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Surgeons of Horror

~ Dissecting horror films

Surgeons of Horror

Tag Archives: christopher landon

Movie review: Freaky (2020)

12 Thursday Nov 2020

Posted by surgeons of horror in Movie review

≈ 2 Comments

Tags

blumhouse, blumhouse productions, christopher landon, freaky, jason blum, kathryn newton, vince vaughn

Once again director Christopher Landon proves his mark in the realm of teen slasher horror. Whilst Happy Death Day had its faults, Landon struck a vibe with the new generation of horror fans by taking a classic comedy film ala Groundhog Day and adding a slasher twist. The success proved such a success in collaboration with Blumhouse, a production company that have excelled in recent years tapping into the horror genre with great success, that would go on to produce an equally profitable sequel. Proving that the formula works to reinvent family-friendly comedies of yester-year, Landon hits his stride with the twist on body swap sub-genre and the Freaky Friday film, this time around seeing teen protagonist Millie Kessler (Kathryn Newton – Supernatural) switching bodies with a serial killer, The Blissfield Butcher (a surprisingly good Vince Vaughn). 

Landon’s language on screen has also come into his own as he projects great energy with his admittedly one-dimensional characters, (if there is one criticism to be held, it’s definitely here) but it’s the way Landon plays with these characters within his realm with the number one aim to have fun with it. I can not stress how much Freaky owns the comedy element, knocking around familiar concepts in the genre with some cracking nods along the way, notably Halloween and Friday the 13th franchises respectively and sure fire proof that Landon knows his craft.

What surprised me about this film was how the ‘camp’ elements played in favour of its narrative, which so easily could have bent in the wrong direction, tipping into painful territory, but manages to keep that balance in check. This also allows for some decent heartfelt moments especially for Vaughn to chew his teeth into and adding some nice beats in the more quiet moments in the film. 

There are also some cracking gore moments to keep the horror enthusiasts thirst for on-screen blood satiated. It may not go dark enough to some, but to do so would be detrimental to the humour component that Landon was striving for. 

The Prognosis:

This is a fun, enjoyable ride that does exactly what it says on the tin.

Landon excels in this environment, playing with the genre concepts with glee and producing a cracker movie filled with great energy and plenty of gore whilst keeping his finger on the pulse.

  • Saul Muerte

Movie review: Happy Death Day 2U

19 Tuesday Feb 2019

Posted by surgeons of horror in Movie review

≈ 1 Comment

Tags

blumhouse, blumhouse productions, christopher landon, happy death day, happy death day 2u, jason blum, jessica rothe, universal pictures, universal pictures australia

Here at the Surgeons School of Horror there are some key elements that make up a good sequel.

  1. It stays faithful to what was set up in (the spirit of) the original.
  2. It offers something new that adds to the original. It needs to feel right and makes you say, “Yeah, that fits!” without contradicting it.
  3. And the tipping point in shifting from a great sequel into an awesome one is that it must stand on its own as an individual film.

Highlander 2 for example completely ignored the rules as to why they were immortal in Highlander 1 = Bad movie.

Escape From LA is a literal rehash of Escape From New York = Bad movie.

Where as Aliens explored and expanded the mythology of the xenomorph whilst making a film that stands alone, which is fantastic and feels like it sits comfortably within the universe that Ridley Scott set up = Great movie.

So, where does Happy Death 2U fit into this equation?
Well, lets take a quick snapshot of our original review from its predecessor:

Murdered on her birthday, college student wakes up to find that she is stuck in a time loop in true Groundhog Day style and must relive the day all over again and can only break out of this vortex by finding her murderer.

It was a cool premise with some black comedy thrown in to boot to keep the viewer connected. Sure it had its flaws, particularly with continuity left, right, and centre. At the time I found it hard to connect with and treated it as a fairly middle of the road movie but it resonated with the younger generation who understood the humour and the college satire that was injected into the lead protagonist, Tree’s plight.

So with a successful first outing, Director Christopher Landon and producer Jason Blum felt that there was enough material there to warrant a second trip into the time loop with a sequel.

So going back to our rules for what makes a successful sequel how does it fair.

  1. Does it stay faithful to the original?
    Yes and no.
    Yes, because it does keep up with the rules applied with Tree finding herself, trapped in a time loop again and it amps up the comedy element this time around more successfully I felt.
    No, because it loses the horror element and steps firmly into sci-fi territory which may lose some of the original fans… but having said that and to use our Alien / Aliens analogy again, the original movie was a sci-fi horror, where as the sequel was more of a sci-fi action movie, so there’s no reason that you can’t shift genre and still make it successful.
  2. Does it add anything to the original that feels right?
    Hell yes! And this is HDD2U’s trump card. Where fans of the original maybe disappointed with the shift in genre, the writers stay within the boundaries of believability by throwing in the McGuffin of Carter’s roommate Ryan, who has invented a reactor that sucks Tree into said time loop with the added parallel universe jump to he mix.
    Tree still has to hunt down a killer, but this time around is faced with a few complex life choices.
  3. So, does it stand on its own as a stand-alone movie? Not really, as it heavily relies on the original to tie things together.

The Diagnosis:

The name of the game is fun in this movie. Whilst it steers away from the horror element, there is enough humour and drama in the mix to make this an incredibly entertaining feature that not only supports the original, but may even surpass it in some people’s eyes.
Oh and stick around for a mid credits scene that potentially opens up the universe even further.

– Antony Yee and Saul Muerte

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