“Azrael,” the latest action-horror from E.L. Katz, delivers a premise that sounds intriguing on paper—an eerie world devoid of speech, where a brutal female-led cult relentlessly hunts an escaped prisoner. Add the ever-captivating Samara Weaving into the mix, and expectations for some gripping, visceral action naturally rise. But while the film presents a brave, somewhat daring attempt to create a unique atmosphere, it ultimately falls short of delivering anything with real substance.

Weaving, known for her sharp intensity in past roles, undoubtedly carries the weight of the film on her shoulders. Her portrayal of Azrael, a woman fighting tooth and nail for survival, does bring some much-needed energy to the screen. When the action finally arrives, it’s clear that Weaving is skilled at kicking butt. Yet even her talent can’t save the film from its sluggish pace and lack of depth. It takes an eternity for the narrative to shift into gear, and by the time it does, the payoff feels disappointingly underwhelming.

The lack of dialogue is clearly intended to enhance the atmosphere, creating an unsettling and immersive world where silence is a weapon. However, the film’s over-reliance on this stylistic choice backfires. Without any meaningful verbal exchanges, the story begins to feel as barren as the film’s haunting wilderness setting. What could have been a tension-building device instead results in a narrative that often drags, leaving the audience feeling disconnected.

Visually, the film does have its moments. The desolate landscapes and stark imagery evoke a sense of isolation, and the concept of a voiceless world initially adds an eerie, unsettling layer. But these strengths aren’t enough to compensate for the weak character development and the rather predictable plot. The film meanders, and when it finally hits its stride in the action department, it’s too little, too late. Weaving is given far too few opportunities to shine, and the action sequences, though well-choreographed, lack the punch needed to make a lasting impact.

The Prognosis:

“Azrael” is a film with plenty of ambition, but it’s an example of how high-concept ideas require more than just a strong lead actor to succeed. It’s a brave effort from Katz, but without a stronger narrative core and more compelling action, it simply doesn’t have the gravitas to pull off the trick. Samara Weaving may be kicking butt, but even her powerful presence can’t elevate this film beyond its mediocre execution.

• Saul Muerte

Azrael will stream on Shudder from Fri 25th Oct.