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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: film

Movie review: God Is A Bullet (2024)

06 Wednesday Mar 2024

Posted by surgeons of horror in Movie review

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baseball, film, food, jamie foxx, maika monroe, movie, movie-reviews, nick cassavettes, nicolaj coster-waldau, shudder, shudder australia

God is a Bullet is a hard edged, pot boiler of a movie that requires a steady hand and a strong focus to ride the weighty story.

Based on a novel by Boston Teran, it details the pursuit of Lena who is kidnapped following the brutal murders of her mother and stepfather by members of an evil cult. Leading the investigation (albeit off the books) is the girl’s father, Detective Bob Hightower (Nicolaj Coster-Waldau – Game of Thrones), a devoted Christian man who has lived most of his career behind the desk, pushing papers. So, he’s the last person you would expect to go off the rails and take the law into his own hands, but when push comes to shove, desperate times bring out the darkest side in us all.

To channel his rage and fuel his intent for revenge. Bob seeks the support from the only known person to have survived and escaped the cult, Case (Maika Monroe – It Follows). Case is not surprisingly still unfolding from her own traumatic experiences and has hardened against the typical social means, making her unpredictable and wild; the  polar opposite ro Bob, a man set by rigidity and routine. Both must find a common path for this unlikely alliance to succeed.

The prognosis:

There are elongated moments of stagnation that threaten to swallow up the audience with the sheer depth of depravity, speared by Director Nick Cassavettes vision. This passion project which has taken Cassavettes years to manifest and bring to life, is so entrenched in the social biome that he neglects the strength of pace to the detriment of the storyline, before hitting with a gut punch action sequence to remind you that you need to pay attention. What keeps you temporarily hanging by a thread is the performances of the two leads, both characters embittered by circumstances and reliant on each other’s qualities to drift them to a brutal and high impact conclusion.

Some may be deterred by the creative choices on show. Others happy to coast along, bracing themselves for every bump and hard-hitting shift in momentum. The question will be whether to bail or hold on tightly.

– Saul Muerte

Movie review: Dario Argento Panico

03 Saturday Feb 2024

Posted by surgeons of horror in Movie review

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asia argento, dario argento, dario argento panico, film, gaspar noe, giallo, guillermo del toro, horror, nicholas winding refn, shudder, shudder australia, simone scafidi

One could argue that no one has crafted such an impact on the horror genre nor weaved a unique style into the fold than Italian Maestro, Dario Argento. Director Simone Scafidi attempts to fashion a visual insight into the auteur’s life and work through a series of archival footage and mixture of interviews from industry admirers such as Guilermo Del Toro; Nicholas Winding Refn, and Gasper Noe; long-time collaborators, Michele Soavi and Lamberto Bava; and family members such as his sister Floriana and daughters Asia and Fiore. All of whom offer their own take on what made Argento such a remarkable talent. That’s not to say that Scafidi isn’t willing to look deeper into Argento’s character, skirting around some of the less than desirable attributes that can be carried by gifted and driven disposition. It’s an area that sparks the potential to venture into the lengths that an individual may go to in order to create their vision. This issue is that Scafidi merely dangles this observation before the viewer, little willing to venture below the surface of Argento’s veneer.

That being said, there is plenty to stoke the fire of creativity on show, and Dario Argento Panico produces a window into a remarkable career, including moments with the man himself, talking through his own observations and reasonings across a multitude of highs and lows, starting with his impactful beginnings and the animal trilogy, The Bird With The Crystal Plumage; The Cat O’Nine Tails; and Four Flies on Grey Velvet, including the Three Mothers trilogy, Suspiria, Inferno, and The Mother of Tears. Just the tip of the iceberg, but one that we can gracefully skate across an absorbing collection of works.

The Prognosis:

Dario Argento Panico is a documentary that testifies to the remarkable talent that the director has provided in the celluloid world. It will no doubt grip cinephiles and fans of Argento’s work, but there is lost potential here, where the director is all too willing to skim the surface, neglecting the urge to cut deeper into the character, and the balance between greatness and the sacrifice one makes to achieve high standards, damning all that may fall between. There are moments that Scafidi dalliances with the heart of an auteur and one can only wonder how far he would have pushed the knife, to cut open and dissect the things that maketh the man.

  • Saul Muerte

Dario Argento Panico is currently streaming on Shudder.

Movie Review: Hellhounds (2024)

25 Thursday Jan 2024

Posted by surgeons of horror in Movie review

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film, hellhounds, horror, Horror movie, Horror movies, lycanthrope, movies, robert conway, Werewolf, werewolf movie

Hell hath no fury like a woman and a biker scorned.

On paper Hellhounds is the stuff of a second rate horror novelists dream, building on a tried formula of werewolves and bikers. Throw in the mix a group of bounty hunters and some questionable members of the constituency and you’ve got a potboiler of a film.

Where one pack of werewolves bearing the films’ titular name, they are pitted against a fanatical order of werewolf hunters known as… wait for it… Silver Bullets. It’s comic genius.

That there though ends the line of fantasy and the reality when it sets in sadly lacks in meeting up to the premises potential. Not that you can squarely judge this on the dreams and aspirations writer, director Robert Conway places on his vision, but the budget and the effects are left wanting and the acting is too complacent to attach oneself to the films’ plot.

There are some moments of brutal exposition that can put the hairs on the end and the encounters albeit few and far between take some of the scenes and push them to the boundaries of what was possible given the restrictions. Ultimately though, this is a middle of the road affair without any real known destination.

The Prognosis:

This could have been so much more with a bit more thought and action placed behind it and admittedly some more bucks and better talent in front of the screen.

There are little to no scares and one can’t help but hope and wish that some practical fx were placed to rally up the lycanthrope factor.

  • Saul Muerte

Hellhounds is currently available on PRIME from to rent or buy.

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