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Luke Shanahan’s directorial feature debut, Rabbit is a stellar example of what Australians do well, Dark and gritty drama.

The difference though is that Rabbit is not just grit for grit’s sake, but a compelling and captivating drama that lures you in and ensnares you to the bitter end.

The concept is a simple one, Maude Ashton wakes from a vivid dream that compels her to return home and find her missing twin sister.

The journey she takes to find her though is a far from simple one as Maude must listen to her instincts and psychic intuition through a twisted labyrinth of trauma and despair.

Shanahan has a gift for tapping into the psychological aspects of the human mind and weaving together an intriguing narrative that in lesser hands could lead you up the garden path with no purpose or direction laid down. Shanahan’s screenplay takes you by the hand and directs you with purpose.

I also want to applaud the acting accolades of the two women in this film; the lead Adelaide Clemens who plays Maude and her twin shows great depth in her character, and Veele Baetens as Nerida who is harbouring a troubled past that she displays with great restrain beneath the surface. Both their performances were incredibly rewarding to watch and keeps you engaged throughout the movie.

The Diagnosis:

Rabbit is a quality psychological drama that keeps you entranced and could very well prove to be the sleeper hit of the year.

  • Saul Muerte