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Tag Archives: greg mclean

Wolf Creek (2005) – 20 Years of Terror in the Outback

23 Thursday Jan 2025

Posted by surgeons of horror in retrospective

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Tags

Cassandra Magrath, greg mclean, john jarratt, kestie morassi, mick taylor, Nathan Phillips, Wolf Creek

In 2005, Greg McLean’s Wolf Creek unleashed a chilling new chapter in Australian cinema, a psychological horror that tore through audiences with its unflinching brutality and unsettling realism. Two decades later, the film’s harrowing impact remains undeniable, cementing its place as an iconic piece of modern horror. Though divisive for its slow-burn pacing and visceral violence, Wolf Creek thrives on its darkly warped core and the unforgettable menace of John Jarratt’s performance as the sadistic Mick Taylor.

Set against the backdrop of Australia’s desolate outback, Wolf Creek begins with an eerie calm. McLean’s deliberate pacing immerses viewers in the idyllic yet isolating beauty of the terrain, lulling them into a false sense of security as three travelers—Ben (Nathan Phillips), Liz (Cassandra Magrath), and Kristy (Kestie Morassi)—set off on an adventure. It’s not until they cross paths with Mick Taylor, an unassuming yet unhinged local, that the film’s true terror takes shape.

John Jarratt’s portrayal of Mick Taylor is the cornerstone of Wolf Creek’s enduring legacy. Drawing inspiration from real-life Australian crimes, Jarratt transforms Mick into a disturbingly charismatic monster, combining a disarming sense of humour with an undercurrent of sadistic cruelty. His every laugh, leer, and word carries an air of unpredictability, making him one of horror’s most terrifying villains. Jarratt’s chilling performance anchors the film, ensuring Mick Taylor remains a haunting figure in the annals of horror cinema.

Despite criticisms of its slow start, McLean’s direction proves masterful in its escalation of dread. The film’s first act may take its time, but it serves a purpose: establishing the characters’ humanity and grounding the story in an almost documentary-like realism. This measured buildup amplifies the horror when it arrives, plunging the audience into an unrelenting nightmare that feels disturbingly plausible.

Wolf Creek also marked a turning point for Australian cinema, revealing a darker, grittier side of the national identity. Far from the sun-soaked landscapes and laid-back charm often associated with Australia on screen, McLean’s vision is one of isolation, vulnerability, and predatory danger. The vast emptiness of the outback becomes a character in itself, both beautiful and menacing, amplifying the film’s sense of helplessness.

The success of Wolf Creek spawned a sequel, Wolf Creek 2 (2013), and a television series, allowing audiences to dive deeper into Mick Taylor’s twisted world. A long-rumored third installment remains a tantalising prospect, proof of the franchise’s lasting appeal. Though each expansion of the Wolf Creek universe adds layers to its narrative, the original remains unmatched in its raw power and visceral impact.

As Wolf Creek turns 20, its legacy as a defining entry in horror cinema is undeniable. Greg McLean’s audacious storytelling, combined with Jarratt’s terrifying performance, created a film that sticks in the mind. Whether you revisit it for its shocking brutality, its exploration of Australia’s darker underbelly, or its unforgettable villain, one thing is certain: Wolf Creek is as haunting today as it was two decades ago.

  • Saul Muerte

Movie review: The Belko Experiment

30 Saturday Sep 2017

Posted by surgeons of horror in Movie review

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Tags

greg mclean, john c mcginley, john gallagher jr, josh brener, michael rooker, The Belko Experiment, the darkness, tony goldwyn, Wolf Creek

Grab your stapler or whatever you can find to turn your office utensils into a weapon as The Belko Experiment sets up this Battle Royale fight for survival.

Greg McLean follows up his disappointing feature The Darkness with this highly enjoyable movie that pits peers against peers where there can be only one person to survive.

Although the film does fall into predictable terrain, The Belko Experiment has a strong enough cast to propel the narrative along and provide the audience with the sort of delights that brought McLean to the attention of horror film lovers with Wolf Creek.

John Gallagher Jr who’s is fast making some smart choices following Mike Flanagan’s Hush and 10 Cloverfield Lane plays the heart of the movie, striving to keep everyone alive whilst sticking to his strong principles.

To counter his stance are some prolific performances from Tony Goldwyn (Scandal) and John C McGinley (Scrubs) alongside some comedic elements delivered by Josh Brener (Silicon Valley) and Sean Gunn (Guardians of the Galaxy, and writer for this film) to inject some much-needed humour into the macabre environment find themselves in.

And I haven’t even mentioned Michael Rooker’s involvement into the proceedings which is highly welcoming and an example of how awesome he can be despite his short screen time.

The Belko Experiment romps along with some awesome set pieces that feel realistic and not just shoved into place for the gore factor.

By its conclusion the movie rewards with a potential for further franchise development among a faceless nemesis in a human experiment that is purely set up on the basis of some ‘bigwigs’ scientific enjoyment.

McLean could well be back to finding his voice again, and with the Daniel Radcliffe film, Jungle next on the horizon, there’s more promise that this success will continue. 

  • Paul Farrell

Movie review: The Darkness (2016)

21 Tuesday Feb 2017

Posted by surgeons of horror in Uncategorized

≈ 1 Comment

Tags

greg mclean, Horror movie, kevin bacon, radha mitchell

WHAT HAPPENED GREG MCLEAN?

You delivered fine horror vehicles with Wolf Creek 1 and 2, and even croc shock horror movie, Rogue pulled some pretty deft punches in the genre.

But The Darkness leaves is decisively under par in comparison.

You have a strong A-Lister in Kevin Bacon and equally strong actress Radha Mitchell alongside him and yet the movie fails to deliver any scares or thrills.

My hunch is that this is perhaps down to a stark difference between McLean’s previous movies and The Darkness.

The previous films rely on exteriors and the external threats to our protagonists (which is no easy feat to convey so hats off to McLean on these previous outings) and how they deal with these attacks in order to survive.

The Darkness has to rely heavily on the internal struggle.

The audience must see the plight of the family and the fractures between them already that the Djinn can then exploit and take advantage of.

In other words the foundations need to be set in play before the troubles can really begin.

Instead, we see the family on a trip to the Canyon where they disturb a sacred ground.

In doing so, the demons follow them home and then start to ebb away at their flaws.

If enough focus was shone on their weaknesses beforehand there would have been more elbow room to play with here.

Instead, when the chances arise to cause a rift between them all, it feels too forced and contrived.

And in some cases, it feels like an after-thought to be tacked on after the plot line has been put together.

“Oh wouldn’t it be great, if we revealed that he has an affair?”, or “What about if we reveal that the daughter has bulimia?”

It would be one thing if the performances themselves were believable but they’re not and your left with one big mess, where nothing really ties together because of it.

It’s a real shame as I do like McLean’s work and hope this is just a momentary blip in his career. Based on the trailer for his next movie, The Belko Experiment, there’s hope that this might be the case as it does look promising. 

Fingers crossed.

  • Paul Farrell

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