Tags
aaron pedersen, angie milliken, australian film, Australian Horror, creature feature, horror, kangaroo, michael biehn, movies, review, rippy, tess haubrich
Australia has long mastered the art of transforming its wild, often dangerous natural environment into the stuff of horror legend. From Razorback‘s ferocious wild boar to Rogue’s man-eating crocodile and The Reef‘s relentless shark, Aussie horror films have found a niche in turning the country’s flora and fauna into nightmare fuel. Now, The Red tries its luck with a new terror—Rippy, the giant zombie kangaroo, who’s taking the outback’s reputation for dangerous wildlife to absurd new heights.
While The Red is steeped in gimmickry, Rippy’s story has just enough originality and humor to keep it from feeling stale. The film leans hard into its outrageous premise, following the havoc-wreaking, undead kangaroo as it terrorises the tiny town of Axehead. The premise alone is undoubtedly outlandish, and director Rhys Chapman is well aware of the absurdity; he amps up the comedic horror elements, encouraging audiences to revel in Rippy’s carnage. Yet, beneath the zany concept, there’s a steady effort to elevate the story with strong character performances—something that makes The Red stand out among other Aussie creature features.
At the heart of The Red are performances that bring depth to an otherwise campy storyline. Aaron Pedersen shines as the stoic but increasingly exasperated local, adding gravitas to scenes that might otherwise be overwhelmed by the film’s over-the-top antics. His ability to balance seriousness with humour gives the movie its grounding force, making even the most ludicrous moments feel slightly more plausible. Michael Biehn, a beloved name from genre classics like The Terminator and Aliens, steps in with his signature ruggedness, adding weight to the film’s more intense sequences and elevating Rippy’s rampage from pure comedy to something a bit more sinister. Their presence and commitment to their roles help counterbalance the camp factor, giving The Red an unexpected sense of charm.
Yet for all its strengths, The Red doesn’t quite manage to claw its way out of mediocrity. The film’s relentless commitment to its zombie kangaroo premise may not appeal to everyone, with the comedy often overshadowing the horror. Rippy is memorable, if only for his sheer ridiculousness, but he lacks the lasting menace of some of Australia’s other cinematic creatures. Still, The Red will likely find a niche audience who appreciates the tongue-in-cheek approach and the thrill of watching another Australian animal wreak havoc.
The Prognosis:
The Red may not have the lasting power of Australia’s more fearsome horror creatures, but for fans of genre-bending horror and quirky creature features, it’s worth a watch. Pedersen and Biehn’s solid performances keep it engaging enough, and even if Rippy doesn’t become Australia’s next horror icon, he’s definitely unforgettable.
- Saul Muerte
‘RIPPY’S GONE ROGUE’ AUSSIE ZOMBIE KANGAROO FILM ‘THE RED’ IN AUSTRALIAN CINEMAS OCTOBER 31