blending an eclectic mix of stories from an eclectic group of filmmakers. I feel like the selection on show bends itself into an enjoyable array not yet bested since its original feature was released.  

  • Saul Muerte

V/H/S/99  is currently streaming on Shudder ANZ

Movie review: Kuso

01 Friday Sep 2017

Posted by surgeons of horror in Movie review, Sydney Underground Film Festival

≈ 1 Comment

Tags

flying lotus, kuso, suff, Sydney Underground Film Festival

“What the fuck did I just watch?”

It’s hard not to view the directorial debut from Flying Lotus without uttering these words into the mix.

Kuso is a film best described as an experimental, avant-garde piece that suits the twisted mind of it’s artist.

His music that blends hip-hop and electronic into a stylistic and fresh approach to the scene that has had people both gripped in either love or despair, so it should come as no surprise that Flying Lotus carries this across onto the visual canopy of film.

When the film premiered in Cannes, there were reports of people walking out of the movie in disgust. The numbers of which may have been grossly overestimated, but when viewing Kuso, you can understand the temptation to turn away.

Whilst I too felt the compulsion to revolt in the comfort of my chair when watching the film, I felt compelled to see it through and challenge myself not to resort to the knee-jerk reaction to what was being laid bare.

Flying Lotus flings everything at the viewer not only to confront our visual senses but also to shed light on the grotesque and ugly of society.

The film is essentially broken into 4 vignettes that are interspersed throughout the post-apocalyptic narrative following the mutated survivors of an earthquake in Los Angeles.

Labelled as a body horror that would have the likes of Cronenberg and Lynch proud.

We’re thrust into a world with a talking, singing boil; inter-dimensional creatures getting stoned in an apartment, and a large bug that lives inside a doctor’s anus set to cure a man from his fear of breasts; a kid who is prone to self-defecating and feeding his faeces to a creature in the forest; and a woman who eats concrete and steered by God to travel down a hole in search of her missing baby.

The end result is a mishap of the strange, vulgar, and wonderful.

It’s not for the faint of heart and could steer the hardened viewer away from the screen.

While it may suit the fans of experimental and challenging films, I challenge the average viewer to step outside their comfort zones and witness a spectacle like no other.

But be warned, some of the images may scar you. It’s been a while since a movie from this genre has warped the senses and disturbed the soul.

  • Saul Muerte

Catch the Closing Night Event screening of Kuso at the Sydney Underground Film Festival.

Screening times and tickets available below:

SUNDAY 17TH SEPTEMBER – 08:30 PM
SUNDAY TICKET

Kuso Poster

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