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Category Archives: episode review

The Creep Tapes: Episode 6 (Mom (and Albert)) Review

13 Friday Dec 2024

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creep, film, horror, mark duplass, movies, patrick brice, reviews, shudder, shudder australia, the creep tapes

Shudder Original Series
Series Premiere Date: December 13, 2024

As The Creep Tapes bows out with its final episode, Mom (and Albert) delivers a potent blend of psychological unease and familial dysfunction. Taking the story back to Josef’s roots, this episode ventures into the unsettling realm of the family home, peeling back layers of his psyche while injecting a fresh dose of tension with the titular Albert—his mother’s new lover.

The shift in setting immediately distinguishes this episode. The familiar, impersonal backdrops of previous entries give way to the suffocating intimacy of a childhood home. It’s a place that should offer comfort but instead brims with latent tension. Josef’s arrival feels less like a homecoming and more like an invasion, with every exchanged glance and clipped remark between him and his mother steeped in unspoken history.

Enter Albert, a seemingly mild-mannered addition to the household, whose presence tips the power dynamics into dangerous territory. Played with an unsettling mix of charm and obliviousness, Albert becomes a lightning rod for Josef’s simmering rage and jealousy. Their interactions veer between awkward civility and veiled hostility, and as the cracks in Josef’s mask widen, it becomes clear that Albert is more than just an unwelcome guest in Josef’s eyes—he’s a symbol of everything Josef feels he’s lost.

The direction here is particularly sharp, leaning into uncomfortable silences and tight framing that captures the oppressive weight of these relationships. The episode’s tension builds methodically, leading to a climactic moment that is equal parts shocking and darkly comedic—a trademark of the series. The “titillating” conclusion, while provocative, feels earned in the context of the episode’s exploration of power, control, and Josef’s fractured psyche.

What makes Mom (and Albert) so effective is its ability to subvert expectations. Where previous episodes leaned heavily into Josef’s control over others, this installment strips him of his dominance, leaving him exposed and vulnerable. It’s a bold move for a finale, challenging the audience to reconsider their understanding of Josef while providing an unsettling endnote to his arc.

Final Thoughts:
Mom (and Albert) is a fittingly twisted send-off for The Creep Tapes, doubling down on the series’ psychological and emotional complexity. By juxtaposing Josef’s past with his present and introducing a disruptive force in Albert, the episode underscores the fragility of Josef’s carefully constructed persona. As the series concludes, it leaves us with a lingering sense of dread—and a morbid curiosity about what lies ahead for Josef.

  • Saul Muerte

The Creep Tapes Series are currently streaming Exclusively on Shudder and AMC+

The Creep Tapes: Episode 5 (Brandt) Review

06 Friday Dec 2024

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creep, film, horror, mark duplass, movies, patrick brice, reviews, shudder, shudder australia, the creep tapes

Shudder Original Series
Series Premiere Date: December 6, 2024

Every great series has that pivotal episode, the one that redefines its boundaries and deepens its intrigue. For The Creep Tapes, Brandt is that turning point. Stripping back the usual framework of Josef manipulating his unwitting subjects, this episode flips the script by having the titular Brandt fail to show up. What unfolds is less an external game of cat-and-mouse and more an internal confrontation between Josef and his own monstrous psyche.

Without the usual dynamic to lean on, Josef is left alone in his hotel room, his performance faltering in the absence of an audience. Here, the episode takes an ambitious leap, inviting the audience into Josef’s fragmented mind. It’s a bold move, delving into the character’s warped psyche while still keeping us tethered to the unnerving energy the series thrives on. This shift could have easily derailed the show’s momentum, but it lands confidently on the right side of quality, balancing psychological horror with dark, surreal humor.

And then there’s Peachfuzz. The haunting specter of the wolf mask, once an external emblem of Josef’s menacing persona, now turns inward. As Josef stares into the mask, it’s no longer a tool of intimidation but a mirror reflecting the depths of his madness. These sequences are harrowing and hypnotic, offering the audience an uncomfortably intimate look at Josef’s inner demons.

But Brandt isn’t content with just brooding introspection. It delivers a killer blow in the final moments—one of pitch-perfect comic timing. The tonal shift is jarring in the best way, reminding us of the show’s ability to keep its audience off balance, laughing nervously even as the tension tightens.

With Brandt, The Creep Tapes continues to push boundaries, proving that it’s not afraid to take risks or challenge its own formula. This episode reframes Josef not just as a predator but as a deeply broken man wrestling with his own creation—a narrative pivot that keeps the series fresh and unsettling.

  • Saul Muerte

The Creep Tapes Series are currently streaming Exclusively on Shudder and AMC+

The Creep Tapes: Episode 4 (Brad) Review

29 Friday Nov 2024

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creep, film, horror, mark duplass, movies, patrick brice, reviews, shudder, shudder australia, the creep tapes

Shudder Original Series
Series Premiere Date: November 29, 2024

The Creep Tapes elevates its game in Episode 4, Brad, with the arrival of Josh Ruben (Werewolves Within) as the eponymous character. Ruben’s charisma and comedic timing inject much-needed energy into the series, offering a fresh perspective on the psychological games orchestrated by Josef. As Brad, Ruben plays a failed director desperate for recognition, lured into Josef’s twisted narrative under the pretense of directing a career-defining documentary. This setup allows the episode to explore themes of vanity, ambition, and manipulation, making it one of the most compelling entries yet.

The premise—that Brad must document an already-committed murder—delivers on its chilling potential. The tension steadily builds as Brad’s ego clashes with his growing realisation of Josef’s true intentions. Ruben deftly navigates the arc of a man trapped between his aspirations and survival, delivering a performance that balances dark humor with genuine pathos. The interplay between Brad and Josef is electric, with Josef weaponising Brad’s desperation, pulling him deeper into his web of control.

Visually, Brad is one of the more cinematic episodes, with the mockumentary style heightening the sense of unease. The direction cleverly juxtaposes Brad’s dreams of grandeur with the gritty, unpolished reality of Josef’s sinister project. The episode excels in pacing, maintaining suspense while unraveling the layers of Josef’s plan. The cat-and-mouse dynamic reaches a thrilling crescendo, as Brad realises he must outsmart Josef to escape—not only with his life but his dignity intact.

However, the episode does stumble slightly in its resolution. While the tension is palpable throughout, the conclusion feels somewhat abrupt, leaving lingering questions and the moral underpinnings of Brad’s choices. Still, Brad stands out as a high point in The Creep Tapes, showcasing the series’ ability to delve deeper into the psychological and emotional complexities of its characters.

  • Saul Muerte

The Creep Tapes Series are currently streaming Exclusively on Shudder and AMC+

The Creep Tapes: Episode 3 (Jeremy) Review

22 Friday Nov 2024

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creep, horror, mark duplass, patrick brice, reviews, shudder, shudder australia, the creep tapes

Shudder Original Series
Series Premiere Date: November 22, 2024

In “Jeremy,” The Creep Tapes continues its deep dive into unsettling territory with a narrative that centers on lust, shame, and deceit. The titular character Jeremy is a burgeoning YouTuber who hosts a show titled Gotcha!, dedicated to exposing controversial figures. His latest subject, a self-proclaimed priest, leads him directly into the orbit of Josef, the infamous serial killer from the series. What begins as a seemingly bold exposé unravels into a chilling game, with Jeremy’s curiosity and hubris placing him squarely in Josef’s sights.

Mark Duplass returns as Josef, delivering a character performance steeped in manipulative charm and sinister undertones. While it’s always intriguing to see Duplass breathe life into this calculating villain, the narrative risks becoming repetitive. Josef’s tactics, while terrifying, are increasingly predictable, stripping some of the tension that earlier episodes had so masterfully constructed. Jeremy’s arc, though compelling in concept, doesn’t quite break the mold, relying on familiar tropes of an unsuspecting victim lured by a dangerous predator.

Where the episode shines is in its exploration of themes. Lust and shame are woven into the fabric of Jeremy’s interactions with Josef, underscored by a theological backdrop that highlights the dangers of blind faith and deception. Unfortunately, these elements are undermined by uneven pacing and a lack of innovation in the series’ now-established formula.

At its halfway point, The Creep Tapes risks stagnation unless it takes bold narrative leaps to freshen Josef’s story. While “Jeremy” is a serviceable entry with moments of dread and intrigue, it doesn’t quite match the impact of earlier episodes. If the series can shift gears and surprise viewers, there’s hope it will regain its momentum.

  • Saul Muerte

The Creep Tapes Series are currently streaming Exclusively on Shudder and AMC+

The Creep Tapes: Episodes 1 & 2 Review

15 Friday Nov 2024

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creep, mark duplass, patrick brice, shudder, shudder australia, the creep tapes

Shudder Original Series
Series Premiere Date: November 15, 2024

The double-episode premiere of The Creep Tapes plunges us back into the disconcerting world of Mark Duplass’s chilling serial killer. In Mike, the first episode, a familiar formula greets us as Mike, a hopeful videographer, accepts a job to shoot an acting reel for a prospective client. The twist? That “client” turns out to be none other than Duplass’s now-iconic antagonist, bringing with him all the self-deprecating charm and unsettling humor we’ve come to expect. Episode two, Elliot, introduces a shift in tone, as a hapless birdwatcher stumbles into the killer’s orbit, sparking a disturbing game of manipulation.

The Good
The series premiere hits the ground running with Mike, diving into territory fans of the original films will relish. Duplass’s performance anchors the episode, weaving humor, unpredictability, and genuine menace into every interaction. The callbacks to Creep and Creep 2—from Josef’s cinephile tendencies to his darkly comic musings—strike a nostalgic chord while setting a brutal tone. The climax delivers a shocking punch, ensuring audiences won’t underestimate this series’ capacity for horror.

In Elliot, the series ventures into slightly more harrowing emotional terrain. The gentle, unassuming Elliot proves a sharp contrast to his tormentor, heightening the tension and giving Duplass even more room to showcase his character’s manipulative prowess. The second episode suggests a broader exploration of the killer’s impact on different personality types, teasing the psychological depth the series might delve into as it progresses.

The Less Good
While Mike benefits from familiarity, it treads so close to the original Creep that it risks feeling derivative. The reliance on established beats could leave some viewers wanting more innovation in its approach. Meanwhile, Elliot is a more engaging departure but lacks the humor and levity of its predecessor, leaning heavily into discomfort without providing much narrative payoff.

Key Standouts
Duplass once again proves he’s the linchpin of this series. His ability to balance Josef’s disarming charm with an undercurrent of malice remains compelling, ensuring viewers are as entertained as they are unnerved. The visual style—grainy, intimate, and voyeuristic—draws audiences into the killer’s unsettling perspective, reminding us why Creep thrived as a cult favorite.


The Prognosis:

The premiere of The Creep Tapes captures the essence of what made the original films so effective: a low-budget, character-driven approach to horror that feels personal and claustrophobic. While Mike sticks closely to the formula, Elliot hints at darker, more introspective possibilities. Together, these episodes lay a solid foundation for a series that promises to unsettle and entertain in equal measure.

  • Saul Muerte

The Creep Tapes Series are currently streaming Exclusively on Shudder and AMC+

Review: Firebite S1 Ep1

16 Thursday Dec 2021

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aboriginal, brendan fletcher, rob collins, shantae barnes-cowan, vampires, warwick thornton

Straight off the bat, when I heard about this new series that was launching on AMC+, I was pulled in by its premise, such is the hook dangled before me.

Warwick Thornton, who has done some amazing work on feature films such as Samson and Delilah, and Sweet Country providing one of the most prominent and prestigious writer / director to amplify an Indigenous voice with great effect. In his latest screen outing, Thornton ventures into a short series centred on a more horror element to his material to direct an anti-invasion message through vampire fantasy infused with a twist on Aborignal folklore. 

Not only is this a fresh take on the tried and tested formula of those creatures of the night, but one that is heralded in strength through its Indigenous perspectives. 

Purely judging by the first episode alone (Pest Control), there’s a lot of ground to cover in order to present the audience with the legend or backstory, plus introduce us to the key players that will form the narrative. There is time and dedication thrown into these key areas too, proving that Thronton not only knows his craft, has a passionate voice, but also will allow time to deepen the characters and add weight to their integrity.

Our central figures so far look to two Indigenous hunters through a  father and daughter team charged with protecting the local community from a colony of vampires in the heart of the South Australian desert. It is when an Aborginal man is kidnapped by suspected vampires that the team are forced into action. The father, Tyson (Rob Collins – Cleverman, Extraction) comes in with a carefree approach to life, set in fulfilling his duty, potentially at the cost of his family. Whereas the daughter, Shanika (Shantae Barnes-Cowan) is a hard-working, focused teenager, who just wants to focus on her studies and not be dragged into her fathers crazed schemes. The relationship between these two is integral to our interest as a viewer, and I’m glad to say that it pays off as they slightly off balanced connection, in which they are continuously torn apart and pulled back again to one another through loyalty and their own beliefs and passions highlights the generational divide between them and the need to keep up with the traditions as laid down before them, whist also been constantly pulled through Australia’s dark past to deal with the pain and hurt that has been set in its place.

Whilst this could easily be a dark and foreboding tale, Thornton along with his writing partner, Brendan Fletcher are able to sizzle the dialogue with a nice blend of humour and drama. An idea that plays well with the family dynamic on screen.

Whilst it has a slow burn start, there is enough to Firebite’s first episode to draw you in and want to know where it may take you next.

Firebite is currently streaming on AMC+

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