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Luz is a film that is ultimately about demonic possession, but it certainly isn’t your typical window into the occult.
It is not some simple, paired down student project shot on a low budget, instead director Tilman Singer offers a minimalistic style reminiscent of playwright Bertolt Brecht and is set in a handful of isolated interior locations.
This adds to the harrowing and strange feeling that is carried throughout the film, all the more haunting for the powerful performances on display. Nora’s odd twitchy movements and the intensity of police psychiatrist Dr Rossini simply add more fuel to the stifled ambience.
Everything is incredibly stylised and each movement no matter how small is charged with emotion or reason. If anything, the minimalism forces the actors to bare their souls on screen that is ironic as the story centres around a demon, hell-bent on taking the soul of our lead, Luz.

The starkness of the décor coming straight out of the heart of the 70s adds to this sense of isolation and bewilderment. This coupled with the awesome retro soundtrack by Simon Waskow thrusts the viewer into a world far removed from their own and into a world of despair.

As the demonic presence homes in on its prey, the more potent the drama becomes and the free fall into madness becomes ever more present.

The short running time of 70 mins only compliments the movie more, keeping the story in a tight and succinct timeframe packing enough depth to the plot line whilst keeping the audience gripped.

The Diagnosis:

Singer manages to balance the highs and lows in a harmony of beautifully constructed cinematography and movement.
The performances are strong across the board and all the components tie together in an interesting and unique approach to demonic possession.

– Saul Muerte

Catch the screening of Luz at the Sydney Underground Film Festival.

Screening times and tickets available below: