“The Ghost“ (1963), directed by Riccardo Freda, stands as a significant entry in the annals of gothic horror, both for its atmospheric storytelling and for the continued rise of its star, Barbara Steele. Known for her unique ability to embody both vulnerability and malevolence, Steele’s performance in “The Ghost” cements her status as a queen of the genre. This film also serves as a testament to Freda’s directorial prowess and his attempts to reimagine the psychological intensity of Henri-Georges Clouzot’s “Les Diaboliques” within the framework of Italian horror cinema.

By 1963, Barbara Steele had already made a name for herself with her iconic roles in films like “Black Sunday” (1960). In “The Ghost,” she continues to captivate audiences with her magnetic screen presence and nuanced performance. Steele plays Margaret Hichcock, a woman entangled in a web of deceit and murder as she plots with her lover to kill her husband, Dr. John Hichcock, portrayed by Elio Jotta. Her ability to convey a complex mix of desperation, cunning, and vulnerability adds layers to the character, making Margaret a compelling and unforgettable figure in horror cinema.

Steele’s performance is a masterclass in gothic horror acting. Her expressive eyes and intense on-screen presence create a palpable sense of dread and anticipation. As she navigates the treacherous landscape of guilt and fear, Steele demonstrates why she became a defining figure in the genre, her legacy enduring through decades of horror cinema.

Riccardo Freda, a pioneer of Italian genre cinema, brings his distinct style and vision to “The Ghost.” Known for his ability to blend gothic elements with psychological horror, Freda creates an atmosphere that is both eerie and suspenseful. His meticulous attention to detail in the film’s set design, lighting, and cinematography enhances the haunting mood, enveloping viewers in a world of shadows and secrets.

Freda’s direction is characterized by his skillful use of pacing and tension. He allows the story to unfold gradually, building suspense through carefully crafted scenes that keep the audience on edge. This methodical approach is reminiscent of “Les Diaboliques,” with its slow-burning tension and psychological complexity. Freda’s ability to evoke a sense of unease and impending doom showcases his mastery of the horror genre and cements his place as a significant figure in Italian cinema.

“The Ghost” draws clear inspiration from Clouzot’s “Les Diaboliques,” a film renowned for its psychological depth and shocking twists. Freda’s adaptation, while rooted in gothic horror, retains the essence of Clouzot’s narrative style, focusing on betrayal, murder, and the unraveling of the human psyche. The plot’s intricate twists and turns, combined with Steele’s captivating performance, echo the tension and suspense that made “Les Diaboliques” a classic.

However, Freda infuses “The Ghost” with his unique touch, incorporating elements of supernatural horror that distinguish it from its predecessor. The eerie mansion, spectral apparitions, and dark rituals add a layer of gothic mystique, blending psychological horror with the supernatural. This fusion creates a distinctive atmosphere that sets “The Ghost” apart, offering a fresh take on the themes explored in “Les Diaboliques.”

“The Ghost” (1963) remains a pivotal film in the evolution of gothic horror, showcasing the talents of Barbara Steele and Riccardo Freda. Steele’s performance solidifies her status as a horror icon, while Freda’s direction and homage to “Les Diaboliques” highlight his ability to blend psychological and supernatural horror seamlessly. Together, they create a film that is both a tribute to and a reimagining of classic horror elements, leaving a lasting impact on the genre and continuing to captivate audiences with its atmospheric storytelling and chilling suspense.

• Saul Muerte