50 – 41

50. Under the Shadow (2016)

Under the Shadow is a compelling blend of psychological horror and supernatural elements, set against the backdrop of the Iran-Iraq war. Directed by Babak Anvari, the film masterfully intertwines the personal and the supernatural, focusing on the intense relationship between Shideh and her daughter, Dorsa. The unquestionable love Shideh has for Dorsa is rigorously tested as they confront both the horrors of war and the malevolent forces haunting their Tehran apartment. The film places significant attention on their relationship, proving to be the real winner as it showcases the resilience and strength of a mother’s love in the face of unimaginable terror.

Visually, Under the Shadow is a standout, with meticulous attention to period detail and atmospheric tension. The cinematography captures the claustrophobic feel of the apartment, while the haunting presence of the supernatural elements is conveyed through subtle yet effective effects. Shabnam Modiri’s portrayal of Shideh is both nuanced and powerful, bringing depth to the character’s emotional and psychological struggles. The film is intelligent, strong, and impactful, much like the performances on display throughout. I cannot recommend Under the Shadow enough; it is a front-runner for the best movie of 2016, deserving of accolades for its storytelling, performances, and unique take on horror within a historical context.

Movie Review: Under The Shadow (2016)

49. Saint Maud (2019)

Saint Maud is a haunting psychological horror film that delves deep into themes of faith, obsession, and mental turmoil. Directed by Rose Glass, the film stars Morfydd Clark as Maud, a deeply religious hospice nurse whose fervent faith leads her down a dark and unsettling path. The powerhouse performances by Clark and Jennifer Ehle twist and turn through a beautiful mix of power and vulnerability, bringing the characters to life with an intensity that grounds the film’s more fantastical elements in reality. Their performances are beyond exceptional, portraying both Katie/Maud and Amanda with a depth that allows the horror unfolding to resonate long after the closing credits.

Rose Glass expertly crafts a narrative that blurs the lines between psychological distress and supernatural horror, resulting in a film that is both disturbing and emotionally charged. Saint Maud stands out for its ability to create an unsettling atmosphere through its slow-burning tension and meticulous character development. Glass proves that she is a talent to watch in the future, handling dark, psychological subjects with the confidence of a veteran in her field. The film’s resolution leaves a deep and unsettling feeling, solidifying Saint Maud as one of the reviewer’s favourite movies in recent years, showcasing its lasting impact and powerful storytelling.

Movie Review: Saint Maud (2020)

48. The Love Witch (2016)

The Love Witch is a visually stunning homage to 1960s Technicolor thrillers, reimagined with a modern twist that delves into the battle of the sexes. Directed by Anna Biller, the film centers around Elaine, a modern-day witch who uses spells and magic to find true love. The battle of the sexes is firmly on display here, with a fresh twist on the female gaze and the lengths of absurdity evident through this timeless tale. The Love Witch owes a lot to the strong and beautifully shot scenes that capture the film’s retro aesthetic while exploring contemporary themes of desire and power.

While The Love Witch might not be to everyone’s taste, its mesmerising visuals and deep dive into its protagonist’s psyche make it an unforgettable experience. The film’s meticulous attention to detail in costume and set design pays off, creating a rich, immersive world that is both enchanting and unsettling. The narrative explores the absurdity and obsession that can come with the pursuit of love, blending dark humour with horror elements in a way that is both satisfying and thought-provoking. If you allow yourself to be absorbed by the film, the feeling you’re left with is absolutely mesmerising and deeply satisfying, making The Love Witch a standout in the realm of modern horror with a distinct, artistic flair.

Movie Review: The Love Witch

47. Ready or Not (2019)

Ready or Not is a thrilling and gory romp that masterfully combines elements of horror and dark comedy. Directed by Matt Bettinelli-Olpin and Tyler Gillett, the film follows Grace (Samara Weaving), a bride who becomes the target of a deadly game of hide and seek on her wedding night. “Seek” this one out, as it’s gory fun with a deadly sense of humour that keeps the tension high while delivering plenty of laughs amidst the carnage. The film’s blend of horror and comedy creates a unique and exhilarating experience that keeps viewers on the edge of their seats.

The film excels in its fast-paced narrative and clever script, which balances the gruesome action with sharp, witty dialogue. The casting is impeccable, with Weaving delivering a standout performance as Grace, embodying both vulnerability and resilience as she navigates the deadly game set by her eccentric in-laws. Ready or Not also features strong supporting performances that add depth and intrigue to the story. Its inventive premise and relentless pacing make it a must-watch for fans of horror who appreciate a good mix of scares and laughs. The film’s ability to maintain a high level of suspense while infusing humour sets it apart as a memorable and entertaining entry in the modern horror landscape.

Movie Review: Ready or Not

46. Talk to Me (2022)

Talk to Me is an exhilarating and innovative horror film that marks a significant achievement for the RackaRacka brothers in their first feature-length outing. The film centres around a group of friends who discover how to conjure spirits by using a mysterious, discarded embalming glove. This discovery leads to unforeseen and terrifying consequences as they delve deeper into the supernatural. The RackaRacka brothers have not only exceeded expectations but have produced a solid effort, calling the shots from behind the camera with confidence and creativity.

The captivating part of Talk to Me comes through the strength of its characters and the standout performance by Sophia Wilde. The blend of humour and horror peppered throughout the film helps to flip the juxtaposition of polarising extremes, tying viewers to their seats and forcing them to grip the hand of darkness. The film masterfully balances intense horror sequences with moments of levity, creating a dynamic and engaging narrative. The RackaRacka brothers’ ability to maintain suspense while delivering genuine scares and character-driven storytelling makes Talk to Me a standout in contemporary horror. It’s a film that successfully blends traditional horror elements with fresh, innovative ideas, making it a must-watch for fans of the genre.

Movie Review: Talk To Me (2022)

45. The Conjuring (2013)

The Conjuring is a landmark film in modern horror, showcasing James Wan at his finest and laying the foundation for a sprawling franchise. Directed by James Wan, the film is based on the real-life paranormal investigations of Ed and Lorraine Warren, who are called to help a family terrorised by dark forces in their farmhouse. The film excels in building a genuine sense of dread and suspense, relying on masterful direction, atmospheric tension, and strong performances to deliver a truly terrifying experience. It’s a film that successfully revitalises the haunted house trope, making it fresh and compelling for contemporary audiences.

The Conjuring benefits from its meticulous attention to detail and its ability to create believable, relatable characters who are genuinely affected by the supernatural events. Vera Farmiga and Patrick Wilson deliver powerful performances as the Warrens, bringing both authority and emotional depth to their roles. The film’s use of practical effects and subtle scares over jump scares creates a more enduring and haunting atmosphere. The Conjuring not only spawned a great franchise but also set a high standard for supernatural horror films, proving James Wan’s prowess as a director and cementing the film’s place as a modern classic in the horror genre. Its blend of real-world folklore, emotional storytelling, and relentless suspense makes it a must-see for horror enthusiasts.

44. Stoker (2013)

Stoker is a visually striking and psychologically complex horror film directed by Park Chan-wook. Based on the novel by Carol Higgins Clark, the film follows India Stoker (Mia Wasikowska), who, after her father’s sudden death, must confront her enigmatic Uncle Charlie (Matthew Goode) who arrives to live with her and her unstable mother. The film delves into themes of family secrets, identity, and the dark undercurrents of the human psyche, all while maintaining a hauntingly beautiful aesthetic that is a hallmark of Park Chan-wook’s style.

The cinematography and visual storytelling in Stoker are nothing short of breathtaking, with each frame meticulously composed to enhance the film’s eerie and suspenseful atmosphere. Mia Wasikowska delivers a powerful performance as India, portraying a young woman who transitions from innocence to a more complex and darker self-discovery. Matthew Goode’s portrayal of Uncle Charlie is both charming and sinister, creating a palpable sense of mystery and danger. The film’s slow-burn narrative allows for deep character development and psychological tension, making Stoker a standout in the horror genre. Its blend of psychological horror, gothic elements, and stunning visuals make it a memorable and thought-provoking film that resonates long after viewing.

43. Titane (2021)

Titane is a bold and unorthodox film by director Julia Ducournau, who defies traditional genre boundaries by incorporating elements of horror into a narrative that is as disturbing as it is unique. While Ducournau has stated that Titane is not a horror movie, the film carries some truly horrific elements, particularly in its exploration of trauma and the scars it leaves behind. The journey that Alexia (Agathe Rousselle) takes is brutal and harrowing, shedding light on the extremes a woman must endure to be accepted, often at the expense of her own femininity. This theme is handled with a raw intensity that places Titane among the most compelling and thought-provoking films of the year.

Visually, Titane is striking, blending grotesque imagery with moments of surreal beauty to create a disorienting and immersive experience. Julia Ducournau masterfully explores the intersection of body horror and psychological trauma, presenting a narrative that is both emotionally impactful and visually arresting. The film’s relentless pace and unflinching approach to its themes challenge viewers, making Titane a film that provokes deep reflection on identity, transformation, and societal expectations. Its fearless storytelling and powerful performances, particularly by Agathe Rousselle, establish Titane as a contender for film of the year, highlighting Ducournau’s talent for creating unforgettable, genre-defying cinema.

Movie Review: Titane (2021)

42. Saw (2004)

Saw marks the debut feature from James Wan and Leigh Whannell, signaling a significant shift in the horror genre with its inventive approach to gore and psychological terror. The film introduces the infamous Jigsaw killer, who places his victims in elaborate traps that test their will to live, forcing them to confront their own moral failures and the value of their lives. Saw is notable for its intricate plot, suspenseful storytelling, and clever use of limited settings to maximise tension and horror. The film’s unique premise and shocking twists set it apart from other horror movies of its time, creating a blueprint for the “torture porn” subgenre that would follow.

The performances, particularly by Leigh Whannell as Dr. Lawrence Gordon and Cary Elwes as Detective David Tapp, add depth to the film’s dark and twisted narrative. The clever writing and effective pacing ensure that Saw remains engaging and terrifying, with each scene building upon the last to culminate in a memorable and jaw-dropping finale. The film’s impact on the horror landscape is undeniable, spawning a long-running franchise that continues to draw on its original themes of survival, morality, and the psychological depths of its characters. Saw is a testament to the creativity and ingenuity of its creators, James Wan and Leigh Whannell, and remains a landmark film in the evolution of modern horror.

41. Martyrs (2008)

Martyrs is one of the most confrontational and harrowing horror films ever made, pushing the boundaries of the genre with its intense and graphic portrayal of suffering and revenge. Directed by Pascal Laugier, the film follows two young women, Lucie and Anna, who embark on a violent quest for vengeance against those who tormented them in their childhood. Martyrs is known for its unflinching depiction of physical and psychological pain, exploring themes of martyrdom, the search for meaning, and the thin line between victim and perpetrator. The film’s relentless intensity and uncompromising narrative make it a standout entry in the horror genre.

The film’s narrative is both brutal and deeply philosophical, challenging viewers with its bleak and uncompromising vision of horror. The performances are raw and powerful, particularly those of Mylène Jampanoï and Morjana Alaoui, who deliver heart-wrenching portrayals of women pushed to their limits. Martyrs is not for the faint of heart, as it delves into some of the darkest aspects of human nature and the concept of transcendence through suffering. Its relentless intensity and profound thematic depth make it a memorable and thought-provoking film, earning it a place as one of the most disturbing and significant entries in modern horror. Martyrs remains a polarising but undeniably impactful film, remembered for its audacious storytelling and willingness to explore extreme facets of horror.

• Saul Muerte