70 – 61

70. Hounds of Love (2016)

Ben Young’s debut feature Hounds of Love is a visceral, harrowing journey into the darkest corners of human relationships and trauma. The film follows a young woman abducted by a couple in 1980s Perth, with performances from Ashleigh Cummings, Emma Booth, and Stephen Curry that are as unnervingly intense as they are unforgettable. Young’s direction skillfully layers emotional intensity with suspense, establishing him as a talent to watch. It’s a bold, unapologetically brutal exploration of abuse and power that doesn’t flinch from difficult questions, offering a depth and sophistication rarely seen in genre films.

What makes Hounds of Love truly disturbing, however, is Young’s ability to humanise both predator and prey, forcing the audience to confront their own discomfort. The direction shows remarkable restraint, focusing more on psychological terror than graphic violence, which makes the horror feel all the more real. For a directorial debut, Young’s work is polished, confidently paced, and imbued with a subtlety that belies his newcomer status.

Movie Review: Hounds of Love (2016)

69. Sinister (2012)

Sinister has earned its place as one of the modern horror classics, routinely praised for its disturbing atmosphere and chilling visuals. Directed by Scott Derrickson, the film stars Ethan Hawke as a true-crime writer who moves his family into a house where a series of brutal murders took place. Derrickson carefully builds tension through the found footage sequences, using them to ratchet up dread in a way that feels both familiar and refreshingly unsettling.

While the plot structure may not be revolutionary, Sinister delivers a slow-burn horror experience that lingers long after the credits roll. Hawke’s performance anchors the story with authenticity, drawing audiences into his character’s obsession. With a plot that slowly unravels terrifying secrets, the film has justifiably remained a fan favorite among horror lovers, with its well-crafted scares and high rewatchability factor.

68. Doctor Sleep (2019)

Taking on the monumental task of blending Stephen King’s novel with Stanley Kubrick’s iconic adaptation of The Shining, Mike Flanagan delivers a remarkable sequel that stands proudly on its own. Ewan McGregor stars as an older Danny Torrance, now struggling with his own demons, who must confront new threats from a cult preying on those with psychic powers. Flanagan’s reverence for both King and Kubrick is evident, crafting a film that’s faithful yet distinct, balancing nostalgia with fresh storytelling.

Doctor Sleep excels through its rich character development and supernatural elements that feel both terrifying and exhilarating. The horror is both visceral and deeply emotional, as Danny’s journey of redemption adds a powerful human element. Flanagan’s direction shines in his ability to blend horror with heartfelt moments, proving once again that he is one of the genre’s finest storytellers.

Movie Review: Doctor Sleep (2019)

67. The Untamed (2016)

The Untamed by Amat Escalante is a genre-bending exploration of sexual repression and existential dread, set against the backdrop of rural Mexico. It combines elements of science fiction and horror, introducing audiences to an enigmatic creature that has the power to fulfill its host’s deepest desires. The film’s blend of surrealism and realism creates an unsettling experience, blurring the lines between body horror and social commentary.

What makes The Untamed remarkable is its willingness to delve into taboo subjects and challenge viewers’ comfort zones. Escalante’s direction captures both the strange beauty and grotesque nature of human desires, using the horror genre as a lens to examine societal constraints. It’s an unforgettable experience, leaving viewers with a lingering sense of disquiet.

66. The Babadook (2014)

Jennifer Kent’s The Babadook remains one of the most unsettling and psychologically driven horrors of the century. Anchored by Essie Davis’s haunting performance, the film follows a single mother dealing with grief and trauma, whose son begins to obsess over a monstrous figure from a children’s book. Kent’s direction creates an atmosphere of oppressive dread, drawing parallels between the supernatural and the weight of unresolved pain.

The Babadook itself becomes a metaphor for the darker aspects of human emotion, amplifying the film’s emotional impact. The Babadook is not only a masterclass in horror storytelling but also a profound exploration of loss and resilience, proving that horror can be as emotionally impactful as it is terrifying.

Unleashing Terror: The Babadook – A Psychological Thriller Dividing Horror Fans

65. Dog Soldiers (2002)

Neil Marshall’s Dog Soldiers is an exhilarating fusion of action, horror, and dark humour, centering on a group of soldiers in the Scottish wilderness who find themselves in a deadly fight against a pack of werewolves. Marshall’s debut is marked by a high-energy pace, practical effects, and razor-sharp dialogue that make this monster movie one of the most enjoyable cult horrors of its time. The film’s combination of camaraderie and terror keeps audiences hooked as the stakes rise.

Despite its low budget, Dog Soldiers is impressively crafted, with practical creature effects that stand the test of time. It’s a quintessentially British horror film that doesn’t shy away from gritty violence, and it established Marshall as a director capable of handling action and horror with equal finesse.

64. Lake Mungo (2008)

Lake Mungo is a chilling entry in the found-footage genre, notable for its atmosphere and emotional weight. The film is presented as a mockumentary that follows a family grieving the loss of their daughter, who appears to haunt their home. The story unfolds through a series of interviews, camera footage, and photos, creating an eerie realism that makes the scares feel organic.

What sets Lake Mungo apart is its deeply emotional core, exploring themes of grief, memory, and the unknowable aspects of death. Its subtle, restrained approach results in a horror experience that’s profoundly affecting. This Australian gem has rightfully garnered a cult following and is often lauded as one of the best found-footage horror films ever made.

63. Evil Dead (2013)

Fede Álvarez’s Evil Dead remake is a ferocious reimagining of Sam Raimi’s 1981 classic, amping up the gore and terror to brutal heights. The story follows a group of friends who inadvertently unleash a demonic force, and it wastes no time in turning the horror up to eleven. Álvarez’s direction is relentless, filled with disturbing visuals and intense sequences that pay homage to the original while carving out a unique identity for the film.

While some purists may prefer Raimi’s original, Evil Dead (2013) stands as one of the most successful horror remakes. It retains the raw, visceral energy of the original, proving that there’s still room for extreme horror done right in the modern era.

62. Late Night with the Devil (2023)

The Cairnes Brothers’ Late Night with the Devil brings the American talk-show format into the horror realm, delivering a film that’s both a commentary on television culture and a supernatural thriller. Set in the 1970s, the film’s aesthetic perfectly captures the era’s kitschy, sensationalist vibe while diving into the twisted narrative of a talk show host inviting a sinister presence onto his set. The stylised visuals and impressive attention to period detail make the film an immersive experience.

While the film isn’t flawless, its originality and execution make it a standout. Late Night with the Devil is an example of modern horror using nostalgia to unsettle and disturb, proving the Cairnes Brothers are adept at blending style with substance.

61. The Cabin in the Woods (2011)

Joss Whedon and Drew Goddard’s The Cabin in the Woods is a meta-horror that flips genre conventions on its head with wit and creativity. The story follows five friends who unwittingly become pawns in a ritualistic scheme orchestrated by a shadowy organisation. Whedon and Goddard’s script is both an homage to and a critique of horror tropes, delivering a film that’s as funny as it is scary.

The Cabin in the Woods is celebrated for its originality, blending horror and comedy in a way that feels fresh and inventive. It’s a film that revels in its self-awareness, inviting fans of the genre to laugh, scream, and think critically about the familiar tropes they love.

• Saul Muerte

80 – 71

80. High Tension (2003)

Alexandre Aja’s High Tension is a brutal and visceral experience that keeps audiences on edge from start to finish. Following the story of two friends, Marie and Alex, who are stalked by a merciless killer, Aja crafts an intense atmosphere, amplified by graphic violence and relentless pacing. The film dives into a shocking psychological twist, one that remains polarising among audiences but is undeniably impactful. Aja’s female-focused narrative is refreshing, giving the film an emotional anchor as Marie struggles with her own demons.

The movie’s power lies in its unyielding approach to horror and its willingness to explore disturbing themes. While divisive, High Tension remains a standout due to Aja’s bold vision and refusal to compromise, balancing moments of terror with psychological complexity. It’s a testament to Aja’s craft, with High Tension being an early indication of his potential as one of horror’s boldest voices of the 21st century.

79. Black Phone (2021)

A masterclass in psychological horror, Session 9 unfolds within the confines of an abandoned mental asylum, where a group of asbestos removers confronts their own buried fears. Brad Anderson’s direction meticulously crafts an atmosphere thick with dread, allowing the decaying walls of the asylum to echo the internal struggles of its characters. The slow-burn tension builds as past traumas resurface, intertwining with the haunting history of the asylum itself. This unsettling exploration of the human psyche is underscored by an extraordinary performance from the ensemble cast, each member bringing a raw authenticity to their roles.

The film’s pacing is deliberate, inviting viewers to immerse themselves in its creeping dread. The eerie score and haunting visuals amplify the atmosphere, creating an overwhelming sense of inevitability that culminates in a chilling conclusion. Over time, Session 9 has earned a reputation as a hidden gem in horror cinema, resonating with audiences for its profound psychological depth and visceral impact.

Movie Review: Black Phone (2021)

78. The Devil’s Candy (2015)

Sean Byrne’s follow-up to The Loved Ones is The Devil’s Candy, a psychological horror film that dives deep into the fusion of art, music, and terror. The story centers on a struggling artist who becomes obsessed with disturbing visions after moving his family into a farmhouse with a dark history. The film’s score and visual style create a hauntingly immersive experience, with the horror escalating as the artist’s nightmares take on a life of their own.

Byrne builds a narrative that is both frightening and touching, exploring the sacrifices people make for their art and the demons that can come with it. The film’s soundtrack pulses with energy, underscoring the narrative’s darker themes and Byrne’s visceral approach to fear. The Devil’s Candy may have slipped under the radar, but it deserves recognition as one of the more unique horror films of recent years.

77. Unsane (2018)

Unsane is a psychological thriller that challenges the audience’s perception of reality and mental health, shot entirely on an iPhone by director Steven Soderbergh. Claire Foy delivers a powerful performance as a woman wrongfully committed to a mental institution, facing unimaginable psychological torment while doubting her own sanity. Soderbergh’s use of the iPhone creates a claustrophobic, voyeuristic effect that enhances the unsettling atmosphere, immersing viewers into the protagonist’s fractured mental state.

While divisive, Unsane is a bold experiment in style and substance, with Soderbergh blurring the lines between thriller and horror. The film’s gritty aesthetic and Foy’s raw performance elevate it, drawing viewers into a narrative where reality is as unstable as the protagonist’s sense of self. It’s a film that challenges perceptions, leaving viewers with lingering unease about the thin line between sanity and delusion.

Movie Review: Unsane (2018)

86. Infested (2023)

Tomas Vanicek’s Infested taps into primal fears, bringing a nerve-wracking, arachnid horror film to life that has made waves in Hollywood. The story follows residents in a quarantined apartment building as they’re terrorized by a horde of deadly spiders, trapped with nowhere to run. Vanicek’s direction builds relentless tension, capturing the intensity of survival and the horrors of claustrophobia as characters face swarms of spiders that threaten their lives.

With impressive visuals and a taut narrative, Infested stands out as a high-octane creature feature, delivering thrills and terror for audiences brave enough to endure it. Vanicek’s skillful pacing and jaw-dropping moments have made it a hot contender for horror film of the year, proving that even in a genre filled with similar themes, there’s always room for a fresh take that burrows into viewers’ minds.

Movie Review: Infested (2024)

75. Bubba Ho-Tep (2002)

In Bubba Ho-Tep, director Don Coscarelli delivers a darkly humorous twist on horror by pairing two unlikely heroes—an elderly Elvis Presley and JFK, who team up to battle a soul-sucking mummy in their nursing home. Bruce Campbell shines in one of his most memorable roles outside of Evil Dead, bringing a mix of humour and heart to his portrayal of Elvis. Coscarelli’s film is a genre-defying tale that balances horror with comedic and existential themes, creating a uniquely moving experience.

The film explores aging, friendship, and redemption, all while delivering a fun and thrilling horror narrative. Campbell’s performance and the film’s inventive premise have earned Bubba Ho-Tep cult status, with fans praising its mix of humour and horror. It’s a quirky horror-comedy that manages to be both ridiculous and heartfelt, leaving a lasting impression on audiences.

74. The Invitation (2015)

Karyn Kusama’s The Invitation is a slow-burn thriller that builds an atmosphere of mounting dread. When Will attends a dinner party hosted by his ex-wife and her new husband, he senses something deeply unsettling about the evening and the other guests. Kusama’s direction keeps the tension simmering, drawing viewers into a story that questions social niceties and the nature of trust within friendships.

Through a series of unsettling reveals, The Invitation pulls the audience into a tightly wound narrative that keeps them guessing until the shocking conclusion. Kusama’s expert pacing and the cast’s strong performances make this a standout in psychological horror. With its rich atmosphere and thought-provoking themes, The Invitation is an example of how horror can reveal unsettling truths about human nature.

73. Birth/Rebirth (2023)

Birth/Rebirth takes a modern approach to the Frankenstein narrative, exploring the ethical and emotional limits of grief and science. Laura Moss and Brendan J. O’Brien craft a narrative centered on Dr. Rose, a socially detached pathologist, and Celie, a grieving mother. The two form an unlikely bond as they attempt to resurrect Celie’s daughter, each grappling with personal demons as they push the boundaries of morality in their pursuit.

The film’s strengths lie in its tightly woven script, sharp performances, and its bold exploration of trauma and obsession. Moss injects moments of dark humour into the macabre narrative, allowing the characters’ emotions to pulse through the story’s bleak tone. Birth/Rebirth is a fresh take on a classic horror story, capturing the Frankenstein myth’s haunting essence with a contemporary lens.

Movie review: Birth/Rebirth (2023)

72. The Wolf of Snow Hollow (2020)

Jim Cummings brings a fresh voice to the werewolf genre with The Wolf of Snow Hollow, a film that combines horror, humour, and small-town mystery. As a string of grisly murders strikes a snowy town, an anxious sheriff—played by Cummings—finds himself grappling with his own inner turmoil as he tries to solve the case. The film is often described as Fargo meets Sleepy Hollow, and its quirky characters and dark humour set it apart from typical horror fare.

Cummings balances tension and levity, creating a film that’s as much a character study as it is a horror mystery. The film’s unique blend of comedy and dread makes it a sleeper hit in modern horror, and its exploration of personal demons and community dynamics gives it emotional weight.

71. Let Me In (2010)

Matt Reeves’ Let Me In, a remake of the Swedish film Let the Right One In, manages to honour the original while establishing its own haunting style. Centred on the unlikely friendship between a lonely boy and a vampire, the film retains the melancholic atmosphere of its predecessor while adding an American lens to the story. Reeves’ direction respects the original while enhancing certain horror elements, delivering a chilling and poignant experience.

While often overshadowed by the original, Let Me In deserves credit for its haunting cinematography and emotional depth. Reeves’ adaptation of John Ajvide Lindqvist’s novel captures the loneliness and longing of childhood, making it a powerful horror remake that stands on its own.

• Saul Muerte

90 – 81

90. I See You (2019)

I See You dives into a labyrinthine narrative that challenges traditional storytelling with its fractured structure. While some viewers may find the tonal shifts disorienting, this boldness is precisely what makes the film intriguing. The intertwining of domestic drama and psychological horror creates a tension-filled atmosphere, heightened by the unexpected twists that unfold. As the layers of the plot peel back, the audience is taken on a journey that is both unnerving and captivating, showcasing a fear that lurks within the familiar confines of home. The film strikes a remarkable balance between suspense and emotional depth, compelling viewers to invest in the characters’ fates.

In a genre often dominated by predictable arcs, I See You stands out for its willingness to take risks. It showcases a director unafraid to embrace complexity, making for an immersive experience that lingers long after the credits roll. This film is not just about shocking reveals; it’s a testament to the darker corners of human relationships, making it a compelling watch for those willing to embrace its narrative intricacies.

Movie review: I See You

89. Session 9 (2001)

A masterclass in psychological horror, Session 9 unfolds within the confines of an abandoned mental asylum, where a group of asbestos removers confronts their own buried fears. Brad Anderson’s direction meticulously crafts an atmosphere thick with dread, allowing the decaying walls of the asylum to echo the internal struggles of its characters. The slow-burn tension builds as past traumas resurface, intertwining with the haunting history of the asylum itself. This unsettling exploration of the human psyche is underscored by an extraordinary performance from the ensemble cast, each member bringing a raw authenticity to their roles.

The film’s pacing is deliberate, inviting viewers to immerse themselves in its creeping dread. The eerie score and haunting visuals amplify the atmosphere, creating an overwhelming sense of inevitability that culminates in a chilling conclusion. Over time, Session 9 has earned a reputation as a hidden gem in horror cinema, resonating with audiences for its profound psychological depth and visceral impact.

Retrospective: Session 9 (2001)

88. Sputnik (Спутник) (2020)

Sputnik invites viewers into a chilling exploration of humanity through the lens of sci-fi horror. Set against the backdrop of a Cold War era, the film follows a cosmonaut who returns from space carrying a parasitic alien lifeform. Director Egor Abramenko crafts a narrative that is as much about the terror of the unknown as it is a psychological study of the characters involved. As the fear of the alien entity grows, so does the unraveling of the human mind, leading to a profound commentary on isolation and existential dread.

The film’s atmospheric tension is punctuated by strong performances that delve into the psyche of fear and survival. Its haunting visuals and tightly woven narrative draw audiences into a world where humanity’s deepest instincts are laid bare. Sputnik is a testament to the power of science fiction as a vehicle for exploring the human condition, making it a must-watch for fans of thought-provoking horror.

Movie review: Sputnik (Спутник)

87. The Eye (2002)

In The Eye, the boundary between reality and the supernatural is explored through the unsettling story of a young woman who, after receiving a corneal transplant, begins experiencing terrifying visions. This film is a standout example of Asian horror, weaving themes of trauma, loss, and inherited pain into a compelling narrative. The craftsmanship of The Eye lies in its ability to blend emotional depth with spine-tingling scares, as the protagonist grapples with her new reality and the haunting legacy of her donor.

The film’s cinematography effectively captures both the beauty and terror of its supernatural elements, creating an atmosphere that feels both hauntingly familiar and disturbingly otherworldly. The Eye resonates with audiences not just for its horror, but for its exploration of the human experience, making it a poignant reminder of the weight we carry from our past.

86. Terrified (2017)

Terrified plunges viewers into an intense narrative that showcases the horrors lurking in the shadows of everyday life. Set in a small Argentinian town plagued by a series of mysterious deaths, the film captures the unsettling fear of the unknown as paranormal investigators attempt to unravel the sinister occurrences. Director Demián Rugna’s approach is visceral, employing a relentless pacing that keeps the audience on the edge of their seats.

What sets Terrified apart is its ability to build dread through subtlety, allowing moments of silence to amplify the horror that follows. With a cast that embodies a palpable sense of urgency, the film explores the fragility of sanity when confronted with the supernatural. As it unfolds, Terrified becomes an immersive experience, forcing viewers to confront their deepest fears in a way that is both terrifying and thought-provoking.

85. Halloween (2018)

Returning to its roots, Halloween (2018) breathes new life into the legendary franchise by reintroducing Michael Myers with a fresh yet familiar perspective. David Gordon Green’s direction respects the legacy of John Carpenter’s original while incorporating contemporary themes that resonate with today’s audience. The film successfully combines nostalgia with innovation, delivering both terrifying moments and a compelling narrative that highlights the enduring impact of trauma.

With Jamie Lee Curtis reprising her iconic role as Laurie Strode, the film emphasises themes of survival and resilience against an unyielding force of evil. The blend of suspense, thrills, and character-driven storytelling culminates in a visceral cinematic experience that appeals to longtime fans and newcomers alike. Halloween (2018) is a masterclass in revitalising a classic, ensuring that Michael Myers remains a formidable presence in horror cinema.

Movie review: Halloween (2018)

84. In Fabric (2018)

In Fabric is a captivating exploration of consumerism through a surrealist lens, intertwining horror and dark comedy in an enthralling narrative. Directed by Peter Strickland, the film centres around a cursed red dress that wreaks havoc on its wearers, crafting a tale that is both whimsical and nightmarish. The film’s retro aesthetic, coupled with its meticulously crafted sound design, immerses viewers in a world where the mundane becomes terrifying.

Strickland’s unique storytelling style allows In Fabric to transcend traditional horror, using the dress as a metaphor for obsession and desire. Each character’s interaction with the dress reveals deeper truths about their lives, providing a commentary on how materialism can consume us. In Fabric is an audacious and visually striking film that leaves a lasting impression, inviting audiences to reconsider their relationship with consumer culture.

83. Scream (2022)

In Scream (2022), the legacy of the franchise is honored while simultaneously exploring new territory. The film seamlessly integrates meta-commentary with fresh horror elements, demonstrating an understanding of both the genre’s roots and its evolution. Directors Matt Bettinelli-Olpin and Tyler Gillett craft a narrative that feels relevant and engaging, appealing to both longtime fans and a new generation of horror enthusiasts.

The film’s clever references to horror tropes and its self-awareness add depth to the narrative, making it a love letter to the genre. With returning characters and new faces, Scream successfully balances nostalgia and innovation, offering thrilling twists and memorable moments. This installment revitalises the franchise, reaffirming its status as a cultural touchstone in horror.

Movie review: Scream (2022)

82. Little Monsters (2019)

Little Monsters cleverly blends horror and comedy to create a delightful narrative about a zombie outbreak viewed through the eyes of a group of children. Directed by Abe Forsythe, the film showcases the journey of musician Dave as he confronts his immaturity while trying to protect a group of young students during a chaotic field trip. Lupita Nyong’o shines as the heroic teacher Miss Caroline, her performance imbued with warmth and courage that anchors the story amidst the absurdity.

The film’s charm lies in its ability to balance humour with genuine moments of tension, making the horror feel relatable rather than overwhelming. Little Monsters uses its unique premise to explore themes of growth, responsibility, and resilience, all while delivering laugh-out-loud moments. This refreshing take on the zombie genre is both heartfelt and entertaining, making it a standout film in modern horror-comedy.

Movie review: Little Monsters

81. Slither (2006)

James Gunn’s Slither is a vibrant homage to body horror that marries humour with grotesque imagery. Set in a small town overrun by parasitic aliens, the film revels in its absurdity while maintaining a sharp wit that keeps viewers engaged. The ensemble cast, including Nathan Fillion and Elizabeth Banks, delivers performances that are both comedic and grounded, adding depth to a story that thrives on its outrageous premise.

Gunn’s direction shines through in the film’s meticulous pacing and imaginative visuals, creating a unique atmosphere that oscillates between hilarity and horror. Slither embraces its genre roots while simultaneously pushing boundaries, making it a cult favorite that exemplifies the cleverness and creativity that can emerge from horror cinema.

• Saul Muerte

100 – 91

100. Apostle (2018)

Apostle is an atmospheric horror that pulls viewers into a relentless journey through psychological and physical torment, and Gareth Evans does indeed excel at sustaining that tension throughout. With Dan Stevens embodying both vulnerability and raw intensity, the film explores themes of faith, sacrifice, and the search for redemption in ways that feel both brutal and poetic.

Apostle also reflects on humanity’s darker impulses—both in individuals and in society. The story explores how people, under the guise of devotion or tradition, can become consumed by control and violence. It’s entry to start this list sets a thematic tone for films that aren’t afraid to push boundaries and delve into human frailty and resilience.

Movie review: Apostle

99. Ravenous (2017)

Les Affamés (Ravenous) is an exceptional take on the zombie genre, using an intimate, almost lyrical approach to tell a story of survival and humanity. Rather than relying on constant action or gore, director Robin Aubert gives the film a somber, reflective tone, focusing on the quiet moments that build genuine attachment to the characters. This makes each loss hit harder, as the horror feels deeply personal rather than just another spectacle of carnage.

Set in the vast, lonely stretches of rural Quebec, Les Affamés feels hauntingly desolate, with the barren landscapes mirroring the sense of isolation and despair within its survivors. The film’s strength lies in its ability to depict how fragile human connections become lifelines in a world overrun by monsters. It’s a testament to the idea that in horror, sometimes it’s the small, tender moments between characters that leave the deepest impact.

Movie review: Les Affames aka Ravenous

98. Prevenge (2016)

Prevenge is a uniquely audacious horror-comedy, with Alice Lowe taking a sharp and unapologetic dive into the dark, uncharted waters of maternal rage and isolation. The film’s wit is razor-sharp, blending Lowe’s sardonic humor with an exploration of grief, control, and the extremes of autonomy. Her character’s journey is both empowering and terrifying—a mother-to-be driven to murder by the whims of her unborn child. It’s bold, bloody, and wildly original.

What makes Prevenge so remarkable is not only its twisted sense of humor but also the sheer determination behind its creation. Lowe wrote, directed, and starred in the film while heavily pregnant, lending an authenticity to the story’s chaotic and unhinged emotional core. Her portrayal captures an honesty about the frustrations and fears of impending motherhood, turned up to horrific heights. The film’s message is clear: Alice Lowe is a creative force to be reckoned with, and her fierce, take-no-prisoners approach is as inspiring as it is darkly funny.

Movie Review: Prevenge

97. Cargo (2017)

Cargo is a poignant, unexpectedly tender entry in the zombie genre, driven by both its inventive storytelling and emotional depth. Martin Freeman brings a heartbreaking vulnerability to his role as a father racing against time to protect his infant daughter from a world ravaged by the undead, all while fighting the inevitable fate of his own infection. The film’s unique premise—a father with mere hours to secure a safe future for his child—raises the stakes to an emotional high that’s rare in horror, especially in a genre that often veers toward shock over sentiment.

Set against the hauntingly beautiful, desolate landscapes of the Australian outback, Cargo finds strength in its sense of place. The setting adds both vastness and isolation, making the story feel as much about survival against nature as against zombies. But what truly sets it apart is how it reframes survival horror as a story of sacrificial love, blending tension with moments of profound humanity. Cargo takes you through the full spectrum of emotions: dread, sorrow, and finally, a bittersweet hope.

Movie review: Cargo

96. Caveat (2021)

Caveat is an unsettling dive into psychological horror that embraces minimalism and atmosphere to create a creeping, dread-laden experience. Director Damian McCarthy’s debut boldly defies conventional horror tropes, offering viewers a story that is as disorienting as it is haunting. The film’s fragmented narrative and confined setting—a decaying, isolated house where a man finds himself reluctantly caring for a troubled woman—draw you in with the feeling that something deeply wrong is lurking just beneath the surface.

The performances are outstanding, especially given the claustrophobic setting and disjointed storytelling. Each character feels trapped, not just physically but psychologically, as they navigate the house’s secrets. McCarthy expertly uses sparse dialogue and eerie visuals, including that unforgettable rabbit-faced toy with its unsettling eyes, to build tension. It’s the kind of horror that thrives on ambiguity and discomfort, pulling you into a world that feels just a step removed from reality.

Movie review: Caveat (2021)

95. Daniel Isn’t Real (2019)

Daniel Isn’t Real weaves a captivating tale of the struggle between sanity and madness through the lens of a young man’s complex relationship with his imaginary friend. Director Adam Egypt Mortimer expertly crafts a visually striking narrative that pulls viewers into a dreamlike world where the lines between reality and imagination blur. The film’s protagonist, Luke played with a compelling vulnerability by Miles Robbins, navigates his troubled psyche, grappling with the sinister influence of Daniel (Patrick Schwarzenegger), the imaginary friend who embodies both charisma and chaos.

What makes this film particularly engaging is its exploration of mental health themes, framed within the familiar narrative of good versus evil. As Daniel’s presence grows increasingly manipulative and malevolent, viewers are forced to question the nature of identity and the lengths one will go to escape pain and loneliness. Mortimer’s direction shines in its ability to create a surreal atmosphere that immerses you in the protagonist’s mind, making each twist and turn feel both shocking and inevitable.

Movie Review: Daniel Isn’t Real

94. Hatching (2022)

Hatching is a bold and unsettling exploration of identity and the pressures of societal expectations, cleverly wrapped in a body horror narrative. Directed by Hanna Bergholm, the film follows a young gymnast, Tinja, who discovers an unusual egg that hatches into a mysterious creature. This unexpected development serves as a physical manifestation of her repressed emotions and the overwhelming demands placed upon her by her mother and the world of competitive gymnastics.

The film delves deep into themes of self-acceptance and the struggle for autonomy, particularly for young women facing unrealistic ideals. As Tinja’s bond with the creature grows, it becomes a metaphor for her emerging identity, reflecting her desire to break free from the constraints imposed on her. The horror escalates not just through the creature’s grotesque transformations, but also in Tinja’s own metamorphosis as she grapples with her burgeoning sense of self.

Visually, Hatching is striking, with a blend of unsettling imagery and a vibrant color palette that amplifies the film’s emotional weight. It’s an unsettling fairy tale that invites viewers to reflect on the complexities of growing up and the sometimes-monstrous forms that self-discovery can take.

93. Relic (2020)

Relic is a poignant and chilling exploration of the complexities of familial love, particularly as it intersects with the devastating effects of dementia. Directed by Natalie Erika James, the film delves into the emotional landscape of three generations of women—Edna, the aging matriarch; Kay, her daughter; and Sam, her granddaughter—as they confront the horrifying realities of Edna’s deteriorating mental state. What sets Relic apart is its ability to fuse the supernatural with deeply personal drama, creating an unsettling atmosphere that resonates long after the credits roll.

The film’s horror elements serve as an allegory for the fear and helplessness that accompany watching a loved one succumb to illness. The creeping dread in Relic is not solely derived from jump scares but rather from the profound sense of loss and disconnection that dementia brings. James masterfully utilises visual storytelling to illustrate Edna’s gradual transformation, encapsulating the feeling of being trapped in a nightmare where the familiar becomes foreign and threatening.

At its core, Relic is about the bonds that endure despite the chaos of mental decline. It’s a testament to the love that persists even when communication falters and understanding fades. The performances, particularly by Robyn Nevin as Edna, are heartfelt and haunting, adding layers of emotional depth that elevate the film beyond standard horror fare.

Movie review: Relic (2020)

92. Neon Demon (2016)

Nicolas Winding Refn’s The Neon Demon is a visually stunning exploration of beauty, ambition, and the dark underbelly of the fashion industry. The film follows Jesse, a young aspiring model played by Elle Fanning, as she navigates the cutthroat world of Los Angeles’ modeling scene. Refn crafts an intoxicating atmosphere filled with lush cinematography and a pulsating synth-heavy score that draws the viewer into Jesse’s surreal journey.

While some critics argue that The Neon Demon lacks a substantive narrative, its strength lies in its rich visual style and the themes it explores. The film presents a critique of the obsession with youth and beauty, showcasing the lengths to which individuals will go to maintain their status in a visually driven society. As Jesse’s beauty captivates those around her, it becomes clear that the adoration she receives masks a more sinister reality, revealing the competitive and predatory nature of the fashion world.

What makes The Neon Demon memorable is its ability to evoke strong reactions, whether through its stunning visuals, unsettling themes, or the interplay of desire and danger. The performances, particularly from Fanning, Jena Malone, and Keanu Reeves, enhance the film’s unsettling tone. This film’s dreamlike quality and exploration of vanity make it a compelling experience for those willing to embrace its unique vision.

Movie review: Neon Demon (2016)

91. Evil Dead Rise (2023)

Evil Dead Rise marks an exciting new chapter in the beloved franchise, infusing the classic horror elements with fresh energy and a modern twist. Directed by Lee Cronin, the film retains the series’ trademark blend of humour and horror, ensuring that fans of the original trilogy feel right at home while also captivating a new generation of viewers. The decision to shift the setting from the woods to an urban environment breathes new life into the narrative, allowing for a unique take on the series’ foundational themes of family, survival, and the supernatural.

The film follows a fractured family whose reunion is interrupted by the malevolent forces unleashed by the Necronomicon, leading to a relentless and blood-soaked battle for survival. Cronin’s direction is both reverent to the source material and bold in its execution, showcasing a visceral style that emphasises the sheer chaos and intensity of the horror. The inventive use of practical effects and makeup pays homage to the franchise’s roots, creating a terrifying atmosphere that evokes both nostalgia and thrill.

One of the film’s greatest strengths lies in its ability to balance terror with dark humour, maintaining the spirit of the original while pushing boundaries. The cast delivers strong performances, particularly in moments of sheer panic and desperation, showcasing the depth of their characters amid the unfolding horror. Evil Dead Rise not only elevates the franchise but also proves that there are still new stories to be told within its twisted universe.

Movie review – Evil Dead Rise (2023)

• Saul Muerte

As we traverse the ever-evolving landscape of cinema in the 21st century, it becomes evident that this era has birthed an extraordinary tapestry of storytelling, innovation, and artistic expression. From gripping horror to thought-provoking dramas, the last quarter-century has not only reshaped genres but has also introduced us to unforgettable characters and narratives that linger long after the credits roll.

This countdown of the Top 100 Films of the 21st Century aims to celebrate the films that have resonated most deeply, pushing boundaries and challenging conventions while capturing the zeitgeist of our times. Each entry in this list reflects a unique vision—one that either redefines genres or offers a fresh perspective on familiar tropes.

Whether they’ve made us laugh, cry, or question our own realities, these films have contributed to the rich dialogue of contemporary cinema, leaving indelible marks on audiences and filmmakers alike. Join me as we journey through this curated selection, counting down from 100 to 1, with each film representing not just a moment in time but a piece of the larger cinematic puzzle that continues to evolve and inspire.

• Saul Muerte

By 1966, Hammer Films had cemented its place as the dominant force in gothic horror, captivating audiences with its atmospheric settings, chilling villains, and signature blend of gore and mood. However, the year also marked a turning point for the company, as Hammer began to experiment with different subgenres, expanding its repertoire while still clinging to its horror roots. This was the year Hammer reminded the world it could not only scare them but could haunt them long after the credits rolled.

The standout among the five releases that year was Dracula: Prince of Darkness, which saw Christopher Lee return to the role that had made him synonymous with the infamous Count. Alongside it, films like The Plague of the Zombies and The Reptile ventured into new territory, testing the limits of traditional horror by mixing gothic dread with more exotic and psychological horror stories. Each film brought something fresh to Hammer’s catalog, reinforcing the studio’s status as the reigning master of fear.

In this series, we’ll revisit the five films that made 1966 Hammer’s most influential year, exploring how each one contributed to the studio’s enduring legacy. Though Hammer had found great success before, this was the year they owned horror, shaping the future of the genre in ways that continue to resonate.

Takashi Miike’s Audition is a film that blurs the line between genres, perceptions, and expectations. Initially masquerading as a melancholic romance, it stealthily devolves into a nerve-shattering nightmare that helped cement the late 1990s surge of the J-horror movement. But more than just a horror film, Audition is a visceral exploration of feminism, misogyny, and the grotesque power dynamics between men and women.

At its core, Audition presents itself as a critique of patriarchal entitlement. The premise, in which a middle-aged widower, Aoyama, uses a fake casting call to audition women for a potential new wife, unfolds like a manifestation of male objectification. His desire to “choose” the perfect partner through deception echoes centuries of male-dominated narratives. This setup is a classic male fantasy—until it unravels into a female nightmare, and Miike deftly shifts the audience’s sympathies.

Enter Asami Yamazaki, played by Eihi Shiina, one of the most compelling antagonists in modern cinema. Asami initially appears soft-spoken, delicate, and vulnerable, but she quickly becomes the embodiment of pent-up rage against male oppression. Her transformation is as much a shock to the audience as it is to Aoyama, turning from passive prey into the embodiment of vengeance. Asami’s cruelty is chilling not because it’s unexplained, but because it feels so justifiable within the framework of the film. She avenges not only her own pain but the collective trauma of silenced women, using sadistic torture as her means of expression. Asami’s soft “Kiri, kiri, kiri” during the film’s climax is one of the most terrifying and iconic moments in cinema—a sweet whisper of brutality that echoes long after the film ends.

Audition also stands as a pivotal film in the torture-horror subgenre, long before “torture porn” was coined to describe Western films like Saw and Hostel. What separates Miike’s film is the emotional and psychological depth behind the violence. The infamous torture scene—where Aoyama is rendered immobile and subjected to unspeakable pain—is not just there for shock value. It reflects deeper themes of control, vengeance, and the fragility of human bodies and relationships. It’s a slow, methodical build-up to terror, with Miike ensuring that every second of pain is felt by both the characters and the audience.

Released at the height of the J-horror wave alongside films like Ringu and Ju-on, Audition managed to stand apart due to its hybrid nature. While Ringu and its peers focused on supernatural dread, Audition delves into the psychological horror of human relationships. The supernatural in Miike’s world is implied rather than overt—it’s in the dreamlike sequences, the uncanny disconnect between Asami’s sweet demeanor and her sadism, and the eerie stillness that pervades every frame. Miike’s use of restrained cinematography, especially in the film’s first half, lulls the viewer into a false sense of security before pulling the rug out in the third act, transforming romantic subtleties into abject terror.

The film’s feminism and misogyny walk hand in hand, both reflecting and critiquing societal norms. Asami’s vengeance, in a sense, can be seen as a rebuke to the ingrained misogyny Aoyama represents, but Miike also uses Asami’s character to question the extremities of feminist retaliation. Her actions are simultaneously righteous and monstrous, blurring the lines between victim and villain. This duality forces the viewer to grapple with their own moral compass, never offering a clean resolution or simple interpretation.

Audition is a film that lingers. Its depiction of torture, emotional manipulation, and gender politics still resonates in modern horror. Asami Yamazaki remains an unforgettable figure, not just in J-horror but in global cinema—a character as terrifying as she is tragic. Audition is a masterpiece that’s not just about horror but about the human capacity for cruelty, control, and vengeance.

Takashi Miike’s work here is a testament to the power of cinema to provoke, unsettle, and challenge. With Audition, he delivered a film that stands tall in the pantheon of horror, one that haunts the mind long after the final frame.

• Saul Muerte

My growing admiration for Mario Bava’s work finds yet another source of wonder in Planet of the Vampires (1965), a film that transcends its modest origins to deliver an atmospheric, visually stunning slice of 1960s sci-fi horror. Though rooted in pulp fiction sensibilities, the film’s eerie mood, bold use of colour, and creative set design elevate it far beyond its budgetary constraints, showcasing Bava’s gift for transforming the ordinary into the otherworldly.

The plot is pure pulp: a crew of space explorers lands on a distant, uncharted planet, only to fall victim to malevolent forces that reanimate the dead, turning them against their comrades. While the premise might not be groundbreaking, it’s the execution that makes Planet of the Vampires stand out. Bava leans heavily into the claustrophobic tension, crafting a nightmare where the dangers are as much psychological as physical. His signature use of shadow and lighting creates an atmosphere drenched in dread, with the fog-shrouded alien landscapes providing a haunting backdrop to the creeping terror.

What makes Planet of the Vampires particularly exciting is how it blends genres. It’s a mash-up of sci-fi adventure and Gothic horror, with clear influences from the pulp magazines of the early 20th century. You can feel the echoes of H.P. Lovecraft’s cosmic horror mixed with the adventure spirit of Flash Gordon. And though the title suggests a vampire movie, the creatures here are something more akin to body-snatching ghouls, lending an eerie twist to the undead motif.

Bava’s influence on later sci-fi horror is undeniable. From the claustrophobic dread to the slow-building paranoia among the crew, Planet of the Vampires laid the groundwork for films like Alien (1979). Even Ridley Scott and writer Dan O’Bannon have acknowledged the film’s impact on their sci-fi masterpiece. The reanimated crew members, stalking their former allies through the dimly lit corridors, predate the chest-bursting Xenomorphs in both style and tension.

The performances, while sometimes stiff, serve the pulpy charm of the film. Barry Sullivan anchors the story as Captain Markary, whose stoic leadership contrasts with the creeping fear overtaking his crew. But it’s not the performances that leave the biggest mark—it’s Bava’s visual style. His use of vibrant colours, from the deep reds and blues to the swirling mists and eerie lighting, makes the alien world feel both dreamlike and menacing. Despite the obvious limitations of the film’s budget, Bava’s ingenuity with special effects and set design makes Planet of the Vampires a testament to his ability to craft immersive, visually striking worlds.

While the film’s pacing can be uneven at times, and its plot falls into some predictable beats, there’s an undeniable charm to its pulpy roots. This is a film that wears its inspirations on its sleeve and revels in them, combining elements of Gothic horror, space adventure, and otherworldly thrills into a uniquely compelling package.

The Prognosis:

Planet of the Vampires is a testament to Mario Bava’s mastery of atmosphere and visual storytelling. It may not reach the heights of his other works like Black Sunday or Blood and Black Lace, but its influence on sci-fi horror and its sheer style makes it a must-watch for fans of the genre. My growing love for Bava’s work only deepens with films like this, which take the limitations of the genre and mold them into something visually captivating, eerily beautiful, and undeniably influential.

• Saul Muerte