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Under Paris: A Sinking Shark Thriller with Fleeting Moments of Frenzy

06 Thursday Jun 2024

Posted by surgeons of horror in Movie review

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berenice bejo, film, horror, jaws, Killer shark, Movie review, movies, nassim lyes, netflix, shark movies, under paris, xavier gens

Netflix’s Under Paris attempts to dive deep into the shark horror genre, but unfortunately, it mostly treads water. While the film does have its moments, it ultimately feels like a mish-mash of recycled tropes, CGI overload, and a lack of genuine tension that leaves viewers unsatisfied.

The premise of Under Paris is intriguing enough: in order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine. However, the execution falls flat. The movie churns out all the shark horror chum we’ve seen before, blending it into an uninspired and predictable narrative. The CGI sharks lack realism, making it hard to suspend disbelief, and their overuse detracts from any potential suspense.

One of the most glaring issues is the film’s inability to build and maintain tension. Scenes that should be pulse-pounding instead feel routine and lackluster. The constant reliance on jump scares and clichéd horror elements fails to evoke the kind of dread that makes for a memorable shark horror film.

That said, Under Paris isn’t without its redeeming qualities. The catacombs scene stands out as a highlight, offering a chaotic and entertaining spectacle. The claustrophobic setting, combined with the frenetic pace, injects a dose of much-needed excitement and mayhem. It’s a brief glimpse of what the film could have been with better execution and more imaginative storytelling.

However, these moments are few and far between. Too many scenes are visually disorienting, resembling the view from inside a washing machine. This shaky, swirling camera work detracts from the action and leaves viewers feeling more nauseous than thrilled. It’s a stylistic choice that might have aimed to enhance the sense of panic but instead contributes to the overall sense of disarray.

In conclusion, Under Paris sinks more than it swims. Despite a few fun moments in the catacombs, the film is bogged down by overdone CGI, lack of tension, and disorienting cinematography. While it may offer some superficial thrills for die-hard fans of the genre, it ultimately fails to leave a lasting impression.

The Prognosis:

Under Paris is now streaming on Netflix, but unless you’re a completist for shark horror films, you might find yourself diving into disappointment.

  • Saul Muerte

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