Tag Archives: shudder

Movie review: God Is A Bullet (2024)

06 Wednesday Mar 2024

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , , , , ,

God is a Bullet is a hard edged, pot boiler of a movie that requires a steady hand and a strong focus to ride the weighty story.

Based on a novel by Boston Teran, it details the pursuit of Lena who is kidnapped following the brutal murders of her mother and stepfather by members of an evil cult. Leading the investigation (albeit off the books) is the girl’s father, Detective Bob Hightower (Nicolaj Coster-Waldau – Game of Thrones), a devoted Christian man who has lived most of his career behind the desk, pushing papers. So, he’s the last person you would expect to go off the rails and take the law into his own hands, but when push comes to shove, desperate times bring out the darkest side in us all.

To channel his rage and fuel his intent for revenge. Bob seeks the support from the only known person to have survived and escaped the cult, Case (Maika Monroe – It Follows). Case is not surprisingly still unfolding from her own traumatic experiences and has hardened against the typical social means, making her unpredictable and wild; the  polar opposite ro Bob, a man set by rigidity and routine. Both must find a common path for this unlikely alliance to succeed.

The prognosis:

There are elongated moments of stagnation that threaten to swallow up the audience with the sheer depth of depravity, speared by Director Nick Cassavettes vision. This passion project which has taken Cassavettes years to manifest and bring to life, is so entrenched in the social biome that he neglects the strength of pace to the detriment of the storyline, before hitting with a gut punch action sequence to remind you that you need to pay attention. What keeps you temporarily hanging by a thread is the performances of the two leads, both characters embittered by circumstances and reliant on each other’s qualities to drift them to a brutal and high impact conclusion.

Some may be deterred by the creative choices on show. Others happy to coast along, bracing themselves for every bump and hard-hitting shift in momentum. The question will be whether to bail or hold on tightly.

– Saul Muerte

Movie Review: History of Evil (2024)

23 Friday Feb 2024

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , ,

Set in the not too far dystopian future, History of Evil is something of a curiosity. The US has become a fascist state where civilians have taken siege of the law in the name of God and Country. So, we’re presented with a family on the run; The mother, Alegre (Jackie Cruz) an outspoken author against the regime; her daughter, Dario (Murphee Bloom); and the father, Ron (Paul Wesley). Aided by Trudy (Rhona Dents) the family is forced into hiding, and smuggled to a remote location with aim to reach the border and freedom. Just when you think that their life is harrowing enough, their chosen place of refuge provides a slight twist in the tale, marked by a disturbing past, it carries a dark energy that will slowly ebb away and its new residents until it finds a chink in their armour and worm it’s way into their soul.

Partly presented as a gritty drama, the shift into supernatural horror brings forth images of Stephen King’s The Shining where the family seek shelter from the external forces only to be confronted by those within. The balance of their precarious situation and its impact on the psyche is one that is constantly in question and throw the young daughter the elements are there to chip away and set up a haunting tale.

The Prognosis:

The issue with History of Evil is the method that writer / director, Bo Mirhosseni choses to execute his vision, who slowly draws out the narrative to presumably build up the tension. Instead, it ticks along with an ambling pace that ultimately slips into vacancy, where he runs the risk of checking his audience out of the narrative.

The premise is there but it unfolds with little care and the resolution, though impactful, still sets you adrift and pondering the relevance and purpose of it all.

  • Saul Muerte

History of Evil is now streaming on ShudderANZ.

Movie review: Dario Argento Panico

03 Saturday Feb 2024

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , , , , , ,

One could argue that no one has crafted such an impact on the horror genre nor weaved a unique style into the fold than Italian Maestro, Dario Argento. Director Simone Scafidi attempts to fashion a visual insight into the auteur’s life and work through a series of archival footage and mixture of interviews from industry admirers such as Guilermo Del Toro; Nicholas Winding Refn, and Gasper Noe; long-time collaborators, Michele Soavi and Lamberto Bava; and family members such as his sister Floriana and daughters Asia and Fiore. All of whom offer their own take on what made Argento such a remarkable talent. That’s not to say that Scafidi isn’t willing to look deeper into Argento’s character, skirting around some of the less than desirable attributes that can be carried by gifted and driven disposition. It’s an area that sparks the potential to venture into the lengths that an individual may go to in order to create their vision. This issue is that Scafidi merely dangles this observation before the viewer, little willing to venture below the surface of Argento’s veneer.

That being said, there is plenty to stoke the fire of creativity on show, and Dario Argento Panico produces a window into a remarkable career, including moments with the man himself, talking through his own observations and reasonings across a multitude of highs and lows, starting with his impactful beginnings and the animal trilogy, The Bird With The Crystal Plumage; The Cat O’Nine Tails; and Four Flies on Grey Velvet, including the Three Mothers trilogy, Suspiria, Inferno, and The Mother of Tears. Just the tip of the iceberg, but one that we can gracefully skate across an absorbing collection of works.

The Prognosis:

Dario Argento Panico is a documentary that testifies to the remarkable talent that the director has provided in the celluloid world. It will no doubt grip cinephiles and fans of Argento’s work, but there is lost potential here, where the director is all too willing to skim the surface, neglecting the urge to cut deeper into the character, and the balance between greatness and the sacrifice one makes to achieve high standards, damning all that may fall between. There are moments that Scafidi dalliances with the heart of an auteur and one can only wonder how far he would have pushed the knife, to cut open and dissect the things that maketh the man.

  • Saul Muerte

Dario Argento Panico is currently streaming on Shudder.

Movie review: Suitable Flesh (2024)

24 Wednesday Jan 2024

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , , ,

Music in film achieves a number of things: it establishes setting; it creates atmosphere; it calls attention to elements; it reinforces or foreshadleaningsows narrative developments; it gives meaning to a character’s actions or translates their thoughts; and it creates emotion.

(K. Kalinak, 2024)

Such is the weight that music has in films that to find the right balance is imperative in delivering the right intonation or mood to a piece. If it’s off kilter in any way, then you risk thrusting your audience out of the narrative and falling into an abyss of disconnection.  Unfortunately, this becomes common place during Joe Lynch’s latest offering from the directorial chair. It feels intentional but the choice to mix up the erotic ambience with mystery and intrigue, ends up feeling like a late night straight to tv from the 80s. 

One might argue that Suitable Flesh is aiming to present itself in this field, tipped as a successor to Stuart Gordon’s Lovecraftian classics, From Beyond and Re-Animator, it even boasts one of stars from both of these features, Barbara Crampton. And thank God as she is head and shoulders, one of the most interesting components to the film.

There is plenty to praise on the basis of its premise alone, but its execution gets too muddled through amplifying different genres with a hazy mix of confusion. Another example of how the composition never hits the right note throughout. 

When psychiatrist, Dr. Elizabeth Derby (Heather Graham) becomes involved and obsessed with one of her clients, Asa White (Judah Lewis – The Babysitter) she soon becomes entangled in an ancient curse; one with octopedal ramifications, another of Lovecraft’s signature themes arises. 

The first and second act hinges on this lustful interaction, accompanied by murderous deeds, and psychological leanings. So embroiled in this component that Lynch neglects to add any depth to the proceedings and skates along the surface hoping that the intrigue is salvageable enough to keep the plot afloat.

The supporting roles from Johnathon Schaech (Quarantine) and Bruce Davison (X-Men) are woefully underused, with the exception of Crampton who plays Derby’s confidante and lifelong friend, Dr. Daniella Upton, this is Graham’s picture to deliver, but too often she is trapped in a two-note affair, struggling to break out of her fixed portrayal of a woman in crisis.

Suitable Flesh’s saving grace comes in the final act, when Lynch finally decides to dial up the tension and leans heavily into a gripping climax, with a disappointing and predictable final reveal.

The Prognosis:

What promised to be a reawakening of Lovecraftian themes brought to light in the 80s, Suitable Flesh leaves you floundering, in search of something to grip onto, waiting all too late in the final act to serve up anything remotely appealing to its audience.

  • Saul Muerte

Suitable Flesh is available on Shudder from Fri 26th Jan. 

Kalinak, Kathryn, ‘What does film music do?’, Film Music: A Very Short Introduction, 1st edn (New York, 2010; online edn, Oxford Academic, 24 Sept. 2013), https://doi.org/10.1093/actrade/9780195370874.003.0001, accessed 24 Jan. 2024.

Movie review: Night of the Hunted (2023)

11 Saturday Nov 2023

Posted by in Movie review

≈ Leave a comment

Tags

, , , ,

Shudder has been down this lone sniper road before and arguably travelled it with better results in one of their earlier Exclusive and Original features, Downrange. In this instance, Night of the Hunted takes up the plight with Alice (Camille Rowe – No Limit) who is heading home with her work colleague / lover, John (Jeremy Scippio) when they choose to stop off at a petrol station; a decision that will make a drastic turn in their lives when they come under attack from a hidden assailant, armed with a sniper rifle.

As the horrifying events unfold Alice comes to the realisation that this is no mere stroke of the wrong place, wrong time and that she has been specifically targeted by a man with a violent vendetta. Alice can’t rely on her social skills to talk her way out of this predicament, but must rely on her wiles and the limited resources that a petrol station can offer, in order to have any hope of survival. All the while, she comes under psychological scrutiny from the shadows of both her past and the killer in the night.,

The Prognosis:

Director Franck Khalfoun has produced mixed results in his canon of work thus far, which has never quite hit the mark since 2010’s Maniac. With Night of the Hunted, a remake of Spanish film, Night of the Rat, is once again middle of the road affair for Khalfoun. While Rowe manages to portray a woman under siege, carving through the emotions of grit, determination, vulnerability and loss (and even tips the balance of audience backing at one point), the run of the mill is all too predictable, refusing to veer outside of the comfort lane. 

  • Saul Muerte 

Night of the Hunted is currently streaming on Shudder.

Movie review: Hell House LLC Origins: The Carmichael Manor

11 Saturday Nov 2023

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , , , ,

It’s a rare thing these days to reach the fourth instalment of a franchise and to say that it has not only surpassed its original enterprise but made a far richer experience as a result, but that is exactly what writer, director Stephen Cognetti has been able to achieve with Hell House LLC Origins: The Carmichael Manor. By releasing himself creatively from the shackles of Abbadon Hotel, which marked the location of the three previous features and expanding the Hell House universe into another setting, Cognetti can afford to embellish his vision, and explore new terrain whilst still using the code from which he had initially begun his found footage horror genre journey.

When a group of internet sleuths, Margot (Bridget Rose Perrotta) and Rebecca (Destiny Leilani Brown) decide to embark on an investigation into the Carmichael murders and choose to stay at the family abode, they encounter a far sinister world that arcs back to the satanic rituals performed at the Abbadon Hotel. Accompanying them into the paranormal examination is Margot’s brother, Chase (James Liddell), who is struggling with his own mental issues, a component that throws questions around the stability of the group. The further down the rabbit hole of inquiry they go, the more they begin to turn inward, becoming mistrustful of one another and feeding on the phenomena that engulfs the manor. 

The Prognosis:

Presented through video journals, the story unfolds through the four nights that the trio chose to spend at the Carmichael residence, all the while the audience knowing that none of the group would be heard from again. Did they simply disappear? Or did something consume their souls? Will the tapes uncover the truth to their disappearance? It’s a narrative that is no stranger to those familiar with the Hell House LLC franchise, but Cognetti still manages to weave a strong narrative out of it and emboldened by experience also produces a worthy tale to tell.

  • Saul Muerte 

Hell House LLC Origins: The Carmichael Manor  is currently streaming on Shudder.

Movie Review: When Evil Lurks (2023)

07 Tuesday Nov 2023

Posted by in Movie review

≈ 1 Comment

Tags

, , , ,

Demián Rugna has just directed his most ambitious and ostentatious movie yet. Where Terrified made certain horrorphilia fans sit up and take notice, his follow up feature, Satanic Hispanics was a little underwhelming. When Evil Lurks ramps it back up a notch with a haunting tale grounded in native folklore. Set in a remote village, the film follows two brothers Pedro (Ezequiel Rodriguez) and Jimmy (Demián Salomon) hear gunshots in the dead of night. When dawn breaks, their investigations lead them to a corpse, severed in two and then to a home of demon possessed man. There are rules around the removal of the possessed, known as ‘rottens’ to be held by experts, but with the afore-mentioned corpse, led to be one of these ‘cleaners’ and with the local authorities dismissing the case, the brothers are asked by the landowner, to help dispose the body themselves. In doing so though, they unleash a harrowing evil that slowly consumes and infects all that come in its path.

Once this virus is exposed, Pedro and Jimmy try to round up their family with the aim to get as far away as possible. Their choices lead them down a pathway to hell, exposing all the truths and fears that they have wished to lay dormant.

As the horror unfurls, so do the dwindling hopes of survival as the main narrative centres on Pedro’s pursuits in saving his family, but in doing so, unearths his own failings with brutal and mortifying ferocity. In many ways, in life, Pedro has dug his own grave, by walking away from life’s troubles, so when he is forced to confront them, he must do say in a test of his mettle, but Director Rugna, will wring out every ounce of desperation to push his protagonist to the limit, using evil as the insipid sponge to soak it all up and feed of his weakness.

The Prognosis:

It’s possible that Rugna has delivered one of the most unexpected sleeper hits of the year, but you won’t be fooled into a false slumber as When Evil Lurks is a dark expose on the frailties of humanity. It unleashes a melee of fears from the characters involved, and ventures to the brink of despair, and in doing so asks, ‘can humankind rid themselves of past traumas, or will they be forever doomed to repeat them, embedding the emotional scars deeper and deeper?

  • Saul Muerte 

When Evil Lurks is currently streaming on Shudder.

Movie review: Mastemah (2023)

07 Tuesday Nov 2023

Posted by in Movie review

≈ Leave a comment

Tags

, , , , ,

As Mastemah opens, we’re presented with a disturbing, albeit poetically portrayed scene following a hypnosis session that sees a patient throw himself out of a high storey building, plummeting to his death. This singular moment sets up the narrative to pose a couple of important questions that run throughout the film; is this a result of hypnotic persuasion? Is there something darker that has a hold on the psyche? It’s a subject that is clearly of interest to director and writer, Didier D. Daarwin, who delves deeper into the subject with his protagonist/antagonist, Louise Wilmens (Camille Razat – Girls With Balls), a character who spends most of the film seemingly questioning her own actions and reactions that are presented. When Louise sets up her own practice in a remote setting, following the afore-mentioned events, one could view this as a time for healing and the isolation from a city lifestyle, but is there something more sinister at play?

To allow this internal journey to spiral forever inward and thus project manifestations outward, the character of Louise takes on a series of patients, primarily a brooding enigmatic male figure, Theo (Olivier Barthélémy) who embodies a stereotype of mysterious masculinity. The more embroiled Louse becomes in unpacking Theo’s mind, the more she succumbs to both hers and his sexual being. These perceptions murky the water to the point of confusion and winds its way down to a complex conclusion.Throw into the mix a mentor figure in Francois de Maestre (Tibo Vandenborre) who continually questions or queries and in some cases supports Louise’s actions, that the audience is further trying to figure out who or what is pulling the strings, so that by the time the climax occurs, we’re left floundering rather than grasping securely to what has been proposed.

The Prognosis:

There’s plenty to unpack in Daarwin’s vision, which much like the psychological mind can lead one astray. The issue is with the execution and in presenting a convoluted analysis, and in deliberately being aloof in what helms the theoretical, the audience struggles to be convinced and lost in the mix.

  • Saul Muerte 

Mastemah is currently streaming on Shudder.

Movie review: V/H/S/85 (2023)

04 Wednesday Oct 2023

Posted by in Movie review

≈ Leave a comment

Tags

, , , , , , , ,

Having secretly shot the latest instalment in the V/H/S/ franchise back-to-back alongside V/H/S/99, Bloody Disgusting are set to release V/H/S/85 on the streaming platform, Shudder. This time around sees one of the pioneer directors of the franchise David Bruckner (The Ritual) with his segment Amateur Night return to add more flavour to the proceedings. It’s clear that Bruckner is going from strength to strength in his storytelling with a bent towards science fiction, evident with bringing Hellraiser before a contemporary audience. Bruckner’s V/H/S. Segment Total Copy is peppered throughout the feature and follows a group of college teachers pushing past their skillset into untapped territory. In doing so, they venture into a domain that slowly spirals out of control. 

Joining Bruckner is a team of bold visionists, each with their own unique style spilling forth into an eclectic union of enterprising stories. My own personal liking leans towards Scott Derrickson’s (Sinister) segment Dreamkill; which is a psychic-bending, slasher frenzy that twists and turns delightfully towards a gripping climax. For fans of Derrickson’s work, there is an easter egg in there which arcs back to one of the characters from The Black Phone. Another segment I enjoyed was No Wake, directed by Mike P. Nelson (Wrong Turn) who feels as though he is in his element with his traditional found footage tale set on a lake retreat. We follow a group of teens who get more than they bargained for when they are slowly being picked off by a hidden assailant, and then pick up the tale further into the feature when we see the story complete from the assassin’s point of view. The other two entries are just as compelling with Natasha Kermani’s segment TKNOGD; following performance artists tackle technological gods and Gigi Saul Guerrero’s (Bingo Hell) segment, God of Death, taking you to the depths of Mexico in the wake of an earthquake which has awoken a once dormant God.

The Prognosis:

For its’ sixth entry into the franchise, V/H/S/85 is arguably the most diverse and compelling. It allows each director to spin their tale using their individual voices, without the detriment to the final reel. Enjoyable and fragmented to create a blend of disturbing, visionary narratives.

– Saul Muerte

V/H/S/85 is screening on Shudder from Friday 6th October.

Notable links:

Movie review: V/H/S/99

Movie review V/H/S/94

Movie review: Elevator Game (2023)

30 Saturday Sep 2023

Posted by in Movie review

≈ Leave a comment

Tags

, , , ,

Having already placed a haunting, psychological tale in a public convenience, starring Ryan Kwanten in Glorious, director Rebekah McKendry has established that she conveys stories from the most unusual setting. Her latest venture to hit Shudder, chooses to relocate to an elevator. The substance of the movie lays ground in an online phenomenon where people play a specific game to test their fears and the spectral myth that once you have ridden any elevator whilst stopping at a set order of floors, to invoke a ghost. The trick is to not open your eyes when you reach the fifth floor, or end up haunted to your own death by the female phantom.

Told from the perspective of high school graduates who run an online series debunking similar urban legends. They fall down on their luck when their sponsor threatens to pull the plug unless they can turn around a successful show by the turn of the week. Thankfully, or maybe not?, the team meets Ryan (Gino Anania) who presents them with the afore-mentioned game. The hook, or catch in this instance is that not only is the urban legend real, but Ryan’s sister may have been a victim and he believes the team are also responsible. Fuelled by vengeance and the search for truth beyond the known world, Ryan will go to all costs to seek it out.

The Prognosis:

I’ll be honest here. The thought of yet another social media horror feature immediately halted my need to watch this film, but it is markedly better than a few i’d like to mention.. Ahem Countdown or… cough Unfriended. Elevator Game does unfortunately share one characteristic though… unlikeable characters, so yes that in itself is part of the game, to watch these deviants get their comeuppance, but in this instance it comes at the cost of the film.

It’s fairly obvious who will end up in the finale, such is the predictability on show, but it’s still a fun ride. It also misses some of the humour present in Glorious too. Mark this up as a missed opportunity to elevate her career, but still promise that she may still reach the penthouse suite if McKendry keeps producing solid outings.

– Saul Muerte