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~ Dissecting horror films

Surgeons of Horror

Tag Archives: violet mcgraw

M3GAN 2.0 (2025): She’s Back, Taller, and Still Twisting

07 Monday Jul 2025

Posted by surgeons of horror in Movie review

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Tags

alison williams, amie donald, blumhouse, brian jordan alvarez, film, horror, jen vann epps, jenna davis, jermaine clement, M3gan, m3gan-2-0, movies, universal pictures, violet mcgraw

Me-Three-Gan Two.

The sequel we all knew was coming. And yes, we will be referring to our checklist of what makes a good sequel, but that aside, is this outing any good, and was it necessary?

From memory the last movie (reviewed and podcasted by me and Chris Dawes) was definitely ripe for franchising. So straight away we’re not in Matrix territory where the question “Why!? Just why!??” isn’t screaming in your head every few minutes.

In 2.0 we pick up two years after the last movie, where Megan’s creator – Gemma (Allison Williams) and her niece Cady (her name is Cady!?? The whole time you swear they’re calling her “Katie!) played by Violet McGraw – are continuing their lives as the only family each one of them has. Except now Gemma is a staunch and vocal advocate for AI regulation due to her knee-jerk reaction to being almost killed by a robot AI (of her own making, it should be said) and Cady (in turn) is following in her aunts’ footsteps (of sorts) by being a computer science nerd.

In an overcompensating effort by Gemma, she ensures Cady takes Akido lessons so she can defend herself. Unfortunately Cady takes those lessons to an unwanted extreme by regarding Steven Segal as a martial arts poster boy, and one beaten up school bully later, Cady gets in trouble; Gemma is at her wits end, and we soon realise life between them is full of tension. For Gemma still punishes herself for putting Cady in harm’s (Megan’s) way, and Cady hates on Gemma for… reasons. She’s a teenager now, so it’s Hollywood lore she be a little bitch to any authority figure in her life. To be honest, you kinda zone out when you go through their motivations ‘cause you’re keen for the Megan goodness to begin.

And that gets kick started by the presence of another killer robot named Ameila (played by NOT Olsen sister, Ivanna Sakhno). However, unlike Megan, Ameila is very lifelike in face and body, as she is constructed NOT to be a faux babysitter for kids, but as a turbo charged infiltration assassin for the CIA.

How she came into existence is the McGuffin that drives the Main Plot of this film, as we simultaneously find out that (shock surprise) Megan is still “alive”, in an online only sort of way. So when Amelia goes rogue (because of course she does) and comes after Gemma and Cady (for reasons you’ll have to watch to understand) Megan’s primary directive to protect Cady at all costs comes to the surface as she demands Gemma build her a new body to literally kung fu fight Amelia (robato robato).

So with our pieces on the board, let’s get into the nuts ‘n’ bolts of M3gan 2.0.

And for a more detailed description of that, as with our last analysis of the first movie, here’s Chris

Dawes with his half of this review.

Dude – I didn’t see it! You went to the premiere without me!

Chris Dawes

Thanks Chris!

Anyway – some highlights worth mentioning is the existence of another Chekov’s Gun in the form of a cybernetic exo-skeleton that makes people super strong (although its application is at least a little funnier/cooler than you’d think).

We also have a new Megan dance number. For those of you who don’t remember, the main (and some would argue, only) reason the first movie did so well, was because of Megan’s hip-hop/ballet moves she pulls before killing Ronnie Cheng. It was a perfectly bite sized Tik Tok moment which gave the film it’s viral boost as countless people imitated it along the lines of Deadpools *Nsync number. 

However, Megan’s effort this round – whilst certainly cool – is less memorable due to the fact it doesn’t have any unique & easy-to-copy dance move(s). In the first instalment it was a simple twist of the hips and a rubbery swing of the arms mixed with a sideways head-duck. But for 2.0 she does the Robot (very generic and a bit on the nose) with a 360-degree head spin (which is impossible to replicate). Although in its defence, it’s still entertaining to watch… 

Kiwi legend Jermaine Clement guest stars as Alton Appleton, a tech billionaire who serves as both plot device and comedy device.

Another nice (re)addition is the return of Gemma’s two co-workers from the last film Cole (Brian Jordan Alvarez) and Tess (Jen Vann Epps) giving us some nice continuity for 2 characters (and actors) who really don’t need to be there.

And speaking of returning cast – the 2 most important also come back, despite the fact that, had they not, a lot of people wouldn’t have noticed. And they are Amie Donald and Jenna Davis. For they are Megan. More specifically her body and voice respectively.

As Megan was meant to be a pre-teen to match Cady in the first film, the immediate problem they were always facing was, IF they were going to recreate her as before, they would have to recast. But the film-makers clearly appreciate one of the reasons Megan works, is because Donald and Davis clearly work.

And so – with Donald going through the typical growth spurt that comes with puberty – Megan finds herself a foot taller when given her new body, and leaning into this means that the franchise is trying to give the impression each instalment will be a continuation of Megan’s evolution; both in body and in sentience.

And that alone implies this film series will be less Chucky and more Terminator. In more ways than one, as tonally there is a clear shift in Megan’s role from being the Big Bad, to the thing that fights the Big Bad (just like Arnie did in T2)

The Prognosis:

The film-makers have put careful thought into this sequel by analysing the first film’s success, identifying what worked, and leaning into those markers.

So checklist time:

1. Is it a clone of the original? NO

2. Is it a clone of the original but simply more and just bigger? NO

3. Does it expand the universe/lore of the original? YES

4. Is it a good standalone film without relying too heavily on the original? YES

5. (Optional) Does it have a cool new gimmick or element that’s not in the original film, but sits well within the universe of the first film? (Eg: Think Yoda and his ground breaking puppetry in The Empire Strikes Back. Or the CGI T-1000 in T2). NO

6. Does it identify the SPIRIT of the original, and duplicate it? YES definitely.

Because the biggest thing the film-makers have wisely clocked is that Megan ISN’T a horror film, but a fun film. Camp fun. And that’s what makes this movie an upgrade from the original.

Bring on Me-Three-Gan-Three

  • Antony Yee

Movie review – M3gan

09 Thursday Feb 2023

Posted by surgeons of horror in Movie review

≈ 1 Comment

Tags

akela cooper, allison williams, blumhouse, blumhouse productions, gerard johnstone, James Wan, M3gan, ronnie chieng, violet mcgraw

It’s been an interesting time for Hollywood horror films.
And by that we mean scary films with proper studio backing, budget, and distribution.
The first two immediate examples being Smileand Barbarian, their financial success matching (if not exceeding) their critical praise. And whilst 2 such films is nicely eyebrow raising, a 3rd means when we start compiling our “Top 10 horror films of the past 12 months” we won’t be scratching our heads as we lament it has been a “thin season”.
And that’s thanks – in part – to M3gan.
When the trailer first came out, it looked very Hollywood generic. But here’s the thing with the age in which we live. On reddit chats and the like, there are countless examples of Influencers scamming their way through life, expecting free products and services in exchange for “exposure bucks”.
But the extra kick in the balls about all that is, exposure – the right kind and the right amount – does have power.
And in the case of M3gan, it was a simple TikTok video of the robot doll in question doing a murder dance. People LOVED it. Then they copied it. And then they meme’d it.
And bam, just like that M3gan entered the mainstream consciousness. Even before the movie came out, people were noticing the one thing other people (ie: people familiar with the uncanny valley and/or Real Doll enthusiasts) have known for years. And that is, lifelike dolls are creepy AF.
Which is interesting, because as a sub-genre, Doll Horror, isn’t that well regarded here at Surgeons

Killer Dolls podcast

Mainly because the dolls are usually possessed (which is always a bit hokey) and smaller than your average human. And they may look unsettling (Anabelle) but for the most part they are cartoonishly ridiculous (Chucky) with their kills often played for laughs.
In fact, in recent memory the last good Doll Horror was The Boy, and that was twisty in that (spoiler alert) the doll in question was just an actual doll and nothing more. And lord knows there’s been plenty of robots in movies where said robot can kill because it has a circular saw attachment, or shoots lasers or sum such. But an android with superhuman strength (why do they always make these things so much stronger than us? They just need to be physically strong enough to mimic humans in the real world, why give them the power to tear a baby’s head off!?) and has the complexion of a sex doll? That’s new.
Mainly because “realistic” androids in movies and tv shows are usually portrayed by real people with (sometimes) slightly pale make up. So the unsettling/creep factor with M3gan is strong, but that alone a movie doesn’t make.

Is it any good?
Well two words, Chekhov’s Gun. But to explain what that is, and a whole lot more, with his take on the movie, here’s Chris Dawes…

Ah yes, Chekov’s Gun – the age-old theatrical trope that if a prop (in this case, an incomplete boxing robot) is mentioned in the first half of a story, it must be integral to the story’s final moments (and everybody was bot-fu fightiiiing…).
So all in all, is this a movie worth watching? Absolutely. Great dialogue, tight plotting, with enough gore and laughs to be both light and dark in all the right places. A solid night’s entertainment and well worth the price of cinema admission.
However, my criticism is this (AND MAJOR SPOILERS AHEAD).
In the back of the film, M3GAN doesn’t so much turn on her creators as go full moustache twirling bond villain. Which, don’t get me wrong, makes for some hilariously snarky lines, but it is a very jarring character transition for a robot that was to this point, fairly HAL-like in the build up to her evilness. And I am pretty sure the reason for this dramatic shift is because James Wan and Co. accidentally made the bad guy way too sympathetic compakela ared to everyone else in the opening half of the film. Because here’s the thing – EVERY ADULT IN THIS MOVIE ABSOLUTELY FRACKING SUCKS, ESPECIALLY
THE PROTAGONIST. Gemma (played quite masterfully by Allison Williams) is an emotionally repressed, myopic computer
nerd who, despite showing no desire for any kind of family life, inexplicably demands that her recently orphaned niece (the child of her estranged sister) stay with her instead of her grandparents; makes no accommodations to her living situation to fit her niece in, neglects her while she goes through the worst possible kind of trauma, and only starts to see her as worth paying attention to
when it’s clear she can serve as an in-house focus group for M3GAN’s (a children’s toy designed with the combat prowess of John Wick, mind you) commercial prospects.
Off the back of that, once she makes the classic psycho-robot programming error of giving orders with ambiguous parameters (ie: protect the niece from all forms of physical and emotional harm) you absolutely understand why M3GAN goes the full death machine on the raging band of jerk-offs that are Gemma and her employers at the Funki Toy Company. Frankly, you are cheering her on. But that of course would make M3GAN’s inevitable defeat (or is it? DUN DUN DUUUUUUN!!!) unsatisfying for a popcorn picture vibe (The bad guy can’t be the good guy! What is this, a European film???).
So M3GAN, who is to this point the only character who has shown the niece any kind of emotional support (in a gut-punch of a scene that got some genuine sniffles out of the audience), suddenly becomes Chucky, and it took me out of it a bit.
Having said that, it’s still a hell of a ride. And Chekov’s boxing bot is kickass!
And now back to Ant Yee for the prognosis…


The Prognosis:


M3gan is a fun film. For horror buffs it’s not at all scary or gory, and as a hook, the premise and descent (into “madness”) of the titular character isn’t all that original. But it works and is very enjoyable, and a lot of that is thanks to the remarkable performance of the 2 actors Amie Donald (body) and Jenna Davis (voice) who bring her to life. That and the animatronics and the design work
that went into her. That was a home run too. Worth a short victory dance in fact.


i NB: In no way does M3gan actually resemble a sex doll – apart from being made up of the same weird rubbery silicon skin. (Surgeons of Horror legal disclaimer fulfilled).

  • Antony Yee and Chris Dawes

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