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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: dan stevens

Cuckoo Soars: A Haunting Symphony of Mystery and Masterful Storytelling

20 Friday Dec 2024

Posted by surgeons of horror in Movie review

≈ 1 Comment

Tags

dan stevens, hunter shafer, jessica henwick, martin csokas, tilman singer

In Cuckoo, director Tilman Singer crafts a hauntingly enigmatic tale that masterfully blurs the boundaries of reality and illusion, delivering one of the most compelling mysteries of recent years. This psychological thriller is a symphony of visual and auditory brilliance, elevated further by Hunter Schafer’s mesmerising performance.

Singer’s direction feels like a deliberate waltz, drawing the audience deeper into a world where every shadow holds a secret and every character carries an unspoken burden. The screenplay unfolds with precision, layering tension and ambiguity that keeps viewers on edge. The story tantalises with just enough breadcrumbs to provoke thought but never enough to reveal its full hand until the climactic crescendo.

At the heart of Cuckoo is Schafer, who delivers a career-defining performance. Her ability to convey vulnerability and strength in equal measure is riveting, and she becomes the emotional anchor in this labyrinthine narrative. Surrounding her are equally strong supporting performances that enhance the film’s enigmatic allure.

The film’s mystery and thriller elements are impeccably balanced. Rather than relying on cheap twists or overt shocks, Cuckoo opts for a slow-burning intensity that crescendos into a finale as satisfying as it is chilling. This is a story that doesn’t just unravel—it spirals, pulling the audience into its increasingly sinister orbit.

Adding to the film’s hypnotic power is the evocative score. The music doesn’t merely accompany the visuals but becomes a character in its own right, guiding the emotional beats and amplifying the pervasive sense of unease. It’s rare for a film’s soundtrack to linger long after the credits roll, but Cuckoo achieves just that.

If there’s a minor critique, it’s that the film’s ambiguity may prove polarising for audiences expecting more concrete resolutions. However, for those willing to immerse themselves in its atmospheric depths, Cuckoo offers a rich tapestry of suspense, beauty, and existential dread.

The Prognosis:

In a genre often defined by predictable tropes, Cuckoo stands out as a bold and hauntingly original vision. Tilman Singer has delivered a cinematic experience that is both visually stunning and narratively engrossing—a must-watch for fans of psychological thrillers and arthouse cinema alike.

  • Saul Muerte

Movie Review: Abigail (2024)

18 Thursday Apr 2024

Posted by surgeons of horror in Movie review

≈ 1 Comment

Tags

abigail, alisha weir, angus cloud, dan stevens, kathryn newton, melissa barrara, Universal, Universal Horror, universal international, universal pictures, vampire

Okay, so we’ve all seen the trailer by now.

And if you haven’t then pfft, call yourselves horror fans.

Anyways, the premise is: a group of criminals kidnap the daughter of a very powerful underworld boss. Holed-up at a spooky, and isolated, mansion they’re directed to wait it out till morning unaware the little girl is no ordinary little girl.

She’s a vampire.

Sorry a spoiler but not a spoiler.

It’s in the damn trailer.

Anyways, going into this you know you can expect some gory blood-drenched fun and it bloody delivers. To be perfectly honest, at times you can actually see the numbers blatantly etched into this paint-by-numbers monster horror, but I was actually beyond caring. I was having far too much fun with this.

Brought to you by the makers of the latest “Scream” incarnations and the awesome and not too dissimilar “Ready or not” – as it has the same trapped-in-a-mansion-with-someone/something-trying-to-kill-you vibes.

They’ve also clearly got enough weight to bring along an A-grade cast for the ride, including: Melissa Barrera (The new “Scream” movies), Kathryn Newton (“Freaky”), Dan Stevens (“Legion” and “The Guest”), and the supremely talented Alisha Weir (“Matilda”) as Abigail, as well as an assortment of others including the late Angus Cloud (“Euphoria”).

The Prognosis:

Look, I’m not going to go into this too deeply, nor does it warrant it. It’s just a very polished popcorn-horror for those who want just that. There’s jump-scares, there’s laughs, there’s gore, and the leads are completely drenched in dyed-red corn syrup by the end. Exactly what it says on the tin.

A must see for any horror fan.

  • Myles Davies

Movie review: Apostle

14 Sunday Oct 2018

Posted by surgeons of horror in Movie review

≈ 2 Comments

Tags

dan stevens, gareth evans, michael sheen, netflix

 

Since Gareth Evans made his impact on the cinematic landscape with his hard-hitting action-packed Indonesian martial arts movie The Raid and its sequel, fans of his directing style have been eager to see where he would turn to next.
And here it is with Apostle, an equally gritty film that cuts to the heart of religion, faith, and megalomania.

Starting Dan Stevens ego has been carving a name for himself in Hollywood circles of late with his quirky turn in TV series, Legion and Beauty and the Beast, but it seems that he has never shied away from his horror roots, dating back to Adam Wingard’s The Guest. It’s almost as if he is able to tap into that inner carnage and turmoil that humanity faces and bring it to the surface in the most powerful ways.
Apostle is no exception to this as Stevens delves deep into the psyche of Thomas Richardson, a former missionary who has turned his back on his faith, only to be tested once more when he learns that his sister has been taken for ransom on a remote welsh island.

The film is set in the early 1900s, and because of its setting is able to harness the feel of old school British folk horror which is on something of a resurgence of late.
There are elements in Apostle that is strikingly familiar to The Wicker Man in that a devout religious man ascends on a pagan island to retrieve a missing girl, in this case his sister, but that’s where the similarities cease as Apostle delves into the dark and twisted underbelly of when faith is taking to the extreme and abused at every level.
In one scene, Thomas literally has to swim through the guts and bile of the depraved to seek a reprieve from his pursuers.

There’s so much imagery and metaphor going on here, you’d be forgiven for feeling over whelmed with it, but Stevens performance is enough to ground the drama in reality.
He’s also joined by some terrific performers along the way too. There’s Michael Sheen (Underworld: Rise of the Lycans) as the islands profit, Malcolm, who is simply marvellous in his role, eating up the scenery with his charisma on screen; and then there’s Lucy Boynton (The Blackcoats Daughter) as the prophets’ daughter and potential love interest Andrea, along with Mark Lewis Jones and Bill Milner also adding great strength to the cast.
Richardson’s quest is always balanced on a knife edge too as Evans proves once more to be capable of wringing out every last drop of tension and pain from his characters.

The Diagnosis:

Director Gareth Evans is a master in creating heart-wrenching angst and turmoil into his narrative and with Dan Stevens has the perfect muse, as a lost and troubled man on a quest that takes him into a dark and twisted labyrinth of angst and suffering to reach a place of peace and tranquility.

Apostle is available to watch now on Netflix.

  • Saul Muerte

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