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Described as the world’s pre-eminent stop motion animator, Phil Tippett has been harnessing his craft through such fine works as the original Star Wars trilogy; Indiana Jones and the Temple of Doom; Robocop; and Dragonslayer. 

Such is the talent that he brings to his craft, a long dormant vision, 30 years in the making, has finally come to fruition, thanks in part to a kickstarter campaign to aid in the funding.

Mad God is a beautifully bleak dystopian tale filled with a blend of industry, machine-like creatures, in tune with the organic infestations that embody the landscape.

This outlook is something straight out of the insane mind of Dr. Frankenstein, with some of these creatures born out of assembled body parts, adding to its appeal.

Whilst I do love the artform of stop animation, it can deter in places and feel fragmented as a result. Mad God can feel like this at times when viewing which can be due to the production time frame. 

Weaving together these surreal images is The Assassin, shrouded in a jacket and a gas mark, who is charged with a mission to destroy the world as we know it. His journey of descent into an inferno of lust, power, greed, and the destruction of life is a cyclical and hellish one. It bears a light on the shadowy side of humanity, forcing the viewer to face its brutality.

The Prognosis:

Through all its fragments and destruction, is beauty and evolution at its core.
Director Phil Tippet is a master of his craft and his labour of love is a must see for all fans of stop animation. 

The dystopian landscape is a visually striking and harrowing masterpiece that captures the dark heart of humanity in a way that this style of art form and an auteur of his field can truly supply.

  • Saul Muerte