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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: horror films

Movie review: Raw (2017)

22 Monday May 2017

Posted by surgeons of horror in Uncategorized

≈ 6 Comments

Tags

cannibal, coming-of-age, horror films

IT’S NOT OFTEN that a movie will leave me feeling that strange, eerie sense of detachment.

As if one’s soul has been ripped away from the body and thrust into the open space to drift in the emptiness.

It’s a feeling of confusion that leaves you wondering what took place that makes you feel a strange mix of emptiness and euphoria.

The last time I can recall feeling this way, was after viewing Gaspar Noe’s controversial movie, Irreversible.

Although Raw deals with a completely different subject matter, it does something similar in crashing head long into a terrain that some may find difficult to handle, and perhaps too confrontational, but in both cases, they are subjects that warrant addressing with a fresh new take, in order to shake things up a bit.

On face value there are some that might be turned away at the prospect of Raw, the tale of vegetarian Justine, (Garance Mariller, who incidentally delivers a stunning performance) who loses all sense of herself in her first week of veterinary school and eats raw meat for the first time.

All the trailers and imagery surrounding the movie have centred on a bloody Justine, who on one hand heightens the gore factor, but what it fails to convey is the sheer depth of this movie.

It’s more than a sensationalist shock-fest and deep down is a coming-of-age story.

When Justine is dropped off at University, she’s somewhat abandoned to her own devices by her parents to make her way in this strange new land.
Her only lifeline comes from her older sister, Alexia, (played by Ella Rumpf, who is equally charismatic and engaging on screen) but is far from the person that Justine once knew and because of this finds it hard to connect with.

The early scenes at the University are immersed in a world of chaos and anarchy – an almost Lord of the Flies situation, where the “Elders” are left to rule the roost and the teachers appear strangely absent and willing for the wild parties and engagements to reign.

It’s an indication to of our times and Director, Julia Ducournau in her feature debut, certainly has her finger on the pulse capturing the very heart of the youth’s struggles as they reach their sexual awakening with only each other to turn to in order to learn from. And sometimes we might not like what we see.

Admittedly, I found the first 20 minutes hard to get into, but as soon as I was immersed in the world that was created, I became instantly absorbed and willing to be taken along Justine’s journey of elation, repulsion, disgust, and delight.

The confusion she feels as she experience all these emotions at the same time, leaves her in disarray, and what at first appears to be a cruel turning point when her taste for the flesh lunges for the one lifeline that she has, only to have the tables turn in a deliciously exciting way.

The relationship that Justine has with Alexia is vital for this movie to pay off and relies on the strength of both actors. It beautifully captures that whole love/hate sibling rivalry, where blood is thicker than water and sometimes family is all we have to rely on at a time when the very thought of that couldn’t be further from the truth.

The more I think of it, the more beautiful and powerful a movie Raw appears to be. It evokes so much emotion that it lifts you up on high and lets you marinade in the bloody mess that is left behind.

Even as I write this up, I can feel that same sense of elation deep in my core.

It’s hard to shake and I can’t recommend this movie enough.

A glorious insight into the chrysalis of youth, what emerges is a thing of beauty.
I can only marvel at the wondrous sight that was presented and watch it soar high into the atmosphere.

By far and away, the best movie I’ve seen this year, and I could venture to say, the best movie I’ve seen in the last few years.

Do yourself a favour.

Go and see this movie and have your own celluloid awakening with this feast for the eyes.

 

– Paul Farrell

Movie review: The Eyes of My Mother (2016)

18 Tuesday Apr 2017

Posted by surgeons of horror in Uncategorized

≈ 2 Comments

Tags

horror films, Horror movies

The short running time of 77mins belies the amount of substance to be found within this movie.

Shot entirely in black and white, The Eyes of My Mother tells the story of Francisca, who lives on a farm with her mother and father.

Her mother is a trained surgeon and teaches Francisca to remove the cows eyeballs, a curious practice that Francisca adopts throughout the movie with questionable methods.

Their lives are turned upside down though when a door to door salesman, Charlie arrives at their house.

A struggle ensues that results in Charlie killing Francisca’s mother. Her father walks in on the act and over powers Charlie and chains him up in the barn.

As Francisca’s father becomes a shell of his former self, Francisca practically raised herself and constantly looks for the affection from her father.

Alone in the world, she spirals into a warped sense of reality where she removes Charlie’s Eyes and vocal chords and keeps him locked up as her ‘pet friend’.

When her father eventually passes away, Francisca becomes truly lost, preserving his body in the bath and reaching out for some sense of love and identity with the world.

It’s a beautiful shot piece with plenty of questions asked around nature vs nurture.

Are we the subject of our surroundings?

And because of this, there is genuine emotion attached to Francisca’s journey.

It packs a hefty punch which had been classed its graphic nature too hard to watch, but Nicolas Pesce’s directorial debut as a must watch and all eyes (hopefully intact) will be on his sophomore outing, Piercing, which is due out next year.

– Paul Farrell

Movie review: The Autopsy of Jane Doe (2016)

15 Saturday Apr 2017

Posted by surgeons of horror in Uncategorized

≈ 2 Comments

Tags

brian cox, emile hirsch, horror films, Horror movie

HATS OFF to The Autopsy of Jane Doe for attempting to contain the entire movie within the same “four walls”.

The exception being the prologue, (when the body is discovered) and the epilogue.

This is testament to the acting prowess of the films leads in Brian Cox and Emile Hirsch, who most of the scenes involve just the two of them, so they have no choice but to carry the story.

Thankfully, we’re in good hands as they take on the roles of Father/Son team of the Morgue in which the film takes place.

Tommy (the father) has resigned to his role as the town coroner, much like his own father and takes pride in his position.

In some cases it would seem at the expense of forming a solid relationship with his son, especially with the absence of a mother figure.

Austin (the son) has spent most of his life trying to fill the chasm between his himself and his father.

He becomes a medical practitioner and studies under his father’s guise, but with one eye on the outside world, whilst feeling forever entombed.

The beauty of this film comes with the arrival of the Jane Doe, and the beginning of their dissection, when supernatural elements begin to occur.

The deeper their investigation goes, the more scars that appear in their lives, and the darker their domain becomes.

The scare and thrill factors are secondary to the humanity that is on show, which some horror fans may be disappointed by, but there is enough gore and blood on show to rise this psychological, supernatural horror above the level of most its recent counterparts in the genre and is a gem of a movie as a result.

– Paul Farrell

Movie review: Train To Busan (2016)

12 Wednesday Apr 2017

Posted by surgeons of horror in Uncategorized

≈ Leave a comment

Tags

asian horror, horror films, Horror movies, k-horror

CRITICS AND AUDIENCES have been praising this film for sometime now.

And I may be a little late to the scene, but I finally managed to board the Train To Busan recently to see what all the fuss was about.

And boy did it live up to my expectations.

Not only was it enjoyable and action-packed, it also left you feeling satisfied as a result.

This film will stand the test of time and become a modern classic and should be on every horror fans must watch list.

Here’s 5 Killer reasons why…

  1. Plenty of heartThe first two points are all about character development.

    It’s the core to any good storyline. Make the people care about the characters by building up the relationships they have with each other and in doing so cement our relationship with said character before ripping out our hearts when they inevitably die.

  2. A lot of soul

    Continuing on the character theme, it’s also important to establish flaws in the key characters in which they will be punished for accordingly – death by zombie horde, or overcome and redeem themselves but sub sequentially meet their demise anyway, because  in horror, only the pure of heart and soul will survive.
  3. Stamina to stay the distance

    The perfect recipe for any decent horror is to establish the rhythm and build up the tension to the nth degree by the time you reach the climax.This is when of the key strengths in Train To Busan.

    Most horror films can find themselves derailed by the halfway point, but we’re kept well on track, thanks to the brilliant pace depicted by director Yeon Sang-ho and his crew.

  4. Fucking sick zombies

    When dealing with the big ‘Z’, you’re generally dealing with the archaic shuffling zombies from George Romero’s ‘Dawn of the Dead‘ or the kick-ass-quick in ‘28 Days Later‘.And although Train To Busan does lean more towards the latter, it does add another element to the mix – Mass.

    When these zombies strike, they come as a group and and hunt down their prey with viscous abundance.

  5. Killer instinctAnd finally, to top it off.

    If you’re gonna have a cracking zombie flick, you’ve got to deliver the gore and kills with as much relish and glee as possible to salivate the hungry horde.

    And in this instance I’m referring to the audience.

    It’s not just the methods of the kills that count here, but the brutal reality of it all as our heroes fight blood tooth and nail in the name of survival.

    It raises questions about how we would face such a dire situation, stares humanity in the face and shows us for the savage creatures that we are.

 

  • Paul Farrell
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