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~ Dissecting horror films

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Tag Archives: matthew john lawrence

Bloody Axe Wound (2025) – A Slasher with Sharp Ideas but a Blunt Edge

17 Monday Mar 2025

Posted by surgeons of horror in Movie review

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Tags

billy burke, matthew john lawrence, molly brown, shudder, shudder australia, slasher comedy

Shudder’s latest exclusive, Bloody Axe Wound, comes swinging with a promising concept—mixing slasher horror with media satire—but ultimately stumbles in execution. Set in the quiet yet bloodstained town of Clover Falls, the film follows Abbie Bladecut (Sari Arambulo), a teenager struggling with the weight of her family’s gruesome legacy. Her father, Roger Bladecut (Billy Burke), has turned murder into a business, capturing real-life killings and distributing them to eager viewers. But as Abbie begins questioning the family trade, she’s forced to decide whether to embrace the cycle of carnage or carve out her own path.

At its best, Bloody Axe Wound delivers a wickedly fun premise, bolstered by strong performances. Arambulo shines as Abbie, balancing vulnerability and determination, while Molly Brown (Dexter: Original Sin) brings a sharp edge as her friend Sam Crane. Billy Burke’s Roger exudes a sleazy charisma, making his character’s justifications for his twisted business both unsettling and eerily believable. There’s also a noteworthy cameo from Jeffrey Dean Morgan, whose presence adds some weight to the film, even if his role is fleeting.

However, despite its engaging setup, the film begins to veer off course as it struggles to sustain its own momentum. The biggest issue lies in its execution of the central premise—who exactly is filming these supposed “real” murder videos? The film flirts with the idea of voyeuristic horror and true crime obsession but never fully commits to exploring the logistics of its own mythology. Instead, it throws in a few late-game twists that feel more like distractions than revelations.

Director Matthew John Lawrence (Uncle Peckerhead) crafts some effectively gory set pieces, but the film’s tone wavers between biting satire and straight-up slasher mayhem, never fully committing to either. 

The Prognosis:

When it works, Bloody Axe Wound is an enjoyably grim ride with moments of inspired horror. When it falters, it leaves you questioning the gaps in its own logic. Still, there’s enough blood-soaked fun to make it worth a watch—just don’t expect it to leave a lasting mark.

  • Saul Muerte

Movie review: Uncle Peckerhead

12 Wednesday Aug 2020

Posted by surgeons of horror in Movie review

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Tags

chet siegel, david h littleton, demon, dread central, jeff riddle, matthew john lawrence, punk, ruby mccollister

Director Matthew John Lawrence’s vision of fusing his love of horror movies and punk rock is presented in Uncle Peckerhead, the story of deadbeat musicians willing to drop everything and pursue their own dream of musical recognition.
Said punk act, Duh! consist of band leader and bassist, Judy (Chet Siegel) who ironically is incredibly neurotic and unwilling to lose control of herself, a juxtaposition against the anarchic veins that form the punk movement.
Here it serves well as Judy’s character strives to free herself of her inhibitions and letting go of her self-made constraints.

Accompanying her in the band is deadpan doomsayer drummer, Mel (Ruby McColliister), and socially awkward guitarist and frontman. Max (Jeff Riddle). 

As the trio prepare to hit the road in order to gain enough festival experience to perform at their hometown, they hit a stumbling block in having their van towed away by the repo men.

Just when it appears that they are down on their luck, they have a chance encounter with Peckerhead (David H. Littleton), a seemingly sweet and friendly guy, all too willing to assist them with the use of his own van on the condition that he comes along. 

What could go wrong?
The fact that Peckhead happens to transform into a blood-sucking demon at the stroke of midnight, may cause some mishap along the way.

Lawrence does his best to tap into the kind of movie that you would watch with mates over a beer and some pizza, riffing on some cool, bloody, and gore-tastic vibes and in many ways he satiates the needs of the salivating horror enthusiasts, but there is something a little off key and jarring in its presentation.

When it works, the energy of the group are positively buzzing and the effects and gore on screen are suitably macabre with a hint of dark humour, a testament to the comedic talent involved.
The problem is on the down beats, the sizzle is lost and it falls flat, so the audience can feel like there’s a dead weight being dragged along to the film’s conclusion, which is painful in a non-pleasurable way.

The Prognosis:

If it’s cheap beer, decent food, and a bloody enjoyable ride you’re after, then Uncle Peckerhead has your back. 

If you want a bit more of a fine-dining experience in your horror serving, then this ain’t your kind of movie.

Best to keep on the good side of Peckerhead, let the good times roll, find your rhythm and let loose.

  • Saul Muerte

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