Tags
aaron gocs, ben russell, comedy, damian callinan, dane simpson, emu war, film, history, hot dad productions, humour, lisa fineberg, monster fest, review, umbrella entertainment
The Emu War, the latest offering from the prolific Australian comedy outfit Hot Dad Productions, is an unhinged take on the infamous Great Emu War of 1932. Following sold-out screenings at Monster Fest 2023, where the film clinched the coveted Golden Monster Award, the movie is set to hit national event screenings from June 21-23, 2023. Despite its purposefully crass nature and over-the-top tone, “The Emu War” offers a mixed bag of entertainment that may leave some audiences divided.
The film, a feature adaptation of a web series, leans heavily into its absurd premise: a rag-tag platoon of soldiers engaging in a brutal and bloody battle against Australia’s deadliest flightless birds. The narrative follows Major Meredith, haunted by the kidnapping of his son by the emus, as he leads his platoon behind enemy lines to confront the Queen Emu. This ludicrous storyline sets the stage for a barrage of jokes, sight gags, and comedic set pieces designed to elicit laughs through sheer audacity.
Starring some of Australia’s finest comedians, including Damian Callinan, Lisa Fineberg, Aaron Gocs, Dane Simpson, and Ben Russell, the film is packed with performances that range from genuinely funny to painfully over-the-top. While the ensemble cast brings undeniable energy and enthusiasm to their roles, the relentless pursuit of humour often comes at the expense of narrative coherence and character development.
Hot Dad Productions’ trademark style is evident throughout the film, with its crass humour and wild antics front and centre. However, this very quality may also be its downfall. The film’s crude jokes and grotesque humour, while initially amusing, quickly become repetitive and tiresome. Audiences expecting a more nuanced or satirical take on the historical event may find themselves disappointed by the film’s unwavering commitment to lowbrow comedy.
Moreover, the film’s production values, while commendable for a project of this scale, occasionally falter under the weight of its ambitions. Some action sequences and special effects feel amateurish, detracting from the overall viewing experience. The film’s pacing is also uneven, with moments of frenetic activity interspersed with slower, less engaging scenes that fail to maintain momentum.
Despite these shortcomings, The Emu War is not without its merits. The film’s willingness to embrace its ridiculous premise wholeheartedly is admirable, and there are moments of genuine hilarity scattered throughout. For fans of offbeat, irreverent humour, the film delivers exactly what it promises: an over-the-top, laugh-out-loud adventure that doesn’t take itself too seriously.
The Prognosis:
“The Emu War” is a bold and brash comedic endeavour that will likely polarise audiences. Its crass nature and relentless pursuit of humour make it a wild ride, but one that may not be to everyone’s taste. While it succeeds in creating moments of laughter and absurdity, the film’s overall execution leaves much to be desired. Whether this adventurous romp becomes a cult favourite or a forgotten footnote will depend largely on the audience’s appetite for its brand of humour.
- Saul Muerte
THE EMU WAR will be screening nationally across 21- 23 June, with cast and crew in attendance at all Melbourne screenings, before its release on video on demand platforms on July 8.