Monthly Archives: May 2024

Unearthing Dread: Reflecting on “The Premature Burial” (1962)

31 Friday May 2024

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In the pantheon of Edgar Allan Poe adaptations, Roger Corman’s The Premature Burial (1962) stands as a haunting testament to the macabre. This atmospheric horror film, inspired by Poe’s chilling tale of premature interment, captivates audiences with its blend of gothic imagery, psychological tension, and tragic inevitability.

Set in the gloomy recesses of a decaying mansion, the film follows Guy Carrell, played with eerie intensity by Ray Milland, a man haunted by a morbid fear of being buried alive. Milland’s portrayal of Carrell is a masterclass in psychological torment, his descent into madness palpable with each paranoid glance and trembling hand.

Corman’s direction imbues the film with an oppressive sense of claustrophobia, as shadowy corridors and dimly lit chambers serve as the backdrop for Carrell’s descent into madness. The use of atmospheric lighting and haunting musical cues heightens the sense of dread, keeping audiences on the edge of their seats until the film’s shocking climax.

One of the film’s most striking features is its exploration of mortality and the fear of the unknown. Through Carrell’s obsession with death and his relentless pursuit of immortality, The Premature Burial delves into the darker recesses of the human psyche, confronting audiences with their own mortality and the inevitability of their demise.

While not without its flaws, including occasional pacing issues and narrative contrivances, The Premature Burial remains a chilling reminder of the fragility of life and the terror of the grave. Its enduring legacy as a classic of gothic horror is a testament to Corman’s visionary direction and Milland’s unforgettable performance.

In retrospect, the legacy of The Premature Burial is inextricably linked to the talents of Roger Corman and Ray Milland. Corman, known for his prolific output and innovative approach to low-budget filmmaking, leaves behind a legacy of genre-defining classics that continue to inspire filmmakers to this day. His keen eye for atmospheric detail and mastery of suspense are on full display in The Premature Burial, cementing his status as a true maestro of horror.

Similarly, Ray Milland’s contribution to the film cannot be overstated. With a career spanning decades and encompassing a wide range of roles, Milland’s portrayal of Guy Carrell stands as one of his most memorable performances. His ability to convey the character’s descent into madness with nuance and subtlety elevates the film beyond mere genre fare, earning him a place among the pantheon of horror greats.

The Prognosis:

The Premature Burial remains a haunting reminder of the power of cinema to confront our deepest fears and darkest desires. Its enduring legacy as a classic of gothic horror ensures that it will continue to chill audiences for generations to come.

  • Saul Muerte

Eclipsing Darkness: Exploring the Legacy of ‘The Slaughter of the Vampires’ by Roberto Mauri

30 Thursday May 2024

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The Slaughter of the Vampires stands as a peculiar artifact within the realm of cult horror cinema, directed by Roberto Mauri and released in 1962. This Italian gothic horror film, also known as “La Strage dei Vampiri,” captivates audiences with its unique blend of traditional vampire lore and avant-garde storytelling.

Set against the backdrop of a decaying castle in a remote European village, the film unfolds a tale of forbidden love, betrayal, and supernatural terror. Mauri’s direction infuses the narrative with an eerie atmosphere, using shadowy cinematography and haunting musical scores to evoke a sense of dread and foreboding.

One of the film’s standout features is its portrayal of vampires. Departing from the romanticized image popularized by earlier works, Mauri presents vampires as grotesque and menacing creatures, with pale visages and feral instincts. This departure from convention lends the film a sense of freshness and unpredictability, keeping viewers on the edge of their seats.

Central to the film’s allure is its exploration of themes such as desire, mortality, and the corruption of power. Through the character dynamics and plot twists, Mauri crafts a narrative that delves into the darker recesses of the human psyche, challenging audiences to confront their deepest fears and desires.

However, “The Slaughter of the Vampires” is not without its flaws. The film’s low budget is evident in its production values, with occasional instances of stilted acting and rudimentary special effects. Some viewers may also find fault with the pacing, as the film meanders at times before reaching its climactic conclusion.

Nevertheless, despite its shortcomings, “The Slaughter of the Vampires” remains a captivating piece of cinema that has earned its place in the annals of horror history. Its unapologetic embrace of the macabre and its willingness to push the boundaries of the genre make it a must-see for aficionados of cult cinema and vampire lore alike.

  • Saul Muerte

Unleashing Terror: The Babadook – A Psychological Thriller Dividing Horror Fans

30 Thursday May 2024

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The Babadook stands as a chilling testament to the power of psychological horror, weaving a narrative that is as emotionally resonant as it is viscerally terrifying. Jennifer Kent’s directorial debut delves deep into themes of grief, motherhood, and the darkness that lurks within the human psyche, crafting an unsettling tale that lingers long after the credits roll.

Essie Davis delivers a powerhouse performance as Amelia, a widowed single mother struggling to cope with the loss of her husband while raising her troubled son, Samuel, portrayed with remarkable depth by Noah Wiseman. Their strained relationship serves as the emotional core of the film, anchoring the supernatural horrors that unfold within their home.

At its heart, The Babadook is a story about confronting one’s inner demons, both literal and metaphorical. The titular monster serves as a manifestation of Amelia’s grief and trauma, haunting her every waking moment and driving her to the brink of madness. Kent masterfully builds tension throughout the film, utilizing a minimalist aesthetic and atmospheric cinematography to create a sense of claustrophobia and dread.

But what truly sets The Babadook apart is its willingness to delve into the complexities of its characters, refusing to shy away from the darker aspects of motherhood and mental illness. Amelia’s descent into madness is portrayed with raw intensity, blurring the lines between reality and hallucination in a way that keeps the audience on edge until the very end.

Yet, despite its terrifying premise, The Babadook is ultimately a story of resilience and redemption. As Amelia and Samuel confront the darkness within themselves, they emerge stronger and more united than ever before, proving that even the most terrifying monsters can be overcome with courage and love.

Division Among Horror Fans:

The Babadook has proven to be a divisive film among horror fans, with its unconventional approach to the genre garnering both praise and criticism. Some viewers have lauded its psychological depth and emotional complexity, hailing it as a modern masterpiece of horror cinema. Others, however, have found fault with its slow pacing and ambiguous ending, arguing that it fails to deliver the visceral scares expected from a traditional horror film.

Yet, it is precisely this division that speaks to the film’s lasting impact and significance within the genre. By daring to subvert audience expectations and explore themes rarely addressed in mainstream horror, The Babadook challenges viewers to confront their own fears and anxieties in ways that few films dare to do.

In the end, whether you love it or loathe it, The Babadook remains a haunting and thought-provoking journey into the darkness of the human soul, solidifying its place as a cult classic in the annals of horror history.

The Prognosis:

The Babadook is a must-watch for horror aficionados seeking a truly spine-tingling experience. With its powerful performances, chilling atmosphere, and profound exploration of grief and trauma, it stands as a testament to the enduring power of the genre. Whether you’re a die-hard horror fan or simply looking for a film that will leave you sleeping with the lights on, The Babadook delivers in spades.

  • Saul Muerte

The Babadook will be streaming on Shudder from 3rd June.

PODCAST: The Babadook

Retrospective: Infernal Trio (1974) 50 years of Taboo-breaking cinema

29 Wednesday May 2024

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Drawing inspiration from the source material by Solange Fasquelle, “The Infernal Trio” marks the directorial debut of Francis Girod. Girod, like any aspiring filmmaker, undoubtedly aimed to make a lasting impression with his inaugural work, and this dark and chilling portrayal of body disposal certainly succeeded in leaving its mark, albeit for reasons that may unsettle some viewers.

The film centers on the notorious case of Georges-Alexandre Sarret, whose gruesome methods of disposing of his victims’ remains drew comparisons to infamous criminals like John George Haigh, the ‘acid bath murderer’. Sarret’s story culminated in a date with Madame la Guillotine in 1934, while his Bavarian accomplices, the Schmidt sisters, faced their own justice with lengthy prison sentences.

Portrayed by the talented Michel Piccoli and Romy Schneider, alongside Mascha Gonska as Catherine Schmidt, the film delves into the twisted dynamics of this utterly depraved trio. It’s the compelling performances and charisma of these three actors that elevate the film, making it bearable even during its most gruesome moments, such as the harrowing ‘acid bath’ sequence.

Particularly noteworthy is Schneider’s portrayal of Philomena Schmidt, a role that challenged her previous screen persona and showcased her versatility as an actress. In her mid-thirties at the time of filming, Schneider delivers a powerhouse performance, fully embodying the complexities of her character’s dark desires and actions.

While the film takes creative liberties for dramatic effect, omitting certain events like Sarret’s trial and execution, it remains a haunting and thought-provoking exploration of human depravity and moral decay. The decision to end the film with Sarret’s marriage to Philomena adds a chilling final note, leaving audiences to ponder the true depths of evil that lurk within the human soul.

In the end, The Infernal Trio stands as a testament to the courage of its cast and crew, who fearlessly tackled taboo subject matter with unflinching honesty and artistic integrity. As the film celebrates its 50th anniversary, it serves as a reminder of the power of cinema to confront the darkest aspects of humanity and challenge our perceptions of good and evil.

  • Saul Muerte

Alice in Terrorland: A Nightmarish Descent into Disappointment

28 Tuesday May 2024

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Alice in Terrorland, directed by Richard John Taylor, promises a sinister twist on a beloved children’s classic but ultimately fails to deliver anything but a waking nightmare for viewers.

The film follows 15-year-old Alice, portrayed by Lizzy Willis, who, following the tragic death of her parents, is sent to live with her reclusive grandmother at the remote estate ‘Wonderland’. While the premise holds potential for intrigue, the execution quickly devolves into a confusing mess of clichés and lackluster scares.

Despite the presence of seasoned actors like Rula Lenska, known for her roles in EastEnders and Doctor Who, the performances feel wooden and uninspired. Lenska’s talent is squandered in a role that lacks depth and fails to engage the audience.

One of the film’s biggest missteps is its attempt to blend horror with the classic tale of Alice’s Adventures in Wonderland. While the source material has been reimagined in countless ways over the years, Alice in Terrorland adds nothing new to the conversation. Instead, it relies on tired tropes and predictable plot twists that do little to captivate or thrill.

In a landscape where old children’s literature is being reimagined as horror films with varying degrees of success, Alice in Terrorland falls squarely into the category of “disastrous results”. It pales in comparison to recent attempts like Winnie the Pooh: Blood & Honey, failing to capture the imagination or instill genuine fear in its audience.

Overall, Alice in Terrorland is a forgettable addition to the horror genre, offering little more than a tedious journey through a familiar nightmare. If you’re looking for a truly chilling adaptation of a beloved classic, you’d be better off exploring other options.

  • Saul Muerte

Alice in Terrorland will be released on Home Entertainment in June.

Stopmotion”: A Haunting Journey into Grief and Imagination

27 Monday May 2024

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Streaming exclusively on Shudder and AMC+, Stopmotion premieres Friday, May 31st, offering viewers a chilling exploration of grief, creativity, and the tenuous divide between reality and imagination. Directed by Robert Morgan, this psychological thriller delivers a mesmerizing cinematic experience that lingers long after the credits roll.

At its heart, Stopmotion is a character study of Ella Blake, a talented stop-motion animator portrayed with captivating depth by Aisling Franciosi. Following the loss of her controlling mother, Ella grapples with inner demons while immersing herself in the creation of a dark and macabre puppet film. As her grip on reality begins to slip, the lines between her own life and the surreal world of her animation blur, leading to a terrifying battle for sanity.

Performance Brilliance: Aisling Franciosi Dazzles

Franciosi’s performance is nothing short of spellbinding. She effortlessly navigates the complexities of Ella’s character, portraying her vulnerability, anguish, and descent into madness with haunting authenticity. Supported by a talented cast including Tom York and Jaz Hutchins, Franciosi brings Ella’s journey to life in a way that is both mesmerizing and deeply unsettling.

Influences and Vision: Robert Morgan’s Artistic Tapestry

Director Robert Morgan draws inspiration from a diverse array of influences, including Francis Bacon, Edgar Allan Poe, Jan Svankmajer, the Quay Brothers, David Lynch, David Cronenberg, Joel Peter Witkin, and Hans Bellmer. These influences are evident throughout Stopmotion, from its surreal imagery reminiscent of Jan Svankmajer to its nightmarish themes reminiscent of David Lynch and David Cronenberg.

A Mind-Bending Odyssey

Stopmotion unfolds as a haunting exploration of the power of art to both heal and destroy. As Ella’s creations take on a life of their own, the film delves into themes of obsession, identity, and the dangers of unchecked imagination. Director Robert Morgan expertly builds tension throughout, keeping audiences on the edge of their seats as Ella’s world spirals further into darkness.

Visually stunning and atmospherically rich, Stopmotion is a testament to Morgan’s directorial prowess. From its meticulously crafted stop-motion sequences to its hauntingly beautiful cinematography, every frame of the film is infused with a sense of unease and foreboding.

The Prognosis:

A Haunting Masterpiece
Stopmotion is a must-watch for fans of psychological horror. With its haunting visuals, mesmerizing performances, and thought-provoking narrative, it stands as a testament to the power of cinema to captivate and disturb in equal measure.

  • Saul Muerte

Stopmotion will be streaming on Shudder from 31st May

Unveiling the Shadows: Exploring the Dark Depths of Peter Weir’s Films

26 Sunday May 2024

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Peter Weir stands as a cinematic virtuoso, renowned for his ability to construct visually captivating and emotionally stirring narratives that traverse realms both ordinary and extraordinary. From the enigmatic allure of “Picnic at Hanging Rock” to the existential intrigue of “The Truman Show,” Weir’s oeuvre has left an indelible mark on cinema. Yet, beneath the veneer of his seemingly tranquil tales lies a haunting undercurrent that delves into themes of control, conformity, and existential dread.

In “The Cars That Ate Paris,” Weir’s directorial debut, he presents a dystopian vision where the quaint Australian town of Paris survives by causing fatal car accidents and scavenging the wreckage. Amidst the wreckage and chaos, Weir explores the corrosive effects of greed and exploitation, unveiling the darkness that lurks beneath the facade of civilization. The film serves as a chilling allegory for the dehumanizing nature of consumerism and the consequences of unchecked ambition.

Similarly, “Picnic at Hanging Rock” transports viewers to the serene Australian outback, where the disappearance of several schoolgirls during a picnic unleashes a wave of hysteria and existential dread. As the mystery deepens and the search for the missing girls proves futile, Weir taps into the primal fear of the unknown and the fragility of human existence. Through ethereal imagery and haunting symbolism, Weir crafts a mesmerizing meditation on the enigmatic forces that shape our lives and the haunting mysteries that lie beyond our comprehension.

In “Dead Poets Society,” students at a conservative preparatory school grapple with the suffocating expectations of their parents and the institution itself, ultimately leading to tragic consequences. Weir masterfully captures the oppressive atmosphere of conformity and the dire consequences of challenging the status quo. The film serves as a poignant reminder of the high cost of individuality in a society that demands conformity above all else.

Moreover, “The Truman Show” presents a dystopian reality where Truman Burbank unknowingly lives his entire life within a meticulously crafted television set. Truman’s quest for truth and freedom becomes a compelling allegory for the existential angst of modern life, where individuals are manipulated and surveilled by unseen forces. Weir confronts the audience with uncomfortable questions about the nature of reality and the ethical implications of voyeurism and control.

Through “Witness,” Weir delves into the collision of cultures and the complexities of human nature. Set against the backdrop of an Amish community, the film explores themes of violence, redemption, and the clash between tradition and modernity. Through the character of John Book, a detective who seeks refuge in the Amish community after witnessing a murder, Weir examines the inherent darkness within humanity and the struggle for redemption in a morally ambiguous world.

Weir’s penchant for ambiguity and open-ended narratives further adds to the unsettling atmosphere of his films. In “The Last Wave,” protagonist David Burton is haunted by apocalyptic visions and enigmatic Aboriginal prophecies, blurring the lines between reality and hallucination. Weir challenges the audience to grapple with the ambiguity of truth and the limitations of human understanding.

While Peter Weir is often celebrated for his artistic vision and narrative craftsmanship, his films also serve as a potent reminder of the darker aspects of the human experience. Through his exploration of control, conformity, and existential dread, Weir invites audiences to confront uncomfortable truths about the world we inhabit and the forces that shape our lives. In peeling back the layers of his seemingly idyllic narratives, Weir reveals a profound and haunting portrait of the human condition.

  • Saul Muerte

50th Anniversary Retrospective: Exploring the Dark Secrets of “The Cars That Ate Paris”

26 Sunday May 2024

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An outback town with a dark secret is the setting for this Aussie New Wave classic directed by Peter Weir. A beautiful 50th-anniversary restoration presented by the National Film and Sound Archive brings this haunting tale back to life, reminding audiences of its enduring impact on Australian cinema.

After surviving a car accident, Arthur finds himself in the peculiar town of Paris, NSW. Welcomed with open arms by the local community, Arthur’s initial relief soon turns to suspicion as he uncovers the sinister truth lurking beneath the surface. Why do so many car crash victims keep arriving? And what kind of strange influence does the Mayor, portrayed by the legendary John Meillon, hold over his constituents?

With its atmosphere of mounting dread and eye-popping production design, “The Cars That Ate Paris” takes viewers on a journey into Australia’s violent car culture, leaving an indelible mark on the landscape of Australian cinema. This film marked a stunning feature debut for the great Australian filmmaker Peter Weir, who would go on to captivate audiences with masterpieces like “Picnic at Hanging Rock” (1975) and “Master and Commander: The Far Side of the World” (2003).

“The Cars That Ate Paris” premiered at Cannes and the Sydney Film Festival in 1974, garnering attention for its bold storytelling and unique perspective. Its exploration of societal themes and intricate character dynamics continues to resonate with audiences, even fifty years after its initial release.

Peter Weir: Director Extraordinaire

Peter Weir is an Australian BAFTA-awarded filmmaker whose impact on Australian cinema is immeasurable. A six-time Academy Award nominee, Weir’s films like “Picnic at Hanging Rock,” “The Last Wave,” and “Gallipoli” have made renowned contributions to the 1970s Australian New Wave, defining a generation of filmmakers and inspiring future storytellers.

Beyond his contributions to Australian cinema, Weir has achieved international success with a diverse range of features, including “Dead Poets Society,” “The Truman Show,” and “Witness.” His ability to craft compelling narratives and evoke powerful emotions has cemented his legacy as one of the most influential directors of his time, inspiring generations of filmmakers to push the boundaries of storytelling and explore the human experience through the lens of cinema.

As we celebrate the 50th anniversary of “The Cars That Ate Paris,” we reflect not only on the enduring impact of this landmark film but also on the incredible work of Peter Weir and his invaluable contributions to the world of cinema.

  • Saul Muerte

“Unleashing Terror: The Claws Come Out in Hammer’s Forgotten Gem, ‘Shadow of the Cat’ (1961)!”

25 Saturday May 2024

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In the shadowy corners of horror cinema history lies a forgotten gem waiting to be rediscovered: “Shadow of the Cat” (1961), a haunting masterpiece from the legendary Hammer Films. While Hammer is often celebrated for its iconic Dracula and Frankenstein films, “Shadow of the Cat” lurks in the shadows, waiting for its moment to shine once more.

Directed by John Gilling, “Shadow of the Cat” is a tale of betrayal, revenge, and feline fury that unfolds with all the Gothic grandeur and chilling atmosphere that Hammer Films is known for. Set in a sprawling English estate, the film follows the sinister machinations of Tabitha, a seemingly innocent house cat who witnesses the murder of her beloved mistress. But Tabitha is no ordinary cat – she’s a creature of vengeance, hell-bent on avenging her owner’s death at the hands of her greedy relatives.

What sets “Shadow of the Cat” apart from other Hammer productions is its unique premise and its unrelenting sense of tension. While the film may lack the supernatural elements of Hammer’s more famous offerings, it more than makes up for it with its gripping storyline and eerie atmosphere. From the menacing shadows that lurk around every corner to the haunting meows of the vengeful Tabitha, “Shadow of the Cat” keeps viewers on the edge of their seats from start to finish.

Of course, no discussion of “Shadow of the Cat” would be complete without mentioning its feline star. Tabitha’s performance is nothing short of mesmerizing, with every flick of her tail and piercing stare conveying a sense of menace and malice that is truly unforgettable. It’s a testament to the skill of the filmmakers that they were able to create such a compelling character out of a simple house cat.

While “Shadow of the Cat” may have been overshadowed by Hammer’s more famous productions, it remains a hidden gem just waiting to be discovered by horror fans old and new. With its gripping storyline, atmospheric setting, and unforgettable feline protagonist, it’s a film that deserves to be remembered as one of Hammer’s finest achievements.

  • Saul Muerte

“Gothic Grandeur and Macabre Majesty: Unveiling ‘The Pit and the Pendulum’ (1961) – Roger Corman’s Haunting Masterpiece Starring Vincent Price!”

24 Friday May 2024

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As we journey back to the dark and twisted realms of horror cinema, one name stands out like a beacon of macabre brilliance: Roger Corman. And in the annals of his legacy, “The Pit and the Pendulum” (1961) shines with a particularly eerie glow. This cinematic adaptation of Edgar Allan Poe’s bone-chilling tale is a testament to Corman’s mastery of the genre, his keen eye for atmospheric detail, and his knack for coaxing spine-tingling performances from his actors.

At the heart of “The Pit and the Pendulum” lies the inimitable Vincent Price, whose portrayal of the tortured protagonist, Nicholas Medina, is nothing short of mesmerizing. Price’s ability to convey a sense of creeping dread with little more than a glance or a whisper is a testament to his status as the undisputed king of Gothic horror. His collaboration with Corman on the Edgar Allan Poe films remains legendary, with each installment pushing the boundaries of cinematic terror to new and terrifying heights.

But it’s not just Price’s performance that elevates “The Pit and the Pendulum” to classic status – it’s Corman’s deft direction and keen understanding of Poe’s dark and twisted universe. From the claustrophobic corridors of the Medina castle to the infernal machinations of the titular pendulum itself, Corman creates a world that is as beautiful as it is horrifying, a place where the line between reality and nightmare blurs with terrifying ease.

And so, as we look back on “The Pit and the Pendulum” with a mixture of awe and reverence, we must also pay tribute to the man behind the madness: Roger Corman. His visionary work on this film, along with his enduring collaboration with Vincent Price and his dedication to bringing Edgar Allan Poe’s chilling tales to life, has left an indelible mark on the world of horror cinema. Though Corman may no longer walk among us, his legacy lives on in the countless nightmares he’s unleashed upon unsuspecting audiences – and for that, we are eternally grateful.

  • Saul Muerte

“Roger Corman: Pioneering a Legacy of Innovation and Mentorship in Cinema”

“Exploring the Cinematic Legacy: 10 Influential Films by Roger Corman”https://www.youtube.com/watch?v=QChBy15UiTs