Tags
carry on, carry on films, carry on series, fenella fielding, gerald thomas, harry h corbett, kenneth williams, oddbod
Released at the height of the British Carry On series’ popularity, Carry On Screaming stands as a cheeky parody of classic horror films, blending comedy with the macabre in a way that only the Carry On team could. Directed by Gerald Thomas, this 1966 entry remains one of the series’ most memorable for its clever spoofing of the Hammer Horror films and Universal Monster features that were all the rage at the time.
The plot revolves around the dastardly Dr. Watt (played with fiendish glee by Kenneth Williams) and his monstrous sister Valeria (the ever-dominant Fenella Fielding), who create human-like mannequins from real people. The film’s horror tropes are familiar, but they’re twisted into comedic gold, with the absurdity of the Carry On brand on full display.
Carry On Screaming makes excellent use of its gothic horror influences—its fog-drenched sets and creaky mansions evoke the Hammer films that it lampoons. Yet, instead of fear, it mines laughter, as Detective Bung (Harry H. Corbett) bumbles his way through the mystery. The film also manages to poke fun at monster-movie clichés like the Frankenstein figure (Oddbod), with a lighthearted charm that appealed to 1960s audiences. Fielding’s sultry performance as Valeria, with her deadpan delivery, remains a standout and one of the most iconic roles in the Carry On catalogue.
In the wider context of the series, Carry On Screaming feels both nostalgic and fresh, reminding viewers of the playful irreverence the franchise was known for, while also marking one of its final creative high points. Though it may not have had the same cultural impact as some of its predecessors, its witty fusion of horror and humour has cemented it as a cult favorite among both horror and comedy fans alike.
- Saul Muerte