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One of the most refreshing and rewarding movies to have been released this year has come from streaming platform Netflix; a British/German, vampire, action, horror movie from director Peter Thorwarth. It comes across like a Passenger 57 style movie, but instead of a kick ass retired secret service agent taking down terrorists aboard a plane, we’ve got a vampire in the mix. Thorwarth and his co-writer, Stefan Holtz do incredibly well to pack in the folklore and depth in character background into the screenplay. The writing duo aren’t too shy to steer away from flashbacks to ground the story further into the mythology that they are creating, particularly when it comes to their lead protagonist. This care to detail provides strength to their cause with significant payoff by the film’s conclusion.

To add to the drama we’re presented with a mother, Nadja (Peri Baumeister), who appears to be suffering from leukaemia; a naturally anxious person fuelled even more so by the need to care for and look after her son, Elias (Carl Anton Koch). The reason for their travel plans is so that Nadja can visit a specialised doctor to help her with her ailment.
There are a few elements at play here too which elevates the story above the usual action flick, with a look against stereotypes, especially when it comes to Farid (Kais Setti), a physicist who befriends Elias, and Middle Eastern appearance plays with our misguided expectations of him being a possible terrorist when the plane gets hijacked. Among the hijackers and leading the group is Berg played with the usual brutish klout by Dominic Purcell. His orchestrated team and all their best laid plans soon fall out, when they encounter the parasite on board. The moment this is unleashed, the turbulence soon picks up fast.

The prognosis:

Blood Red Sky relies heavily on its high energy, adrenaline-fuelled sequences, but thankfully it has plenty of bite too with well-rounded characters with heart, coupled with downbeats that have meaning. 

It pulsates with purpose and for that, makes you care about the outcome of the lead characters.

– Saul Muerte