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Unfortunately for the sixth and final instalment of the Inner Sanctum Mystery feature films produced by Universal Pictures starring Lon Chaney Jr. I found that the delivery was incredibly formulaic and as such all I wanted to do was reach for the snooze button.
Upon reflection, my opinion may have been marred from watching each instalment within close succession and it may have warranted a little bit of space between each viewing to allow each film to strike up its own identity.
Without wanting to give too much of the plot away, the one strength that Pillow of Death has over its predecessors is the twist finale, going against the grain of our expectations.

This time around Chaney Jr. stars as an attorney, Wayne Fletcher, whose heart belongs to his secretary Donna Kincaid (Brenda Joyce – Strange Confession), who also happens to be from a fairly wealthy family.. Bound by wedlock, Fletcher is in the midst of filing for a divorce so that he can be with Donna when his wife is found murdered, suffocated by the titular weapon of choice.
This makes Fletcher prime suspect number one and must now fight to prove his innocence.

The one person standing in Fletcher’s way is a fraudulent medium, Julian Julian (J. Edward Bromberg) a man who despite his charlatan ways is intent on pointing the finger at Fletcher for his wife’s murder. What makes the task for both parties is the rise in the body count whilst staying at the family mansion one evening.

The film takes on a slightly lighter tone in comparison to the other Inner Sanctum Mysteries, much like other Universal outings such as The Mystery of Marie Roget. One can almost sense the doors opening for Abbott and Costello to march into the mansion and infuse it with satire at any given moment.
That direction was not long off for Universal and the tide is certainly changing away from that darker edge that they had been synonymous for over the past decade and a half. It’s a shame as I feel that if they were willing to push the boundaries of dread, their films would have marked an altogether different experience and been much more rewarding, but they were hindered by their times and one must remember that world was going through its own dark times, carrying the burden of a Global war on its back. The stark reality is that people were needing an escape from the world and a need for humour to step in and poke fun at the grim and dire circumstances that humanity had to endure. For Universal, Abbott and Costello would provide that alternate formula… but that’s for another retrospective.

  • Saul Muerte