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In a similar way to the recent Candyman feature, Queen of Spades tries to tap into a mythological and sinister presence that channels its energies through mirrors or reflected surfaces. Where the previous movie was strung together through depth and integrity, QoS unfortunately does so through superfluous means and never strikes at the heart as a result.

Both films falter on getting the villain to rise or be invoked to carry out their will, and seem only too happy to just get to the nitty gritty, but without that substance to generate real fear from the entity in question, we left without the grit and just the nit.

So, cue troubled teen Anna (Ava Preston) with her mother, Mary (Kaelen Ohm) who is struggling with the burden of being a single parent. Cue a trio of friends/victims; Katy (Jamie Bloch), Sebastian (Eric Osborne),  and Matthew (Nabil Rajo), who form the quartet of invokees, blindly following a path without fully being aware of the repercussions.

Cue the invoked spirit who welcomes the calling so that she can spread her curse and ruin the souls of those she encounters. 

Cue the knowledgeable character who bears the weight of understanding and the key to stopping the spirit in her tracks, Smirnov; a man who’s own son fell prey to the Queen of Spades.

Maybe I’m just a bi disheartened by the lack of originality on display. Newcomers to the genre may well get a kick out of it, but the performances aside, all of which are solid, there is nothing to grip onto to shake the kernels and add a little creativity outside of the tracks and into the realms of new ground. Same old stuff on display here.

The Diagnosis:

Despite some fairly decent performances, it’s not enough to shirk off the tired cliches that the film relies upon to keep you engaged.

Mediocre at best.

  • Saul Muerte