Last House On The Left (2009)

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SUCH WAS THE IMPACT that Wes Craven’s feature, The Last House On The Left had on the film industry, it was inevitable that Hollywood would look at a remake.

What is interesting about this film is that the masterminds behind the original, Wes Craven and Sean Cunningham came on board as producers.

Certainly the theme still could hold strong with a modern audience, as parents seeking revenge on their daughters’ near-death experience at the hands of some vile representatives of humanity.

The key difference from the original though is that in this instance, the daughter survives and is also on hand to exact revenge.
Where as the character was not so fortunate in the first instance.

There are other obvious differences too.

We’re dealing with a much more polished vehicle this time around and dare I say it? A higher level of acting ability on show too.

Most notably for me though is how the horrid affair plays out in the woods when our antagonists prey on their victims.

This time around, it has a much harder edge, and the brutality and physicality of their actions seem a lot harder to bear.

The 1972 movie was shocking for the fact that it didn’t allow the viewer to shift away from the ordeal that took place and were left empty at the daughters’ demise.

Here though, she survives, but just barely, having to fight tooth and nail to escape with every once of her being.

Once in the ‘safety’ of her home, then things just get crazy as all hell breaks loose.

Definitely one to watch and a lot better than I thought it would be, perhaps due to Craven and Cunningham’s eyes watching over the project?

Stars: Tony Goldwyn (Ghost – and no he will never shake that off), Monica Potter (Along Came A Spider, Saw), Garret Dillahunt (Terminator: The Sarah Connor Chronicles), Spencer Treat Clark (Unbreakable), and Aaron Paul (Breaking Bad)

– Paul Farrell

Movie of the week: The Hallow (2016)

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THERE IS SO MUCH that is going right for this feature and I’m probably its’ biggest champion being a fan of the mystical, fairytale nature with its dark, dark storytelling.

And there is indeed much to be said about this approach from director Corin Hardy’s directorial debut.
It also holds a strong cast in its ranks with Joseph Mawie (Game of Thrones, Abraham Lincoln: Vampire Hunter), Bojana Novakovic (Drag Me To Hell, Devil) who move to a remote millhouse in Ireland with their baby son, only to be hounded by these creatures from deep within the forest.

There is a lot to like in this believable couple who are at odd ends when they come face to face with a hidden danger, and the build up to the creatures reveal is handled with the right side of tension, but once they are revealed, this is where the film starts to fall short for me.

I do like my horror to have a certain mystery surrounding it, particularly when it comes to creatures.
The element of the unknown is often much more scary than the real thing.

Supposedly, Hardy searched Britain to find his answer to Stan Winston’s creature design approach and although John Nolan provides a fine effort in these mythical beings, it does feel that once we know of them, the mystery and therefore the scare factor drops a little.

There are elements that play really well and the world that is created is a believable one, captured by the stunning scenery that is on show.

Mix that in with plenty of backs to the wall, fight for their lives scenarios and you have the recipe of a solid horror movie.

It’s not perfect, but it can stand tall as an original piece with plenty of promise.
Hardy is definitely a director to keep an eye on and this is why The Hallow is our movie choice of the week.

-Paul Farrell

Last House On The Left (1972)

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OUR FIRST HORROR FILM LEGEND to enter the Surgeons of Horror theatre is the late Wes Craven.

It is our endeavour to scrutinise and dissect his film career and study how Craven became an auteur of his craft.

We start with a Season that we will call The Early Years, whereby we will take a look at the films that paved the way to marking him as an icon in horror.

The first movie in question is, The Last House On The Left, made in 1972 along with fellow horror legend, Sean Cunningham (Friday the 13th) who was the films producer.

Between them they made a movie that would send shockwaves throughout the cinema industry for it’s low down and dirty cinematography.
It was a film that wasn’t shy from turning away from what was dubbed as gratuitous but perhaps not by modern standards.

The movie would be banned in certain countries including Britain and caused pandemonium in the auditoriums as people allegedly rushed the projection booths in protest.

This was all gold dust to the films producers who were bold enough to give it a nationwide release.

And word of mouth wouldn’t let this movie lay down to rest and it resurfaced in the video bootleg and slowly became the stuff of legend.

It also coined one of the most iconic taglines in movie history, “To avoid fainting. Keep repeating. It’s only a movie… only a movie…. Only a movie…”

So how does this film stand up in our surgery?

Does it still stand the test of time?

Check out the surgeons of horror podcast below for more thoughts and views.

https://player.whooshkaa.com/player/episode/id/98471?visual=true

Also available on iTunes

-Paul Farrell

Friday the 13th (1980)

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THE 1980’s WOULD MARK the rise of horror movies, particularly in the homes with the introduction of video rental stores.

Leading the charge would be Friday the 13th, a little known film that with a small budget and with a production company that was willing to market nationwide.

The Film itself owed a lot of its success from a visionary director, Sean Cunningham (Last House On The Left) with a young cast that was willing and eager, plus some of the best blood and gore to have been seen on screen before.

The last of which would be Friday the 13th’s true calling. By teaming up with Special FX guru, Tom Savini (Dawn of the Dead) who was and still is ahead of his time when it comes to capturing realistic gore for the screen, Cunningham had blended the perfect recipe of blood, gore and scares that continues to delight generation after generation and spawned a franchise.

-Paul Farrell

Check out the surgeons of horror podcast below for more thoughts and views.

https://player.whooshkaa.com/player/episode/id/103489?visual=true