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I really wanted to champion this movie. After all, not only is it a homegrown movie and for this Surgeons of Horror love to support where we can; and it also boasts Cassandra Magrath (Wolf Creek) as its lead protagonist.

Unfortunately the story falls short of expectations, lost in the murkiness of the folklore that it was trying to create and one can’t help but feel that it is the writing that is lacking in depth or clarity.

It’s not like Australia is incapable of producing witchery or the dark arts with investigation and mystery. One need only look at the fantastic series The Gloaming written by Vicky Madden to see what it takes to do this with a contemporary feel and to do it well. Sure, this was worked into a series with ample time to allow the characters to acquire the depth needed to dive into the enigma, but that feels like an easy out as what transpires out of The Witches of Blackwood lacks anything solid for the audience to grab onto and as such, we lose interest quite swiftly.

Haunted by an incident while on duty as a police officer, Claire (Magrath) returns to her old stomping ground to heal old wounds and new ones following the wake of her mother’s death.
When she arrives in Blackwood however, she is met with ill-feeling and strange encounters from the locals. This leads her to find her inner sleuth once more, to uncover what people are hiding and revelations that will test her will.

The Diagnosis: 

I thought that Magrath was compelling in this and given the chance to show off her acting abilities that have have been left to the wind in other recent movies.
Director Kate Whitbread carves out some beautiful moments to highlight the harsh yet beautiful landscape that Australia has to offer, but without any real substance, the film simply can’t lift itself out of the quagmire, sinking into a shallow plot. 

  • Saul Muerte