Dr. Terror’s House of Horrors is a prime example of the horror anthology format at its most entertaining, blending eerie tales with a rich atmosphere and a roster of legendary stars. Directed by Freddie Francis and produced by Amicus Productions, this 1965 film capitalises on the anthology craze of the time, delivering a package of five macabre stories wrapped in a sinister framing device that keeps the audience on edge from start to finish.

The film’s plot revolves around five men sharing a train compartment, each of whom has his fortune read by the mysterious Dr. Schreck (Peter Cushing), using a deck of tarot cards. Each card reveals a terrifying glimpse into their potential future, serving as the springboard for five distinct stories, each with its own unique flavour of horror.

The stories range from tales of vengeful plants and werewolves to voodoo curses and vampire lore, offering a diverse mix that keeps the film engaging. While not all segments are equally strong, there’s a consistency in tone and execution that makes the entire anthology satisfying as a whole. The direction by Freddie Francis, a seasoned cinematographer and director known for his work with Hammer Films, ensures that even the weaker segments are visually compelling and atmospherically rich.

The star power in Dr. Terror’s House of Horrors is one of its biggest draws. Peter Cushing is superb as the enigmatic Dr. Schreck, imbuing the role with just the right mix of menace and mystique. He is the glue that holds the anthology together, and his presence is felt in every story, even when he’s not on screen. The supporting cast is equally impressive, featuring Christopher Lee, Donald Sutherland, Michael Gough, and Roy Castle, each of whom brings their own charisma and gravitas to their respective segments.

Christopher Lee, in particular, shines as a snobbish art critic who finds himself at the mercy of a vengeful painter, while Donald Sutherland’s turn as a newlywed doctor who suspects his wife might be a vampire adds a chilling twist to the film’s final tale. These performances elevate the material, ensuring that even the more outlandish plots are delivered with conviction.

While the film is undeniably fun, it does have its limitations. Some of the stories feel a bit predictable by today’s standards, and the special effects, though effective for the time, may come off as quaint to modern viewers. However, these are minor quibbles when set against the film’s many strengths. The pacing is brisk, with each story moving swiftly to its inevitable twist, and the film never overstays its welcome.

The real charm of Dr. Terror’s House of Horrors lies in its ability to create an unsettling atmosphere with minimal resources. The film relies on suggestion, shadows, and the power of storytelling to evoke fear, rather than on gore or shock value. This restraint is refreshing and gives the film a timeless quality, making it a must-watch for fans of classic horror.

The Prognosis:

Dr. Terror’s House of Horrors stands as one of Amicus Productions’ finest contributions to the horror anthology genre. It’s a film that understands the appeal of a well-told tale, and while it may not be the most groundbreaking of horror films, it remains an enjoyable and memorable experience, especially for those who appreciate the genre’s golden era.

• Saul Muerte