Retrospective: Night of the Eagle Soars as a Timeless Classic of Occult Horror”

06 Thursday Jun 2024

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Night of the Eagle, released in the United States as Burn, Witch, Burn, stands as a landmark in the realm of occult horror films, leaving an indelible mark on the genre that continues to resonate even today.

The film’s narrative, adapted from Fritz Leiber’s novel “Conjure Wife,” deftly weaves together the clash between rationalism and superstition within the mundane setting of academia. At its core, it’s a gripping exploration of belief systems and the unseen forces that shape our lives, all set against a backdrop of escalating tension and supernatural intrigue.

One of the film’s greatest strengths lies in its ability to create a palpable sense of unease, drawing viewers into a world where the line between reality and the supernatural is blurred. From the eerie atmosphere to the chilling sequences of occult practices, every moment is crafted with meticulous attention to detail, keeping audiences on the edge of their seats until the very end.

Director Sidney Hayers masterfully navigates the intricate web of suspense, delivering a cinematic experience that is both atmospheric and understated, reminiscent of the atmospheric works of Val Lewton. His direction, though occasionally rhetorical, adds an eerie effectiveness to the proceedings, heightening the sense of dread with each passing scene.

Central to the film’s success is the stellar performances delivered by the cast, led by Peter Wyngarde and Janet Blair. Wyngarde’s portrayal of the skeptical psychology professor, torn between reason and superstition, is both nuanced and compelling, while Blair shines as his conflicted wife, caught in a web of dark forces beyond her control.

Night of the Eagle received acclaim from critics upon its release, with many praising its suspenseful narrative, taut direction, and realistic portrayal of campus politics. While not universally regarded as a classic, its impact on the horror genre cannot be overstated, influencing countless filmmakers and paving the way for a new wave of occult-themed films.

In an era where horror often relies on cheap thrills and jump scares, Night of the Eagle stands as a testament to the power of atmospheric storytelling and psychological terror. It remains a timeless classic that continues to captivate audiences with its timeless tale of witchcraft, superstition, and the dark forces that lurk in the shadows of everyday life.

  • Saul Muerte

Under Paris: A Sinking Shark Thriller with Fleeting Moments of Frenzy

06 Thursday Jun 2024

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Netflix’s Under Paris attempts to dive deep into the shark horror genre, but unfortunately, it mostly treads water. While the film does have its moments, it ultimately feels like a mish-mash of recycled tropes, CGI overload, and a lack of genuine tension that leaves viewers unsatisfied.

The premise of Under Paris is intriguing enough: in order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine. However, the execution falls flat. The movie churns out all the shark horror chum we’ve seen before, blending it into an uninspired and predictable narrative. The CGI sharks lack realism, making it hard to suspend disbelief, and their overuse detracts from any potential suspense.

One of the most glaring issues is the film’s inability to build and maintain tension. Scenes that should be pulse-pounding instead feel routine and lackluster. The constant reliance on jump scares and clichéd horror elements fails to evoke the kind of dread that makes for a memorable shark horror film.

That said, Under Paris isn’t without its redeeming qualities. The catacombs scene stands out as a highlight, offering a chaotic and entertaining spectacle. The claustrophobic setting, combined with the frenetic pace, injects a dose of much-needed excitement and mayhem. It’s a brief glimpse of what the film could have been with better execution and more imaginative storytelling.

However, these moments are few and far between. Too many scenes are visually disorienting, resembling the view from inside a washing machine. This shaky, swirling camera work detracts from the action and leaves viewers feeling more nauseous than thrilled. It’s a stylistic choice that might have aimed to enhance the sense of panic but instead contributes to the overall sense of disarray.

In conclusion, Under Paris sinks more than it swims. Despite a few fun moments in the catacombs, the film is bogged down by overdone CGI, lack of tension, and disorienting cinematography. While it may offer some superficial thrills for die-hard fans of the genre, it ultimately fails to leave a lasting impression.

The Prognosis:

Under Paris is now streaming on Netflix, but unless you’re a completist for shark horror films, you might find yourself diving into disappointment.

  • Saul Muerte

Movie Review: Frogman (2023)

04 Tuesday Jun 2024

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Anthony Cousins’ Frogman croaks its way onto Screambox with a premise that delves into the eerie legend of the Loveland Frogman. This found footage horror flick follows three friends on a quest to uncover the truth behind the local amphibious cryptid, only to discover that the legend holds more truth—and terror—than they could have imagined.

Frogman draws heavily from the influential found footage classic The Blair Witch Project. This influence is evident in both the film’s strengths and its weaknesses. On the one hand, the similarities lend Frogman a sense of nostalgic familiarity. The shaky camera work, the realistic portrayals of fear, and the gradual build-up of suspense all harken back to Blair Witch, grounding Frogman in a tried-and-true formula that successfully evokes a creeping sense of dread.

The found footage style effectively immerses the viewer in the trio’s journey. The film’s setting—dense, misty woods—adds to the atmosphere, with the natural sounds of the forest punctuated by unsettling croaks that hint at the lurking presence of the Frogman. The tension builds slowly but steadily, leading to several genuinely chilling moments as the friends inch closer to the truth.

However, the film’s adherence to the Blair Witch template also highlights some of its limitations. Frogman struggles to break new ground, often feeling like a retread of familiar territory rather than a fresh take on the found footage genre. The characters, while likable, sometimes fall into predictable patterns, and the plot occasionally meanders, losing momentum in places where it should be tightening the suspense.

Despite these issues, Frogman manages to carve out its own identity, thanks largely to the intriguing legend at its core. The Loveland Frogman is a fascinating figure, and the film’s exploration of this cryptid adds a layer of originality that helps to distinguish it from its predecessors. The climax, while somewhat conventional, delivers enough thrills to satisfy fans of the genre.

In conclusion, Frogman is a solid entry into the found footage horror canon. It may not fully escape the shadow of The Blair Witch Project, but it leverages its similarities to craft an engaging and eerie experience. For those who enjoy cryptid lore and slow-burn horror, Frogman is worth a watch—just don’t expect it to completely revolutionize the genre.

The Prognosis:

The croaks are no hoax! Frogman hops onto Screambox exclusively on June 7. Don’t miss this ribbiting found footage curio as it explores the chilling local legend of the Loveland Frogman.

  • Saul Muerte

Property: A Riveting and Thought-Provoking Home-Invasion Thriller

02 Sunday Jun 2024

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Dark Star Pictures’ latest release, Property, has just landed on selected Digital and On Demand platforms, is an unmissable addition to the home-invasion horror genre. Directed by Daniel Bandeira, this film is a gripping exploration of violence, power dynamics, and the complexities of empathy and resistance.

Having clinched Best Picture at last year’s Fantastic Fest, Property has been making waves across the genre festival circuit, with notable screenings at Sitges, Edinburgh, Berlin, and over 20 other festivals worldwide. It’s not hard to see why this film has garnered such significant attention.

Set against the backdrop of a stately country house, Property tells the story of a wealthy couple whose idyllic retreat is brutally interrupted by laborers from the surrounding farm. What unfolds is a tense and visceral narrative that forces viewers to confront uncomfortable truths about society.

Bandeira’s direction shines as he deftly navigates the political undertones of the story. He crafts a narrative that not only thrills but also provokes thought about the real-world implications of violence and power. The film’s success lies in its ability to humanize both the privileged and the oppressed, creating a layered and nuanced portrayal of each character’s motivations and struggles.

The lead character, Tereza (Malu Galli) despite her privileged background, evokes deep empathy from the audience. Bandeira skillfully uses the pre-credits sequence to reveal her earlier trauma, providing a poignant context for her actions and decisions throughout the film. This backstory adds a rich layer of complexity, making her more than just a symbol of wealth and privilege, but a multifaceted individual shaped by her experiences.

Equally compelling is the portrayal of the farm workers who stage the home invasion. Their actions are driven by desperation and a palpable sense of injustice, reflecting the harsh realities faced by the underprivileged. Bandeira does not shy away from depicting their struggle in a raw and honest manner, allowing the audience to empathize with their plight even as they resort to dark and desperate means.

Property excels in its ability to maintain a relentless pace and intense atmosphere, keeping viewers on the edge of their seats. The cinematography captures the stark contrast between the opulent interiors of the country house and the gritty reality of the farm workers’ lives, enhancing the film’s thematic depth.

The Prognosis:

Property is a standout film that transcends the typical boundaries of the home-invasion genre. Its thought-provoking themes, combined with visceral thrills, make it a must-watch. Bandeira’s masterful direction and the powerful performances from the cast ensure that Property leaves a lasting impact long after the credits roll. This film is a compelling reminder of the complexities of empathy, violence, and resistance in our society.

  • Saul Muerte

Exploring the Haunting Beauty: A Retrospective Review of ‘The Cursed Palace’ (1962)

01 Saturday Jun 2024

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Released in 1962, The Cursed Palace, also known as “El-Qasr el-Maloon,” stands as a haunting gem in the realm of classic cinema. Directed by [Director’s Name], this film unfolds a spectral mystery within the confines of a foreboding palace, where the realms of the living and the dead blur into an eerie tapestry of intrigue.

Set against the backdrop of an old manor shrouded in legend and whispered tales of curses, the narrative follows the journey of a lawyer tasked with preparing a testament for the enigmatic resident of the palace. As he delves deeper into the labyrinthine corridors of the estate, he becomes entangled in a web of secrets, uncovering the haunting past that binds the palace’s strange inhabitants.

One of the film’s most striking elements is its atmospheric prowess. From the moment the audience is introduced to the looming silhouette of the cursed palace, a palpable sense of unease permeates every frame. The director masterfully crafts an ambiance of foreboding, employing shadow and light to weave a visual symphony that lingers long after the credits roll.

Central to the film’s allure are its characters, each imbued with a complexity that adds layers to the unfolding mystery. From the enigmatic old man whose past is veiled in shadow to the spectral figures that wander the halls, every persona contributes to the rich tapestry of the narrative. The performances, steeped in nuance and subtlety, breathe life into these characters, drawing the audience deeper into their world of secrets and intrigue.

At its core, The Cursed Palace is a tale of the human condition, exploring themes of guilt, redemption, and the relentless passage of time. Through its spectral lens, the film invites viewers to confront their own fears and desires, prompting reflection on the nature of mortality and the legacy we leave behind.

Despite its age, The Cursed Palace remains a timeless classic, its allure undiminished by the passage of time. With its haunting beauty and masterful storytelling, it continues to captivate audiences, inviting them to journey into the heart of darkness and emerge forever changed.

The Prognosis:

The Cursed Palace stands as a testament to the enduring power of cinema to transport audiences to realms both fantastical and haunting. With its evocative imagery, compelling characters, and timeless themes, it remains a shining example of the artistry and magic of filmmaking.

  • Saul Muerte

Unearthing Dread: Reflecting on “The Premature Burial” (1962)

31 Friday May 2024

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In the pantheon of Edgar Allan Poe adaptations, Roger Corman’s The Premature Burial (1962) stands as a haunting testament to the macabre. This atmospheric horror film, inspired by Poe’s chilling tale of premature interment, captivates audiences with its blend of gothic imagery, psychological tension, and tragic inevitability.

Set in the gloomy recesses of a decaying mansion, the film follows Guy Carrell, played with eerie intensity by Ray Milland, a man haunted by a morbid fear of being buried alive. Milland’s portrayal of Carrell is a masterclass in psychological torment, his descent into madness palpable with each paranoid glance and trembling hand.

Corman’s direction imbues the film with an oppressive sense of claustrophobia, as shadowy corridors and dimly lit chambers serve as the backdrop for Carrell’s descent into madness. The use of atmospheric lighting and haunting musical cues heightens the sense of dread, keeping audiences on the edge of their seats until the film’s shocking climax.

One of the film’s most striking features is its exploration of mortality and the fear of the unknown. Through Carrell’s obsession with death and his relentless pursuit of immortality, The Premature Burial delves into the darker recesses of the human psyche, confronting audiences with their own mortality and the inevitability of their demise.

While not without its flaws, including occasional pacing issues and narrative contrivances, The Premature Burial remains a chilling reminder of the fragility of life and the terror of the grave. Its enduring legacy as a classic of gothic horror is a testament to Corman’s visionary direction and Milland’s unforgettable performance.

In retrospect, the legacy of The Premature Burial is inextricably linked to the talents of Roger Corman and Ray Milland. Corman, known for his prolific output and innovative approach to low-budget filmmaking, leaves behind a legacy of genre-defining classics that continue to inspire filmmakers to this day. His keen eye for atmospheric detail and mastery of suspense are on full display in The Premature Burial, cementing his status as a true maestro of horror.

Similarly, Ray Milland’s contribution to the film cannot be overstated. With a career spanning decades and encompassing a wide range of roles, Milland’s portrayal of Guy Carrell stands as one of his most memorable performances. His ability to convey the character’s descent into madness with nuance and subtlety elevates the film beyond mere genre fare, earning him a place among the pantheon of horror greats.

The Prognosis:

The Premature Burial remains a haunting reminder of the power of cinema to confront our deepest fears and darkest desires. Its enduring legacy as a classic of gothic horror ensures that it will continue to chill audiences for generations to come.

  • Saul Muerte

Eclipsing Darkness: Exploring the Legacy of ‘The Slaughter of the Vampires’ by Roberto Mauri

30 Thursday May 2024

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The Slaughter of the Vampires stands as a peculiar artifact within the realm of cult horror cinema, directed by Roberto Mauri and released in 1962. This Italian gothic horror film, also known as “La Strage dei Vampiri,” captivates audiences with its unique blend of traditional vampire lore and avant-garde storytelling.

Set against the backdrop of a decaying castle in a remote European village, the film unfolds a tale of forbidden love, betrayal, and supernatural terror. Mauri’s direction infuses the narrative with an eerie atmosphere, using shadowy cinematography and haunting musical scores to evoke a sense of dread and foreboding.

One of the film’s standout features is its portrayal of vampires. Departing from the romanticized image popularized by earlier works, Mauri presents vampires as grotesque and menacing creatures, with pale visages and feral instincts. This departure from convention lends the film a sense of freshness and unpredictability, keeping viewers on the edge of their seats.

Central to the film’s allure is its exploration of themes such as desire, mortality, and the corruption of power. Through the character dynamics and plot twists, Mauri crafts a narrative that delves into the darker recesses of the human psyche, challenging audiences to confront their deepest fears and desires.

However, “The Slaughter of the Vampires” is not without its flaws. The film’s low budget is evident in its production values, with occasional instances of stilted acting and rudimentary special effects. Some viewers may also find fault with the pacing, as the film meanders at times before reaching its climactic conclusion.

Nevertheless, despite its shortcomings, “The Slaughter of the Vampires” remains a captivating piece of cinema that has earned its place in the annals of horror history. Its unapologetic embrace of the macabre and its willingness to push the boundaries of the genre make it a must-see for aficionados of cult cinema and vampire lore alike.

  • Saul Muerte

Unleashing Terror: The Babadook – A Psychological Thriller Dividing Horror Fans

30 Thursday May 2024

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The Babadook stands as a chilling testament to the power of psychological horror, weaving a narrative that is as emotionally resonant as it is viscerally terrifying. Jennifer Kent’s directorial debut delves deep into themes of grief, motherhood, and the darkness that lurks within the human psyche, crafting an unsettling tale that lingers long after the credits roll.

Essie Davis delivers a powerhouse performance as Amelia, a widowed single mother struggling to cope with the loss of her husband while raising her troubled son, Samuel, portrayed with remarkable depth by Noah Wiseman. Their strained relationship serves as the emotional core of the film, anchoring the supernatural horrors that unfold within their home.

At its heart, The Babadook is a story about confronting one’s inner demons, both literal and metaphorical. The titular monster serves as a manifestation of Amelia’s grief and trauma, haunting her every waking moment and driving her to the brink of madness. Kent masterfully builds tension throughout the film, utilizing a minimalist aesthetic and atmospheric cinematography to create a sense of claustrophobia and dread.

But what truly sets The Babadook apart is its willingness to delve into the complexities of its characters, refusing to shy away from the darker aspects of motherhood and mental illness. Amelia’s descent into madness is portrayed with raw intensity, blurring the lines between reality and hallucination in a way that keeps the audience on edge until the very end.

Yet, despite its terrifying premise, The Babadook is ultimately a story of resilience and redemption. As Amelia and Samuel confront the darkness within themselves, they emerge stronger and more united than ever before, proving that even the most terrifying monsters can be overcome with courage and love.

Division Among Horror Fans:

The Babadook has proven to be a divisive film among horror fans, with its unconventional approach to the genre garnering both praise and criticism. Some viewers have lauded its psychological depth and emotional complexity, hailing it as a modern masterpiece of horror cinema. Others, however, have found fault with its slow pacing and ambiguous ending, arguing that it fails to deliver the visceral scares expected from a traditional horror film.

Yet, it is precisely this division that speaks to the film’s lasting impact and significance within the genre. By daring to subvert audience expectations and explore themes rarely addressed in mainstream horror, The Babadook challenges viewers to confront their own fears and anxieties in ways that few films dare to do.

In the end, whether you love it or loathe it, The Babadook remains a haunting and thought-provoking journey into the darkness of the human soul, solidifying its place as a cult classic in the annals of horror history.

The Prognosis:

The Babadook is a must-watch for horror aficionados seeking a truly spine-tingling experience. With its powerful performances, chilling atmosphere, and profound exploration of grief and trauma, it stands as a testament to the enduring power of the genre. Whether you’re a die-hard horror fan or simply looking for a film that will leave you sleeping with the lights on, The Babadook delivers in spades.

  • Saul Muerte

The Babadook will be streaming on Shudder from 3rd June.

PODCAST: The Babadook

Retrospective: Infernal Trio (1974) 50 years of Taboo-breaking cinema

29 Wednesday May 2024

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Drawing inspiration from the source material by Solange Fasquelle, “The Infernal Trio” marks the directorial debut of Francis Girod. Girod, like any aspiring filmmaker, undoubtedly aimed to make a lasting impression with his inaugural work, and this dark and chilling portrayal of body disposal certainly succeeded in leaving its mark, albeit for reasons that may unsettle some viewers.

The film centers on the notorious case of Georges-Alexandre Sarret, whose gruesome methods of disposing of his victims’ remains drew comparisons to infamous criminals like John George Haigh, the ‘acid bath murderer’. Sarret’s story culminated in a date with Madame la Guillotine in 1934, while his Bavarian accomplices, the Schmidt sisters, faced their own justice with lengthy prison sentences.

Portrayed by the talented Michel Piccoli and Romy Schneider, alongside Mascha Gonska as Catherine Schmidt, the film delves into the twisted dynamics of this utterly depraved trio. It’s the compelling performances and charisma of these three actors that elevate the film, making it bearable even during its most gruesome moments, such as the harrowing ‘acid bath’ sequence.

Particularly noteworthy is Schneider’s portrayal of Philomena Schmidt, a role that challenged her previous screen persona and showcased her versatility as an actress. In her mid-thirties at the time of filming, Schneider delivers a powerhouse performance, fully embodying the complexities of her character’s dark desires and actions.

While the film takes creative liberties for dramatic effect, omitting certain events like Sarret’s trial and execution, it remains a haunting and thought-provoking exploration of human depravity and moral decay. The decision to end the film with Sarret’s marriage to Philomena adds a chilling final note, leaving audiences to ponder the true depths of evil that lurk within the human soul.

In the end, The Infernal Trio stands as a testament to the courage of its cast and crew, who fearlessly tackled taboo subject matter with unflinching honesty and artistic integrity. As the film celebrates its 50th anniversary, it serves as a reminder of the power of cinema to confront the darkest aspects of humanity and challenge our perceptions of good and evil.

  • Saul Muerte

Alice in Terrorland: A Nightmarish Descent into Disappointment

28 Tuesday May 2024

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Alice in Terrorland, directed by Richard John Taylor, promises a sinister twist on a beloved children’s classic but ultimately fails to deliver anything but a waking nightmare for viewers.

The film follows 15-year-old Alice, portrayed by Lizzy Willis, who, following the tragic death of her parents, is sent to live with her reclusive grandmother at the remote estate ‘Wonderland’. While the premise holds potential for intrigue, the execution quickly devolves into a confusing mess of clichés and lackluster scares.

Despite the presence of seasoned actors like Rula Lenska, known for her roles in EastEnders and Doctor Who, the performances feel wooden and uninspired. Lenska’s talent is squandered in a role that lacks depth and fails to engage the audience.

One of the film’s biggest missteps is its attempt to blend horror with the classic tale of Alice’s Adventures in Wonderland. While the source material has been reimagined in countless ways over the years, Alice in Terrorland adds nothing new to the conversation. Instead, it relies on tired tropes and predictable plot twists that do little to captivate or thrill.

In a landscape where old children’s literature is being reimagined as horror films with varying degrees of success, Alice in Terrorland falls squarely into the category of “disastrous results”. It pales in comparison to recent attempts like Winnie the Pooh: Blood & Honey, failing to capture the imagination or instill genuine fear in its audience.

Overall, Alice in Terrorland is a forgettable addition to the horror genre, offering little more than a tedious journey through a familiar nightmare. If you’re looking for a truly chilling adaptation of a beloved classic, you’d be better off exploring other options.

  • Saul Muerte

Alice in Terrorland will be released on Home Entertainment in June.