As discussed in our latest podcast on Annabelle: Creation, the Conjuring universe is certainly expanding and this latest entry into the world feels like the first to make its mark.
Cinematic universes are fast becoming the next big thing – you can’t create a movie these days without looking beyond the movie that is being produced in order to explore untapped story potential.
Annabelle: Creation is no exception and a lot has been resting on the shoulders of this film to succeed in order for The Conjuring Universe to leap ahead with its grand plans.
Already committed to the franchise is ‘The Nun’ spinoff, heading to cinemas mid-next year, plus a stand-alone film centered on ‘The Crooked Man’ from The Conjuring 2, plus a third outing on the supernatural investigations led by The Warrens.
Overseeing this universe from a writing perspective is Gary Dauberman, who not only has cast his vision across the numerous films slated, but contributed towards the much-anticipated It movie, due to be released in the coming weeks.
What is notable however in Dauberman’s writing is his fascination with the occult and those that practice or delve into the dark arts.
Despite its obvious flaws, Annabelle’s beating heart centred upon ‘Satanists’ and that of a woman from an undisclosed cult projects her twisted soul into the titular doll and thereby exacting its demonic will upon the afflicted family.
What has this all to do with the Manson family murders, I hear you cry?
Well, sandwiched in-between the release of Annabelle and Annabelle: Creation, Dauberman worked on a little movie called Wolves At The Door, a tough, hard-hitting drama horror based on the Sharon Tate murders.
Those who are unfamiliar with this case, there were 5 victims in total, murdered in the home of Sharon Tate, wife to director Roman Polanski at the time and who was 8 months pregnant when she was killed.
The murders were carried out by four of Charles Manson’s ‘family’ by climbing into the estate and carrying out one of the most brutal and documented crimes in Hollywood.
It’s a dark subject and perhaps due to its historical context makes the viewing all the more harder to take on-board despite its lenient running time.
The connection doesn’t just stop with this movie though, as a more obvious relation is at play in Dauberman’s writing in the form of this guy.
Eric Ladin’s detective character, Clarkin was last seen in the Annabelle movie, charged with overseeing the murders that took place at the start, and would be called upon by Mae to discuss the ‘ritual’ behavior that was carried out.
“Crazy people do crazy things sometimes.”
A line that he mentions in passing to sum up all the horror that has unfolded and would be repeated again in Wolves At The Door, when Clarkin is again called in to investigate a break-in that has all the hallmarks of satanic beliefs and the precursor to the Sharon Tate murders.
His appearance may be minor in both films, but is there more to be uncovered in this character?
Does Dauberman have any plans to explore this character further? Could we expect another spinoff following Detective Clarkin’s investigations?
With the expanding universe, anything’s possible, right?
– Paul Farrell
