I have to admit that when I first read the short synopsis about Why Don’t You Just Die, I loved the title, and I was intrigued by the idea of a crime thriller with the promise of gallons of blood, but I instinctively put it on the maybe pile. My reasoning was purely down to the film not quite fitting into the horror genre, rather than the context of the story, but as I watched, I instantly regretted my instincts as boy does this movie deliver.

The action and tension on screen is relentless with top marks to the choreography of each set piece as it unfolds. What tips this above your average pot-boiler though is that writer/director, Kirill Sokolov doesn’t provide any easy solutions or fixes for the characters to weave their way out of, but rather offers obstacle after obstacle, providing a gruelling and effective journey that keeps you guessing the outcome.

The plot is a fairly simple one as Matvei is steered to avenge his girlfriend Olga’s mistreatment by her father. Armed with only a hammer, Matvei enters the apartment, only to find his plan is far from straight forward, much to the delight of the audience.

Peppered with flashbacks and character reveals that lend weight to deception and mistrust, the players are forced to outwit, out-muscle and out-hustle each other in order to survive the bloodbath. It’s not just about guts and gore though, (although this does have some awesome effects to satiate the hardened viewer) as its trump card is the macabre humour that ticks along and has you laughing at the ridiculously glorious events as they unfold.

The Diagnosis:

This is a Machiavellian tale that beats along at fun and crazed pace. The characters hold their secrets close to their chest, but are forced to spill their guts (literally in some cases) with bloody carnage and mayhem. Every twist and turn is delivered with powerful impact that resonates off the screen and into the cerebellum. Prepare for an enjoyable ride from Russian director, Kirill Sokolov. I predict big things to come from this sharp young mind.


Thu 13 June 8.45pm: Event Cinemas George St 

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  • Saul Muerte
Guy stands opposite woman who sits on the kitchen counter with her legs stretched out.