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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: ridley scott

Movie Review: Alien: Romulus

23 Friday Aug 2024

Posted by surgeons of horror in Movie review

≈ 1 Comment

Tags

aileen wu, Alien, Alien franchise, alien horror, alien romulus, archie renaux, cailee spaeny, david jonsson, fede alvarez, isabela merced, ridley scott, spike fearn, xenomorph

Prequel, sequels, threequels, and whatnumberisthisoneagain-quels… has there been a more wildly heartbreaking body of work than the Alien franchise?

From 2 absolute master class films, to a litany of dross to follow, we come to it again and again hoping this next instalment – whatever it may be timeline wise – will be different. And no amount of pre-hype or pedigree (can you say David Fincher boys & girls?) seems to make a scrap of difference.  They either range from “it was ok” to “what the fuck was that?”

So when yet another one is announced and the trailer hits the socials – we hold our collective breaths and say “well… it looks slick. But so did Prometheus…”. And then we see the name of the director and we dare to do the one thing years of alien vs predator movies told us not to.  Hope.

Fede Álvarez is the helmsman of The Girl in the Spiders Web, Don’t Breathe and the Evil Dead remake.  All decent outings with Don’t Breathe a very notable one.

And with his name on the credits for this Xenomorph outing, will he do the impossible and create the spiritual 3rd film (ALL THE OTHERS DON’T COUNT) that the Alien trilogy cries out for?

Can this auteur from Uruguay carve out a name worthy of being mentioned in the same breath as Cameron and Scott?

Let’s dig in, shall we?

Firstly, there is not a Romulan to be seen, so that’s a letdown straight away…

Secondly, this venture takes place some 20 years after the end of Alien, so Ripley is still floating around out there asleep with her cat in a capsule, and that’s interesting to think about.

Because one of the more annoying aspects of this franchise is that post Aliens, all the instalments (crossovers included) bar Three & Resurrection are PREQUELS.  Which means they continually have to retcon (in some way or another) humanities “first” interaction with the Xenomorph.

In fact, it’s gotten to the point that when Ripley & crew first encounter the Alien onboard the Nostromo, they’re basically the only humans who HAVEN’T met it yet!

But I digress.  Set up wise this film takes place on a mining moon, laced in the gritty low light aesthetic that is a moniker for all these movies now.  Life for the workers there is basically indentured, so ways to get off-planet are few and far between.

Thus when an opportunity presents itself in the shape of a seemingly abandoned orbiting spacecraft that for some reason NO ONE on the surface of this world can see other than a bunch of space Gen Z-ers, who happen to have a working spaceship (that belonged to their now dead parents, because the mines are filled with space asbestos, apparently) they see a way out of their bondage.  Because their ship has everything a group of kids need to travel to another world EXCEPT Cryosleep capsules.  Something this mystery spaceship above must surely have…

And thus we have our blueprint to get the ball rolling.  1 – Set a cast, 2 – throw them into a contained location, and then 3 – sprinkle them with Facehuggers. 

4 – rinse.

The how and the why there are Facehuggers on this mystery ship is a fine enough idea…but for the purposes of exploring more abstract and interesting observations, we shall leave that for you to discover on your own time.  For now, I will list off the immediate thoughts that struck me whilst watching this movie.

One – all the other Alien filmmakers have tipped their hat to Ridley’s and Cameron’s outings, naturally, but we are now entering an era of films from storytellers who were children when those first 2 flicks came out, and Álvarez is clearly printing out a love letter to them both with Romulus.  It is littered with numerous nods, ranging from set design, to television computer screens, 70’s 8-bit GFX, sound FX, Pink Floyd lighting, and of course, a perpetual motion beak dipping bird.

And that’s just the tip of the “let’s-see-what-else-we-can-jam-in-there-iceberg”.  

Two – it suffers – as you would expect – from the “Zombie Conundrum”.  Ie: We, the audience, know what the peril is and how it works.  The characters in the movie do not.  So we wait patiently whilst they play catch up, which means the film burns through valuable attention grabbing time.  There are of course creative ways around this – the best one is to show something new about the Alien’s “process”, but with so many films under the bridge, this is very difficult without completely retconning its history.  And that violates our list of what makes a great sequel (see below).

Three – The Sequel Checklist.  Does this hit it?  For fans of our reviews, The SOH Sequel checklist (AKA: Things you need to make a great sequel) looks like this…

  • Does it respect the first film and not shit on it?
  • Does it “fail” to be carbon copy of the first film?
  • Does it add/expand on the legend/universe started by the first film?
  • Does it still stay within the SAME SPIRIT established by the first film?
  • Does it stand on its own 2 feet as a standalone film?

To which answer wise, I give it three yeses’, one kinda (but not really) and a sorta.

The Prognosis:

As to what answer goes with what point, I’ll leave that up to you to see & agree.  For Romulus is definitely worth checking out, but ultimately as a story it could have taken a few coins out it’s “homage” budget and drop them into its “make em care & they’ll scare” budget.

For the film only has 2 memorable leads (the actual leads) who are played by Cailee Spaeny and David Jonsson.  A brother and sister duo with a twist.  Or it would have been had the trailer not given it away.  So that means with the rest of the cast, you’re kinda just waiting for them to get ganked.  Or not.  But you’re not holding your breath too hard when they do.  Or don’t.

They have one cool action set piece that is original.  Although several scientist friends of mine have already lamented its floating inaccuracy.  And for all its tributes towards the first 2 films (the only 2 worth tributing) it does dips into a controversial idea first explored in Alien Resurrection, and to its credit, actually pulls it off.  At least visually.

Overall, its not the spiritual threequel I’m still looking for (and I accept, may never find) but I will definitely be keen to see Alien Klingon Homeworld when it comes out. (See what I did there nerds?)

  • Antony Yee

Movie review: Alien: Covenant

22 Friday Dec 2017

Posted by surgeons of horror in Alien franchise, Movie review

≈ 2 Comments

Tags

Alien, Alien Covenant, danny mcbride, michael fassbender, ridley scott, xenomorph


Some time has passed now since Ridley Scott’s latest chapter in the Alien universe was released.

As with most movie franchises that have been so immersed in our psyche and reawakened the nostalgia in us all when the latest adaptation hits the screens, we yearn for that ‘magic moment’ that connected us to the world in the first place.

It only exasperates things further when in this instance there have been two successes from the outset and have left such a strong mark that many have tried to replicate but fallen short of every time, even Scott himself with his prequel Prometheus, which many felt fell short of their expectations.

For good or ill, Scott has chosen to delve deeper into his journey and provided us with Covenant, the true beginning of our favourite Xenomorph.

The trouble lies with trying to provide the audience with all that we fell in love with offering something new in the mix at the same time.

A fine line to walk along and one that will guarantee some unhappy punters regardless.
The journey does carry on where Prometheus left us and David’s (Michael Fassbender) search for the ultimate creation in a God-like pursuit.

When the crew of the Covenant, an ark carrying human cargo to their new Eden, are woken early from their hyper sleep, their troubles begin. Despite a form of salvation appearing in a transmission originating from an inhabitable planet, their journey takes them further down the rabbit hole.
Cue new creatures and a world within David’s playground.

Some fine performances are on display with Fassbender’s dual role of David and Walter, alongside Katherine Waterston’s Dany (the voice of reason and hope), Billy Crudup’s faith driven leader of the group, and Danny McBride’s pilot Tennessee.

Much more could have been made of Demián Bichir’s Sgt Lope and his talents are criminally wasted, but one could put that down to an over-populated cast who one can’t really differentiate as the film goes on. Their expendable for a reason but our care factor is non existent when they are knocked off one by one as a result.

As far as offering something new to the genre, Scott does provide us with some fascinating creatures and a possible hint and something less tribal and intuitive is on hand only to be squashed by the ‘outsiders’. But one can’t help but feel that there is something missing to this tale and if rumours are to be believed that the next venture may completely be remiss of the xenomorphs, then we are left scratching our heads and pondering the end game to Scott’s vision.
It’s little wonder then, that some traditionalists are campaigning for Blomkamps’s vision for an alternate take on the universe to become a reality.

The Diagnosis:
Whilst there are plenty of entertaining moments in this film with some strong performances from the cast and ultimately an enjoyable narrative, the faithful fans of the original movie will be disappointed in this latest direction.
Recommended for those who have never drifted into the Alien universe before, but what does that say when you’re effectively alienating your fan base in a quest for one man’s vision?

  • Saul Muerte

Podcast: Alien (1979)

26 Wednesday Apr 2017

Posted by surgeons of horror in Alien franchise, Uncategorized

≈ 3 Comments

Tags

Alien, Aliens, chest-burster, face-hugger, harry dean stanton, ian holm, james cameron, john hurt, ridley scott, sigourney weaver, tom skerrit, veronica cartwright, xenomorph, yaphet kotto

Following the success of his film school feature Dark Star, which he collaborated with John Carpenter, Dan O’Bannon would team with his house mate, Ronald Shusett to create (arguably) the best and most iconic science fiction horror movie to date.

Once the screenplay was in place, the perfect recipe started to formulate with some fresh new faces, starting with the director, Ridley Scott with his sophomore feature, still at a point where he was willing to take on a few risks.

There must have been something that resonated deep down with Scott too, as he has returned to the franchise at the helm with 2012’s Prometheus, this years’ Alien: Covenant, and the promise of more to come.

Joining alongside him would be fellow fresh-faced actress, Sigourney Weaver, and along with it, her take on the protagonist, Ellen Ripley, would be a pioneer in the industry, paving the way for more like-minded, strong, female characters to come.

Sure, we’ve still got a long way to come yet, but Ripley is still held highly amongst fans and cinema-lovers across the globe.

Her journey would span across another 3 movies in the franchise, such was her resonance.

It helped too that her fellow cast members, all prolific in their own right would elevate, (essentially a haunted house story, albeit set in space) high, not just in the genre, but in film history.

Tom Skerritt, John Hurt, Harry Dean Stanton, Ian Holm, Veroncia Cartwright, and Yaphet Kotto all lend valuable weight to the proceedings.

As does the visual cinematography (Derek Vanlint) and the design, headed up by H.R. Giger, who created the look and feel of the alien creature in all it’s transitions; egg, face-hugger, baby xenomorph, to its adult version.

The film drips and oozes such an amazing treat for the senses, that it’s not surprising that it still stands the test of time.

To celebrate #alienday, the Surgeons of Horror team took it upon themselves to discuss this movie, that rightfully has become a classic.

Check out our in-depth discussions on iTunes or through our podcast feed below.

https://player.whooshkaa.com/player/episode/id/99074?visual=true

  • Paul Farrell

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